More students are enrolling in college than ever before in U.S. history. Yet, many never graduate. In The Journey Before Us, Laura Nichols examines why this is by sharing the experiences of aspiring first-generation college students as they move from middle-school to young adulthood. By following the educational trajectories and transitions of Latinx, mainly second-generation immigrant students and analyzing national data, Nichols explores the different paths that students take and the factors that make a difference. The interconnected role of schools, neighborhoods, policy, employment, advocates, identity, social class, and family reveal what must change to address the “college completion crisis.” Appropriate for anyone wanting to understand their own educational journey as well as students, teachers, counselors, school administrators, scholars, and policymakers, The Journey Before Us outlines what is needed so that education can once again be a means of social mobility for those who would be the first in their families to graduate from college.

For the first time, this book presents the distinguished, prolific, and highly experimental writer Juan Felipe Herrera. This wide-ranging collection of essays by leading experts offers critical approaches on Herrera, who transcends ethnic and mainstream poetics. It expertly demonstrates Herrera’s versatility, resourcefulness, innovations, and infinite creativity.

As a poet Herrera has had an enormous impact within and beyond Chicano poetics. He embodies much of the advancements and innovations found in American and Latin American poetry from the early l970s to the present. His writings have no limits or boundaries, indulging in the quotidian as well as the overarching topics of his era at different periods of his life. Both Herrera and his work are far from being unidimensional. His poetics are eclectic, incessantly diverse, transnational, unorthodox, and distinctive.

Reading Herrera is an act of having to rearrange your perceptions about things, events, historical or intra-historical happenings, and people. The essays in this work delve deeply into Juan Felipe Herrera’s oeuvre and provide critical perspectives on his body of work. They include discussion of Chicanx indigeneity, social justice, environmental imaginaries, Herrera’s knack for challenging theory and poetics, transborder experiences, transgeneric constructions, and children’s and young adult literature.

This book includes an extensive interview with the poet and a voluminous bibliography on everything by, about, and on the author. The chapters in this book offer a deep dive into the life and work of an internationally beloved poet who, along with serving as the poet laureate of California and the U.S. poet laureate, creates work that fosters a deep understanding of and appreciation for people’s humanity.

Contributors
Trevor Boffone
Marina Bernardo-Flórez
Manuel de Jesús Hernández-G.
Whitney DeVos
Michael Dowdy
Osiris Aníbal Gómez
Carmen González Ramos
Cristina Herrera
María Herrera-Sobek
Francisco A. Lomelí
Tom Lutz
Manuel M. Martín-Rodríguez
Marzia Milazzo
Maria Antònia Oliver-Rotger
Rafael Pérez-Torres
Renato Rosaldo
Donaldo W. Urioste
Luis Alberto Urrea
Santiago Vaquera-Vásquez

The embodiment of a myth—Benito Juarez
 
Like many capitals the city of Mexico is a place of monuments-large monuments, small, ancient monuments, and new, representational monuments, and allegorical monuments—each bearing a message from the past. Among them is the Hemiciclo. It stands in a spacious, old, beautiful park, the Alameda Central, where the young and old of the city still promenade on Sundays and holidays as people do in the plazas throughout the country and, indeed, as people do in many parts of the world. Amid green trees and a great variety of flowers and shrubs and flanked by a semicircle of twelve doric columns of white Carrara marble stands the central pedestal of the Hemiciclo supporting the statues of three figures. One statue represents a former president of the republic, Benito Juarez, who appears solemn and grim as a Roman proconsul administering justice. Juarez the Lawgiver is seated, and surrounding him are two allegorical figures, also of marble, one representing Glory, who is placing a crown on Juarez’s head, and the other, the Republic, who stands behind, resting her sword on the ground to signify the end of a gigantic struggle. The letters of the pedestal read: “Al Benemerito Benito Juarez. La Patria.” Many years have passed since 1910, when the Mexican government built and dedicated the Hemiciclo after a design by the architect Guillermo Heredia.
 
Like many other such monuments it is the embodiment of a myth. In life Juarez offered little to the mythologizers-he was never able to boast a military career, he often impressed people as reserved or even impassive. he stood a little over five feet; with small hands and feet and dark staring eyes, a coppery complexion that helped disguise a large scar across his face, of Zapotec Indian parentage, he was no striking figure. He did, however, lead Mexican liberals in the I 850s and 1860s in their titanic struggle against formidable opposition, both foreign and domestic, and in the years since his death his worshipers have gathered at the Hemiciclo, at his tomb, or in many other places in Mexico sacred to his memory, usually on anniversaries of his birth or death. For them Juarez is, in agreement with the golden inscription on the central pedestal of the Hemiciclo, “Benemerito de la Patria” or even “Benemerito de las Americas.”
 
Development of a Juarez myth has had all the classic characteristics of myths and mythmaking, especially the subjective view or image of a reality, whether it be of an historical figure, as in the case of Juarez, an event, an institution, or even a geographical region. Image or meaning ascribed to what is assumed to be a reality constitutes one of the main elements of myth and when manipulated to promote a cause assumes a reality of its own. The apotheosis of Juarez projected a subjective view or image of the historical reality. In all myths, to be sure, the assumed reality is a feature useful to an individual or a group.
 

The first sustained critical examination of the work of Dominican-American writer Junot Díaz, this interdisciplinary collection considers how Díaz's writing illuminates the world of Latino cultural expression and trans-American and diasporic literary history. Interested in conceptualizing Díaz's decolonial imagination and his radically re-envisioned world, the contributors show how his aesthetic and activist practice reflect a significant shift in American letters toward a hemispheric and planetary culture. They examine the intersections of race, Afro-Latinidad, gender, sexuality, disability, poverty, and power in Díaz's work. Essays in the volume explore issues of narration, language, and humor in The Brief Wondrous Life of Oscar Wao, the racialized constructions of gender and sexuality in Drown and This Is How You Lose Her, and the role of the zombie in the short story "Monstro." Collectively, they situate Díaz’s writing in relation to American and Latin American literary practices and reveal the author’s activist investments. The volume concludes with Paula Moya's interview with Díaz.

Contributors: Glenda R. Carpio, Arlene Dávila, Lyn Di Iorio, Junot Díaz, Monica Hanna, Jennifer Harford Vargas, Ylce Irizarry, Claudia Milian, Julie Avril Minich, Paula M. L. Moya, Sarah Quesada, José David Saldívar, Ramón Saldívar, Silvio Torres-Saillant, Deborah R. Vargas

Blacks and Latinos have transformed the American city—together these groups now constitute the majority in seven of the ten largest cities. Large-scale immigration from Latin America has been changing U.S. racial dynamics for decades, and Latino migration to new destinations is changing the face of the American south. Yet most of what social science has helped us to understand about these groups has been observed primarily in relation to whites—not each other. Just Neighbors? challenges the traditional black/white paradigm of American race relations by examining African Americans and Latinos as they relate to each other in the labor market, the public sphere, neighborhoods, and schools. The book shows the influence of race, class, and received stereotypes on black-Latino social interactions and offers insight on how finding common ground may benefit both groups. From the labor market and political coalitions to community organizing, street culture, and interpersonal encounters, Just Neighbors? analyzes a spectrum of Latino-African American social relations to understand when and how these groups cooperate or compete. Contributor Frank Bean and his co-authors show how the widely held belief that Mexican immigration weakens job prospects for native-born black workers is largely unfounded—especially as these groups are rarely in direct competition for jobs. Michael Jones-Correa finds that Latino integration beyond the traditional gateway cities promotes seemingly contradictory feelings: a sense of connectedness between the native minority and the newcomers but also perceptions of competition. Mark Sawyer explores the possibilities for social and political cooperation between the two groups in Los Angeles and finds that lingering stereotypes among both groups, as well as negative attitudes among blacks about immigration, remain powerful but potentially surmountable forces in group relations. Regina Freer and Claudia Sandoval examine how racial and ethnic identity impacts coalition building between Latino and black youth and find that racial pride and a sense of linked fate encourages openness to working across racial lines. Black and Latino populations have become a majority in the largest U.S. cities, yet their combined demographic dominance has not abated both groups' social and economic disadvantage in comparison to whites. Just Neighbors? lays a much-needed foundation for studying social relations between minority groups. This trailblazing book shows that, neither natural allies nor natural adversaries, Latinos and African Americans have a profound potential for coalition-building and mutual cooperation. They may well be stronger together rather than apart.