front cover of The Path of Desire
The Path of Desire
Living Tantra in Northeast India
Hugh B. Urban
University of Chicago Press, 2024
A provocative study of contemporary Tantra as a dynamic living tradition.
 
Tantra, one of the most important religious currents in South Asia, is often misrepresented as little more than ritualized sex. Through a mixture of ethnography and history, Hugh B. Urban reveals a dynamic living tradition behind the sensationalist stories. Urban shows that Tantric desire goes beyond the erotic, encompassing such quotidian experiences as childbearing and healing. He traces these holistic desires through a series of unique practices: institutional Tantra centered on gurus and esoteric rituals; public Tantra marked by performance and festival; folk Tantra focused on magic and personal well-being; and popular Tantra imagined in fiction, film, and digital media. The result is a provocative new description of Hindu Tantra that challenges us to approach religion as something always entwined with politics and culture, thoroughly entangled with ordinary needs and desires.
[more]

front cover of
"Photos of the Gods"
The Printed Image and Political Struggle in India
Christopher Pinney
Reaktion Books, 2004
Mass-produced images have long been produced and used in India by religious and nationalist movements – the emergence of Indian-run chromolithograph presses in the late 1870s initiated a vast outpouring that have come to dominate many of India’s public and domestic spaces.

Drawing on years of archival research, interviews with artists and publishers, and the ethnographic study of their rural consumers, Christopher Pinney traces the intimate connections between the production and consumption of these images and the struggle against colonial rule. The detailed output of individual presses and artists is set against the intensification of the nationalist struggle, the constraints imposed by colonial state censorship, and fifty years of Indian independence. The reader is introduced to artists who trained within colonial art schools, others whose skills reflect their membership of traditional painting castes, and yet others who are self-taught former sign painters.

Photos of the Gods is the first comprehensive history of India’s popular visual culture. Combining anthropology, political and cultural history, and the study of aesthetic systems, and using many intriguing and unfamiliar images, the book shows that the current predicament of India cannot be understood without taking into account this complex, fascinating, and until now virtually unseen, visual history.
[more]

front cover of Pink Revolutions
Pink Revolutions
Globalization, Hindutva, and Queer Triangles in Contemporary India
Nishant Shahani
Northwestern University Press, 2021
Pink Revolutions describes how queer politics in India occupies an uneasy position between the forces of neoliberal globalization, on the one hand, and the nationalist Hindu fundamentalism that has emerged since the 1990s, on the other. While neoliberal forces use queerness to highlight India’s democratic credentials and stature within a globalized world, nationalist voices claim that queer movements in the country pose a threat to Indian national identity. Nishant Shahani argues that this tension implicates queer politics within messy entanglements and knotted ideological triangulations, geometries of power in which local understandings of “authentic” nationalism brush up against global agendas of multinational capital.
 
Eschewing structures of absolute complicity or abject alterity, Pink Revolutions pays attention to the logics of triangulation in various contexts: gay tourism, university campus politics, diasporic cultural productions, and AIDS activism. The book articulates a framework through which queer politics can challenge rather than participate in neoliberal imperatives, an approach that will interest scholars engaged with queer studies and postcolonial scholarship, as well as activists and academics wrestling with global capitalism and right-wing regimes around the world.

 
[more]

front cover of A Place at the Multicultural Table
A Place at the Multicultural Table
The Development of an American Hinduism
Kurien, Prema
Rutgers University Press, 2007
Multiculturalism in the United States is commonly lauded as a positive social ideal celebrating the diversity of our nation. But, in reality, immigrants often feel pressured to create a singular formulation of their identity that does not reflect the diversity of cultures that exist in their homeland. Hindu Americans have faced this challenge over the last fifteen years, as the number of Indians that have immigrated to this country has more than doubled.

In A Place at the Multicultural Table, Prema A. Kurien shows how various Hindu American organizations--religious, cultural, and political--are attempting to answer the puzzling questions of identity outside their homeland. Drawing on the experiences of both immigrant and American-born Hindu Americans, Kurien demonstrates how religious ideas and practices are being imported, exported, and reshaped in the process. The result of this transnational movement is an American Hinduism--an organized, politicized, and standardized version of that which is found in India.

This first in-depth look at Hinduism in the United States and the Hindu Indian American community helps readers to understand the private devotions, practices, and beliefs of Hindu Indian Americans as well as their political mobilization and activism. It explains the differences between immigrant and American-born Hindu Americans, how both understand their religion and their identity, and it emphasizes the importance of the social and cultural context of the United States in influencing the development of an American Hinduism.

[more]

front cover of The Place of the Hidden Moon
The Place of the Hidden Moon
Erotic Mysticism in the Vaisnava-Sahajiya Cult of Bengal
Edward C. Dimock Jr.
University of Chicago Press, 1989
The Vaisnava-sahajiya cult that arose in Bengal in the sixteenth century was an intensely emotional attempt to reconcile the sensual and the ascetic. Exploring the history and doctrine of this cult, Edward C. Dimock, Jr., examines the works of numerous poets who are the source of knowledge about this sect. Dimock examines the life of the saint Caitanya, the mad Baul singers, the doctrines of Tantrism, the origins of the figure of Radha, and the worship of Krishna. His study will appeal to students of the history of religion as well as of Indian culture. This edition includes a new Foreword by Wendy Doniger.

"This is a magnificent book—painstakingly researched and gracefully written. . . . Professor Dimock's book is one of the most rewarding and stimulating studies to appear in recent years."—G. Richard Weldon, Journal of Asian Studies
[more]

logo for Harvard University Press
Poems from the Satsai
Biharilal
Harvard University Press, 2021

The seventeenth-century Hindi classic treasured for its subtle and beautiful portrayal of divine and erotic love’s pleasures and sorrows.

In his Satsai, or Seven Hundred Poems, the seventeenth-century poet Biharilal draws on a rich vernacular tradition, blending amorous narratives about the god Krishna and the goddess Radha with archetypal hero and heroine motifs from older Sanskrit and Prakrit conventions. While little is known of Biharilal’s life beyond his role as court poet to King Jai Singh of Amber (1611–1667), his verses reflect deep knowledge of local north Indian culture and geography, especially the bucolic landscapes of Krishna’s youth in the Braj region (in today’s Uttar Pradesh). With ingenuity and virtuosity, Biharilal weaves together worldly experience and divine immanence, and adapts the tropes of stylized courtly poetry, such as romantic rivalries, clandestine trysts, and the bittersweet sorrow of separated lovers.

Poems from the Satsai comprises a selection of four hundred couplets from this enduring work. The Hindi text—composed in Braj Bhasha, the literary language of early-modern north India—is presented here in the Devanagari script and accompanies a new English verse translation.

[more]

front cover of A Politics of Virtue
A Politics of Virtue
Hinduism, Sexuality, and Countercolonial Discourse in Fiji
John D. Kelly
University of Chicago Press, 1991
Kelly opens new questions about dialogue, colonial power, and
changing conditions of political possibility by examining the
connection between politics and sexual morality in the British
colony of Fiji from 1929 to 1932.
[more]

front cover of Poverty and the Quest for Life
Poverty and the Quest for Life
Spiritual and Material Striving in Rural India
Bhrigupati Singh
University of Chicago Press, 2015

The Indian subdistrict of Shahabad, located in the dwindling forests of the southeastern tip of Rajasthan, is an area of extreme poverty. Beset by droughts and food shortages in recent years, it is the home of the Sahariyas, former bonded laborers, officially classified as Rajasthan’s only “primitive tribe.” From afar, we might consider this the bleakest of the bleak, but in Poverty and the Quest for Life, Bhrigupati Singh asks us to reconsider just what quality of life means. He shows how the Sahariyas conceive of aspiration, advancement, and vitality in both material and spiritual terms, and how such bridging can engender new possibilities of life.

Singh organizes his study around two themes: power and ethics, through which he explores a complex terrain of material and spiritual forces. Authority remains contested, whether in divine or human forms; the state is both despised and desired; high and low castes negotiate new ways of living together, in conflict but also cooperation; new gods move across rival social groups; animals and plants leave their tracks on human subjectivity and religiosity; and the potential for vitality persists even as natural resources steadily disappear. Studying this milieu, Singh offers new ways of thinking beyond the religion-secularism and nature-culture dichotomies, juxtaposing questions about quality of life with political theologies of sovereignty, neighborliness, and ethics, in the process painting a rich portrait of perseverance and fragility in contemporary rural India. 

[more]

logo for Rutgers University Press
Prophets Facing Backward
Postmodern Critiques of Science and Hindu Nationalism in India
Nanda, Meera
Rutgers University Press, 2003

The leading voices in science studies have argued that modern science reflects dominant social interests of Western society. Following this logic, postmodern scholars have urged postcolonial societies to develop their own “alternative sciences” as a step towards “mental decolonization”. These ideas have found a warm welcome among Hindu nationalists who came to power in India in the early 1990s. In this passionate and highly original study, Indian-born author Meera Nanda reveals how these well-meaning but ultimately misguided ideas are enabling Hindu ideologues to propagate religious myths in the guise of science and secularism.

At the heart of Hindu supremacist ideology, Nanda argues, lies a postmodernist assumption: that each society has its own norms of reasonableness, logic, rules of evidence, and conception of truth, and that there is no non-arbitrary, culture-independent way to choose among these alternatives. What is being celebrated as “difference” by postmodernists, however, has more often than not been the source of mental bondage and authoritarianism in non-Western cultures. The “Vedic sciences” currently endorsed in Indian schools, colleges, and the mass media promotes the same elements of orthodox Hinduism that have for centuries deprived the vast majority of Indian people of their full humanity.

By denouncing science and secularization, the left was unwittingly contributing to what Nanda calls “reactionary modernism.” In contrast, Nanda points to the Dalit, or untouchable, movement as a true example of an “alternative science” that has embraced reason and modern science to challenge traditional notions of hierarchy.

[more]


Send via email Share on Facebook Share on Twitter