front cover of Figures of Time
Figures of Time
Affect and the Television of Preemption
Toni Pape
Duke University Press, 2019
Many contemporary television series from Modern Family to How to Get Away with Murder open an episode or season with a conflict and then go back in time to show how that conflict came to be. In Figures of Time Toni Pape examines these narratives, showing how these leaps in time create aesthetic experiences of time that attune their audiences to the political doctrine of preemption—a logic that justifies preemptive action to nullify a perceived future threat. Examining questions of temporality in Life on Mars, the political ramifications of living under the auspices of a catastrophic future in FlashForward, and how Damages disrupts the logic of preemption, Pape shows how television helps shift political culture away from a model of rational deliberation and representation toward a politics of preemption and conformity. Exposing the mechanisms through which television supports a fear-based politics, Pape contends, will allow for the rechanneling of television's affective force into building a more productive and positive politics.
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front cover of Information Fantasies
Information Fantasies
Precarious Mediation in Postsocialist China
Xiao Liu
University of Minnesota Press, 2019

Winner of the Science Fiction Research Association Book Award​

A groundbreaking, alternate history of information technology and information discourses

Although the scale of the information economy and the impact of digital media on social life in China today could pale that of any other country, the story of their emergence in the post-Mao sociopolitical environment remains untold. Information Fantasies offers a revisionist account of the emergence of the “information society,” arguing that it was not determined by the technology of digitization alone but developed out of a set of techno-cultural imaginations and practices that arrived alongside postsocialism.

Anticipating discussions on information surveillance, data collection, and precarious labor conditions today, Xiao Liu goes far beyond the current scholarship on internet and digital culture in China, questioning the limits of current new-media theory and history, while also salvaging postsocialism from the persistent Cold War structure of knowledge production.

Ranging over forgotten science fiction, unjustly neglected films, corporeal practices such as qigong, scientific journals, advertising, and cybernetic theories, Information Fantasies constructs an alternate genealogy of digital and information imaginaries—one that will change how we look at the development of the postsocialist world and the emergence of digital technologies.

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