BiblioVault - Books about Human body

Pain, Death, and the Law

Austin Sarat, Editor

University of Michigan Press, 2001

This collection of essays examines the relationship between pain, death, and the law and addresses the question of how the law constructs pain and death as jurisprudential facts. The empirical focus of these essays enables the reader to delve into both the history and the theoretical complexities of the pain-death-law relationship. The combination of the theoretical and the empirical broadens the contribution this volume will undoubtedly make to debates in which the right to live or die is the core issue at hand.

This volume will be an important read for policy makers and legal practitioners and a valuable text for courses in law, the social sciences, and the humanities.

Austin Sarat is William Nelson Cromwell Professor of Jurisprudence and Political Science, Amherst College.

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Paul and the Resurrected Body

Social Identity and Ethical Practice

Matt O'Reilly

SBL Press, 2020

A new reading of Pauline theology, ethics, and eschatology grounded in social-identity theory and sociorhetorical criticism

Readers often think of Paul’s attitude toward the resurrection of the body in individual terms: a single body raised as the climax of an individual’s salvation. In Paul and the Resurrected Body: Social Identity and Ethical Practice, Matt O’Reilly makes the case that, for Paul, the social dimension of future bodily resurrection is just as important, if not more so. Through a close reading of key texts in the letters to the Corinthians, Romans, and Philippians, O’Reilly argues that resurrection is integral to Paul’s understanding of Christian social identity. In Paul’s theological reasoning, a believer’s hope for the future depends on being identified as part of the people of God who will be resurrected.

Features

A clarification of the eschatological basis for Paul’s ethical expectations
Exploration of the social significance of Paul’s theological reasoning
An integration of ancient rhetorical theory with contemporary social-identity theory

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Physical Attractiveness and the Theory of Sexual Selection

Results from Five Populations

Doug Jones with a foreword by Donald Symons

University of Michigan Press, 1996

In this fascinating study of five populations, author Doug Jones explores the possibility that hardwired into the human psyche are standards of beauty that are really preferences and signals for good health.

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Poetics of the Flesh

Mayra Rivera

Duke University Press, 2015

In Poetics of the Flesh Mayra Rivera offers poetic reflections on how we understand our carnal relationship to the world, at once spiritual, organic, and social. She connects conversations about corporeality in theology, political theory, and continental philosophy to show the relationship between the ways ancient Christian thinkers and modern Western philosophers conceive of the "body" and "flesh.” Her readings of the biblical writings of John and Paul as well as the work of Tertullian illustrate how Christian ideas of flesh influenced the works of Maurice Merleau-Ponty and Michel Foucault, and inform her readings of Judith Butler, Frantz Fanon, and others. Rivera also furthers developments in new materialism by exploring the intersections among bodies, material elements, social arrangements, and discourses through body and flesh. By painting a complex picture of bodies, and by developing an account of how the social materializes in flesh, Rivera provides a new way to understand gender and race.

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The Politics of Dialogic Imagination

Power and Popular Culture in Early Modern Japan

Katsuya Hirano

University of Chicago Press, 2013

In The Politics of Dialogic Imagination, Katsuya Hirano seeks to understand why, with its seemingly unrivaled power, the Tokugawa shogunate of early modern Japan tried so hard to regulate the ostensibly unimportant popular culture of Edo (present-day Tokyo)—including fashion, leisure activities, prints, and theater. He does so by examining the works of writers and artists who depicted and celebrated the culture of play and pleasure associated with Edo’s street entertainers, vagrants, actors, and prostitutes, whom Tokugawa authorities condemned to be detrimental to public mores, social order, and political economy.

Hirano uncovers a logic of politics within Edo’s cultural works that was extremely potent in exposing contradictions between the formal structure of the Tokugawa world and its rapidly changing realities. He goes on to look at the effects of this logic, examining policies enacted during the next era—the Meiji period—that mark a drastic reconfiguration of power and a new politics toward ordinary people under modernizing Japan. Deftly navigating Japan’s history and culture, The Politics of Dialogic Imaginationprovides a sophisticated account of a country in the process of radical transformation—and of the intensely creative culture that came out of it.

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The Pope's Body

Agostino Paravicini-Bagliani

University of Chicago Press, 2000

In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life.

Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.

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Presence in the Flesh

The Body in Medicine

Katharine Young

Harvard University Press, 1997

Any woman who has been examined by a gynecologist could tell Descartes a thing or two about the mind/body problem. Is her body an object? Is it the self? Is it both, and if so, how? Katharine Young takes up this problem in a book that looks at medicine's means of separating self and body--and at the body's ways of resisting.

Disembodiment--rendering the body an object and the self bodyless--is the foundational gesture of medicine. How, then, does medical practice acknowledge the presence of the person in the objectified body? Young considers in detail the "choreography" such a maneuver requires--and the different turns it takes during a routine exam, or surgery, or even an autopsy. Distinctions between public and private, inside and outside, assume new meanings as medical practice proceeds from one venue to the next--waiting room to examining table, anteroom to operating theater, from the body's exterior to its internal organs. Young inspects the management of these and other "boundaries"--as a physician adds layers of clothing and a patient removes layers, as the rules of objective and subjective discourse shift, as notions of intimacy determine the etiquette of exchanges between doctor and patient.

From embodied positions within the realm of medicine and disembodied positions outside it, Young richly conveys the complexity of presence in the flesh.

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Primary Care

More Poems by Physicians

Angela Belli

University of Iowa Press, 2006

Medicine has always been an emotionally and spiritually challenging profession. Today, confronted with the rapid progress of technology, the shifting sands of health care economics, and glaring disparities in health care and human rights, physicians experience challenges that grow constantly more demanding. As a result, many doctors attempt to build into their lives opportunities for reflection and self-awareness. It is in this context that medical poetry has blossomed.Primary Care, the second anthology of physician poems edited by Angela Belli and Jack Coulehan, proves that the poetry movement in medicine continues to flourish. Fifty-two contemporary physician poets contribute one hundred poems that explore medical practice, interpersonal relationships, and the modern world. Their poems record instances of pain and suffering, joy and grief, humor and irony. Their subjects range from caregivers, patients, trainees, and teachers to poverty, injustice, and war throughout the world.In some cases we find the poets in their professional milieu as they reveal interactions with patients and colleagues. Other poems address private worlds and family relationships. In others the poets turn outward and direct their attention to social and global concerns. Characterized by an immense and kind-hearted sympathy for and empathy with those who are suffering, the poets recognize that everyone’s life is diminished by the trauma of illness and death.

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The Prince’s Body

Vincenzo Gonzaga and Renaissance Medicine

Valeria Finucci

Harvard University Press, 2015

Defining the proper female body, seeking elective surgery for beauty, enjoying lavish spa treatments, and combating impotence might seem like today’s celebrity infatuations. However, these preoccupations were very much alive in the early modern period. Valeria Finucci recounts the story of a well-known patron of arts and music in Renaissance Italy, Duke Vincenzo Gonzaga of Mantua (1562–1612), to examine the culture, fears, and captivations of his times. Using four notorious moments in Vincenzo’s life, Finucci explores changing concepts of sexuality, reproduction, beauty, and aging.

The first was Vincenzo’s inability to consummate his earliest marriage and subsequent medical inquiry, which elucidates new concepts of female anatomy. Second, Vincenzo’s interactions with Bolognese doctor Gaspare Tagliacozzi, the “father of plastic surgery,” illuminate contemporary fascinations with elective procedures. Vincenzo’s use of thermal spas explores the proliferation of holistic, noninvasive therapies to manage pain, detoxify, and rehabilitate what the medicine of the time could not address. And finally, Vincenzo’s search for a cure for impotence later in life analyzes masculinity and aging.

By examining letters, doctors’ advice, reports, receipts, and travelogues, together with (and against) medical, herbal, theological, even legal publications of the period, Finucci describes an early modern cultural history of the pathology of human reproduction, the physiology of aging, and the science of rejuvenation as they affected a prince with a large ego and an even larger purse. In doing so, she deftly marries salacious tales with historical analysis to tell a broader story of Italian Renaissance cultural adjustments and obsessions.

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