front cover of Ain't No Grave
Ain't No Grave
TJ Jarrett
New Issues Poetry and Prose, 2013

front cover of A Clown in a Grave
A Clown in a Grave
Complexities and Tensions in the Works of Gregory Corso
Michael Skau
Southern Illinois University Press, 1999

Using a number of critical approaches, Michael Skau examines Gregory Corso's complex imagination, his humor, and his poetic techniques in dealing with America, the Beat generation, and death.

Skau covers the complete works of Corso, one of the four major Beat Generation writers (with Jack Kerouac, Allen Ginsberg, and William S. Burroughs) who attempted to provide an alternative to what they saw as the academic forms of literature dominating American writing through the 1940s and 1950s. The Beat option focused on ordinary people, spurning the cultural pretensions of the intelligentsia and using common language as well as the rhythms of actual speech. Corso, abandoned as a child by his mother, subjected to a variety of foster homes, and imprisoned as an adolescent, became an authentic voice of America's neglected streetwise youth. He embodies much of the tension, confusion, and rebellion that emerged in America after World War II and eventually crested in the 1960s.

Corso emphasizes social issues, yet risks undermining this significance by using wit, wordplay, and humor. While conceding mortality, he is adamant in refusing to acknowledge death's power. Even as he rebels against conventional literature, he still is enchanted by classicism and romanticism, often borrowing their techniques and idioms. Skau examines these complexities and seeming contradictions throughout Corso's career, showing that Corso finds value in inconsistency and vacillation. For him, as illustrated in the poems "Hair" and "Marriage," contradiction and ambivalence suggest the foundations of freedom of imagination.

In spite of Corso's significance as an American poet, Skau's is the first extensive study of his work, including his fiction. Skau also provides the first complete bibliography of Corso's published work in more than thirty years.

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front cover of Is the Rectum a Grave?
Is the Rectum a Grave?
and Other Essays
Leo Bersani
University of Chicago Press, 2009

Over the course of a distinguished career, critic Leo Bersani has tackled a range of issues in his writing, and this collection gathers together some of his finest work. Beginning with one of the foundations of queer theory—his famous meditation on how sex leads to a shattering of the self, “Is the Rectum a Grave?”—this volume charts the inspired connections Bersani has made between sexuality, psychoanalysis, and aesthetics.

Over the course of these essays, Bersani grapples with thinkers ranging from Plato to Descartes to Georg Simmel. Foucault and Freud recur as key figures, and although Foucault rejected psychoanalysis, Bersani contends that by considering his ideas alongside Freud’s, one gains a clearer understanding of human identity and how we relate to one another. For Bersani, art represents a crucial guide for conceiving new ways of connecting to the world, and so, in many of these essays, he stresses the importance of aesthetics, analyzing works by Genet, Caravaggio, Proust, Almodóvar, and Godard.

Documenting over two decades in the life of one of the best minds working in the humanities today, Is the Rectum a Grave? and Other Essays is a unique opportunity to explore the fruitful career of a formidable intellect.

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front cover of Refugitta of Richmond
Refugitta of Richmond
The Wartime Recollections, Grave and Gay, of Constance Cary Harrison
Nathaniel Cheairs Hughes Jr. and S. Kittrell Rushing
University of Tennessee Press, 2011

In the expansive canon of Civil War memoirs, relatively few accounts from women exist. Among the most engaging and informative of these rare female perspectives is Constance Cary Harrison’s Recollections Grave and Gay, a lively, first-person account of the collapse of the Confederacy by the wife of President Jefferson Davis’s private secretary. Although equal in literary merit to the well-known and widely available diaries of Mary Boykin Chesnut and Eliza Frances Andrews, Harrison’s memoir failed to remain in print after its original publication in 1916 and, as a result, has been lost to all but the most diligent researcher. In Refugitta of Richmond, Nathaniel Cheairs Hughes Jr. and S. Kittrell Rushing resurrect Harrison’s work, reintroducing an especially insightful perspective on the Southern high command, the home front, and the Confederate elite.

Born into an old, aristocratic Virginia family in 1843, Constance Cary fled with her family from their estate near Alexandria, Virginia, to Richmond in 1862. There, the nineteen-year-old met Burton Norvell Harrison, a young math professor from the University of Mississippi who had come to the Confederate capital to work for Davis. The pair soon became engaged and joined the inner circle of military, political, and social leaders at the Confederate White House. Under the pen name “Refugitta,” Constance also wrote newspaper columns about the war and became a respected member of Richmond’s literary community.

Fifty years later, Constance used her wartime diaries and letters to pen her recollections of her years in Richmond and of the confusing months immediately after the war. She offers lucid, insightful, and detailed observations of the Confederate home front even as she reflects on the racial and class biases characteristic of her time and station. With an informative introduction and thorough annotations by Hughes and Rushing, Refugitta of Richmond provides a highly readable, often amusing, occasionally troubling insider’s look at the Confederate nerve center and its ultimate demise.

Nathaniel Cheairs Hughes Jr. is the author or editor of twenty books relating to the American Civil War, including The Life and Wars of Gideon J. Pillow; Brigadier General Tyree H. Bell, C.S.A.: Forrest’s Fighting Lieutenant; and Yale’s Confederates.

S. Kittrell Rushing, Frank McDonald Professor of History at the University of Tennessee at Chattanooga, is the editor of Eliza Frances Andrews’s A Family Secret and Journal of a Georgia Woman, 1870–1872. Rushing also edited and annotated Judge Garnett Andrews’s Reminiscences of an Old Georgia Lawyer.

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