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Serbocroatian Heroic Songs
Milman Parry
Harvard University Press, 1954
This limited edition contains the critical texts of eight long oral epics from four bards of northern Bosnia, the northern most predominantly Muslim district in Europe. Sung with the accompaniment of the picked tambura rather than the bowed gusle that is familiar elsewhere in the Yugoslav tradition, the epos in northern Bosnia was often strophic or stanzaic rather than stichic. This volume is the first publication in the more than century-old scholarship on South Slavic oral traditions to take note of that fact, and to document it with specific texts. The editor's Prolegomena include detailed discussions of the principles of rhythm in this epos, the sources of the tales in it, and extensive comparative commentaries linking the eight narratives with those found in other Yugoslav towns, especially with the tradition of Avdo Međedović at Bijelo Polje.
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logo for Harvard University Press
Serbocroatian Heroic Songs
Milman Parry
Harvard University Press, 1954
In researching this collection, Milman Parry set out to test the theories he had evolved on oral epic, theories that were to introduce a new era of Homeric scholarship. In the Balkans, one of the few areas where a living tradition of oral heroic poetry was still to be found, he observed firsthand how unlettered singers composed their poems, and collected more than 1200 hours of poetic performance from the most experienced bards. Comprising representative texts and translations from the Parry Collection, this series records the South Slavic tradition.
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front cover of Songs of the Serbian People
Songs of the Serbian People
From the Collections of Vuk Karadzic
Milne Holton
University of Pittsburgh Press, 1997

In the early nineteenth century, Vuk Karadzic, a Serb scholar and linguist, collected and eventually published transcriptions of the traditional oral poetry of the South Slavs.  It was a monumental and unprecedented undertaking.  Karadzic gathered and heard performances of the rich songs of Balkan peasants, outlaws, and professional singers and their rebel heroes.  His four volumes constitute the classic anthology of Balkan oral poetry, treasured for nearly two centuries by readers of all literatures, and influential to such literary giants as Goethe, Merimee, Pushkin, Mickiewicz, and Sir Walter Scott.

This edition of the songs offers the most complete and authoritative translations ever assembled in English.  Holton and Mihailovich, leading scholars of Slavic literature, have preserved here the unique meter and rhythm at the heart of Serbian oral poetry, as well as the idiom of the original singers.  Extensive notes and comments aid the reader in understanding the poems, the history they record and the oral tradition that lies beneath them, the singers and their audience.

The songs contain seven cycles, identified here in sections titled: Songs Before History, Before Kosovo, the Battle of Kosovo, Marko Karadzic, Under the Turks, Songs of the Outlaws, and Songs of the Serbian Insurrection.  The editors have selected the best known and most representative songs from each of the cycles.  A complete biography is also provided.

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