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Felix Guattari
A Critical Introduction
Gary Genosko
Pluto Press, 2009

This is an introduction to the thought of the radical French thinker Félix Guattari. It is ideal for undergraduates and anyone studying political and cultural theory.

Guattari's main works were published in the 1970s and 1980s. His background was in psychoanalysis -- he was trained by Lacan and he practised as a psychoanalyst for much of his life. He developed a distinctive psychoanalytic method informed always by his revolutionary politics.

Guattari was actively involved in numerous political movements, from Trotskyism to Autonomism, tackling ecological and sexual politics along the way. A true believer in collectivity, much of his work was written in collaboration, most famously with Gilles Deleuze, with whom he wrote the hugely influential books Anti-Oedipus and A Thousand Plateaus. He also wrote with Antonio Negri and others.

This accessible introduction explores his highly original ideas -- including his ground-breaking conception of 'transversal politics' -- and the impact his concern with subjectivity had on wider political theory.

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front cover of Machinic Eros
Machinic Eros
Writings on Japan
Félix Guattari
University of Minnesota Press, 2015

The French philosopher Félix Guattari frequently visited Japan during the 1980s and organized exchanges between French and Japanese artists and intellectuals. His immersion into the “machinic eros” of Japanese culture put him into contact with media theorists such as Tetsuo Kogawa and activists within the mini-FM community (Radio Home Run), documentary filmmakers (Mitsuo Sato), photographers (Keiichi Tahara), novelists (Kobo Abe), internationally recognized architects (Shin Takamatsu), and dancers (Min Tanaka). From pachinko parlors to high-rise highways, alongside corporate suits and among alt-culture comrades, Guattari put himself into the thick of Japanese becomings during a period in which the bubble economy continued to mutate. This collection of essays, interviews, and longer meditations shows a radical thinker exploring the architectural environment of Japan’s “machinic eros.”

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