Set in Arequipa during Peru's recent years of crisis, this ethnography reveals how dress creates gendered bodies. It explores why people wear clothes, why people make art, and why those things matter in a war-torn land. Blenda Femenías argues that women's clothes are key symbols of gender identity and resistance to racism.

Moving between metropolitan Arequipa and rural Caylloma Province, the central characters are the Quechua- and Spanish-speaking maize farmers and alpaca herders of the Colca Valley. Their identification as Indians, whites, and mestizos emerges through locally produced garments called bordados. Because the artists who create these beautiful objects are also producers who carve an economic foothold, family workshops are vital in a nation where jobs are as scarce as peace. But ambiguity permeates all practices shaping bordados' significance. Femenías traces contemporary political and ritual applications, not only Caylloma's long-standing and violent ethnic conflicts, to the historical importance of cloth since Inca times.

This is the only book about expressive culture in an Andean nation that centers on gender. In this feminist contribution to ethnography, based on twenty years' experience with Peru, including two years of intensive fieldwork, Femenías reflects on the ways gender shapes relationships among subjects, research, and representation.

Gender in Pre-Hispanic America offers rich opportunities for comprehending current trends and considering future directions in research. It is unique in that it puts social theory at the forefront of the discussion. The book has a special intellectual presence and contemporary relevance in its engagement with the social lives and constructs of its authors and readers alike. The consideration of the role of gender in our daily lives, including in our professions, becomes inescapable when reading this book. It is not simply a question of men's roles having been possibly overemphasized and overstudied to the detriment of women's. The fact that genders, as opposed to sexes, are socially constructed categories focuses our attention on the ways in which these and other social constructs have shaped our present understanding of the past and informed past peoples' understand of their present.

In various articles in this book, the reader will not find unanimity in what is meant by "gender" or how to go about studying it. What will be found, however, is a collection of interesting, informed, thought-provoking, and often lively essays. It is hoped that this volume will mark a stage in an evolving study of this field and provoke new research in the future.

Gift and Communion offers a critical presentation of John Paul II's theology of the body, understood in the light of Christian theological tradition. The main thesis of the book is that John Paul II's theology of the body forms a new, inspiring approach to Christian ethics and the theology of marriage and family, as well as to theological anthropology. A central thrust of Gift and Communion is to treat theology of the body - as it deserves - in all its philosophical and theological seriousness and to present it as an important stage in the historical development of Catholic theology

For centuries, scholars have mused over the meaning of the bizarre physical posture of the virgin priestess at Delphi. She delivered Apollo’s oracles while seated on a raised tripod as vapors rose from the earth to her body. The image of prophecies taking shape inside a virginal body provides the starting point for this revealing exploration of the concept of the female body in Greece before the impact of Christianity.

In an analysis drawing upon Greek drama, myths, vase paintings, religious practices, the philosophers, and the Hippocratic medical writings, Giulia Sissa draws striking conclusions about the classical conceptions of sexual purity and of the female body as vehicle and vessel. She argues persuasively that virginity, for the Greeks, was unrelated to the breaking of the hymen and was not irrevocably lost after sexual relations. Since Greek doctors believed sexual activity and childbearing to be important for good health in women, virginity and abstinence had to be explained in terms of some purpose, usually sacred; it was not a virtue in itself. Sissa’s discussion of the differences between classical views and those of the Christian church fathers is illuminating. This pathbreaking essay on ancient sexuality focuses throughout on symbolism as well as on beliefs and conventions. The author’s extensive research, fresh insights, and urbane style make this a book for anyone interested in ancient thought and society and in women’s history.