front cover of Infinity (Stage)
Infinity (Stage)
Spencer Golub
University of Michigan Press, 2001
Infinity (Stage) is a highly original study and poetic meditation on the themes of death, memory, identity, and representation in theater, film, and literature. Inspired in part by the death of his father, Spencer Golub's scholarly entertainment employs imaginative wordplay, subtle humor, and textual layering to talk about the impossibility of being real. Infinity (Stage) is a masterful piece of performative writing, a quasi-memoir of a mind staging and screening its inner life, embodying a theory of the nature of art and existence. This alternative approach to history uses mostly immaterial evidence, accident, and coincidence to subvert the widespread power and authority of the material world and its logical functions. The list of artists, authors, directors and other celebrities who make appearances includes Alfred Hitchcock, Bernardo Bertolucci, David Lynch, Fred Astaire, Harold Pinter, Herbert Blau, Jean Baudrillard, Jean Cocteau, Maurice Blanchot, Paul Auster, Peter Handke, Robert Wilson, Sam Shepard, Stanley Kubrick, Peter Greenaway, Maya Deren, Jocelyn Moorhouse, Tadeusz Kantor, Tom Stoppard, Vladimir Nabokov, and Rene Magritte, among others. The author's interdisciplinary approach, the scope of his sources and concerns, his blending of critical analysis and creative writing, and his attention to different genres and styles (narrative; dramatic; aphoristic; science, detective, and post-modern fictions) will appeal to readers in theatre, film, performance studies, philosophy, and creative writing. The book will also be of interest to readers who have experienced loss and to those who perceive meaning in things un-remembered, mis-remembered, and unseen. "This book will change the way we think about theatre/film studies and their relation not only to ideology, politics, cultural studies, but to something far more demanding than enunciated and passing power relationships--to life." --Michal Kobialka, University of Minnesota
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front cover of The Recurrence of Fate
The Recurrence of Fate
Theatre and Memory in Twentieth-Century Russia
Spencer Jay Golub
University of Iowa Press, 1994

How, why, and according to whose definitions and requirements does a culture self-consciously create memory and project its fate? In this remarkable book—the first in English to treat Russian history as theatre and cultural performance—Spencer Golub reveals the performative nature of Russian history in the twentieth century and the romantic imprisonment/self-imprisonment of the creative intelligentsia within this scenario.

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