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Hemming the Water
Yona Harvey
Four Way Books, 2013
Channeling the collection’s muse, jazz composer and pianist Mary Lou Williams, Hemming the Water speaks to the futility of trying to mend or straighten a life that is constantly changing. Here the spiritual and the secular comingle in a “Fierce fragmentation, lonely tune.” Harvey inhabits, challenges, and explores the many facets of the female self—as daughter, mother, sister, wife, and artist. Every page is rich with Harvey’s rapturous music.
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front cover of You Don’t Have to Go to Mars for Love
You Don’t Have to Go to Mars for Love
Yona Harvey
Four Way Books, 2020
The poems of award-winning poet Yona Harvey’s much anticipated You Don’t Have to Go to Mars for Love follow an unnamed protagonist on her multidimensional, Afro-futuristic journey. Her story stretches the boundaries normally constraining a black, female body like hers. Half-superhero, half-secret-identity, she encounters side-slipping, speculative realities testing her in poems that appear like the panels of a comic book. Music directs readers through large and small emotional arcs, constantly retroubled by lyric experimentation. Harvey layers her poems with a chorus of women’s voices. Her artful use of refrain emphasizes the protagonist’s meaning making and doubling back: “Who am I to say? The eye is often mistaken. Or is it the mind? Always eager to interpret.” Our hero is captured, escapes, scuba dives, goes interstellar, and she emerges on the other end of her journey renewed, invoking the gods: “taunt the sharks. & when the glaciers get to melting, / all God’s River’s we shall haunt.”
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