Tierra del Fuego is more than a suspenseful seafaring tale in the tradition of Captain Hornblower; it is also a chilling psychological and cultural tale, reminiscent of Heart of Darkness or Lord of the Flies, that probes deeply into human nature. Based on the true story of the Yámana Indian, Jemmy Button (parts of which are recorded in Chapter 10 of Charles Darwin's The Voyage of the Beagle), the novel explores Captain Robert Fitzroy's abduction of Jemmy Button and his attempt to "civilize" him in England and return him to his country as a bearer of "enlightened society." His experiment leads to tragic consequences. The novel deals with European arrogance and exploitation, but avoids falling into the cliché of "the Noble Savage." Jemmy (the "Other") remains strange and the attempt to co-opt him fails.

Tierra del Fuego has already won two major awards for the Spanish edition: The Sor Juana Inés de la Cruz Award for the best work of fiction written by a woman and The Best Book of the Year Award at the Buenos Aires Book Fair.

"Lusty . . . strenuous comedy . . . Amado is Brazil's most illustrious and venerable novelist."
—New York Times

This expanded edition of Tight Spaces includes six new essays that explore the fulfilling spaces inhabited by Kesho Scott, Cherry Muhanji, and Egyirba High since their book was originally published in 1987. Tight Spaces won the American Book Award in 1988. 

A Lebanese housewife, a former horror-film maker, and a cantankerous Russian librarian are among the inhabitants of the offbeat world found in this impressive debut collection. Stacy Tintocalis’s stories take us from a defunct women’s shelter off a Missouri country road to the streets of low-income Hollywood, where her characters yearn for the love that is always just out of reach.

The title story explores the conflicted emotions an adolescent boy feels toward a father who obsessively returns to his childhood home. In “Too Bad about Howie,” a divorced poet finds comfort in stolen moments with his ex-wife’s dog. Despite their longing for connection, these characters are victims of their own foibles, trapped in terrifying moments of psychic violence that risk driving away the very people they love.

This collection of twenty stories delves into the lives of Egyptian characters, from those living in Egypt to those who have immigrated to the United States. With subtle and eloquent prose, the complexities of these characters are revealed, opening a door into their intimate struggles with identity and place. We meet people who are tempted by the possibilities of America and others who are tempted by the desire to return home. Some are in the throes of re-creating themselves in the new world while others seem to be embedded in the loss of their homeland. Many of these characters, although physically located in either the United States or Egypt, have lives that embrace both cultures. "A Game of Chance" follows the actions of a young man when he wins the immigration lottery and then must decide whether or not to change his life. "Cumin and Coriander" takes us inside a woman's thoughts as she tries to come to terms with the path her life has taken while working as a cook for American expatriates in Egypt. "The Top" enters the mind of a man whose immigration results in a loss of identity and sanity. These compelling stories pull us into the lives of many different characters and offer us striking insights into the Arab American experience.

This epic novel presents a sweeping portrait of war and peace in northern Vietnam from the defeat of the French to the mid-1980s. The story follows the odyssey of Giang Minh Sai, the son of a Confucian scholar in the rural Red River delta, from his early childhood through his decorated service during the American War and his later efforts to adapt to the postwar world of urban Ha Noi. Through two failed marriages, Giang Minh Sai struggles to come to terms with his responsibilities, his past, and his future. The novel's ending leaves its hero and Vietnamese socialism at a problematic and painful crossroads.

In its intricate sketching of complicated alliances, personal debts, and human interactions, A Time Far Past explores the complex layering of family and village history and Party and feudal authority. It also paints a vivid picture of the vast dislocations in Vietnamese culture caused by the political and military turmoil of the Indochina wars.

A Time Far Past was enormously popular in Vietnam, where it was first published in 1986, selling more than 120,000 copies and winning that country's national prize for fiction.

Known as much for his journalistic reporting as for the fiction he wrote under a variety of pen names, Bill Granger combined his divergent talents in his powerful novel Time for Frankie Coolin. With distinctive voices, compelling characters, on-the-ground observation, and suspense, it offers a serious, illuminating take on the changing tides of race, class, and politics in late twentieth-century Chicago.

Time for Frankie Coolin tells the story of a plasterer turned landlord in Chicago who, in the late 1970s, buys abandoned buildings and makes them just habitable enough that he can charge minimal rent to his mostly black tenants. Frankie—both a tough guy in the trades and a family man—has done well by his wife and kids, moving them to a house in the suburbs. But a casual favor for his wife’s cousin—allowing the man to store some crates in an empty building—and a random act of arson set in motion a cascade of crises, including a menacing pair of G-men and the looming threat of prison if Frankie doesn’t talk. But since talking has never been one of Frankie’s strengths, he copes as he always has: by trying to tough it out on his own.

Calling to mind such gritty poets of the urban scene as George V. Higgins and Nelson Algren, Time for Frankie Coolin is both a psychological thriller and a ’70s Chicago period piece that shines a surprisingly sympathetic light on the often ignored stories of the people who lived, worked, and died at the city’s margins.

It’s the late 1940s in Skopje, Yugoslavia, in the critical year leading to Tito’s break with Stalin. Pushed to leave mountain villages to become the new proletariat in urban factories, a flood of peasants crowds into Skopje—and with them, all of their goats. Suffering from hunger, Skopje’s citizens welcome the newcomers. But municipal leaders are faced with a dilemma when the central government issues an order calling for the slaughter of the country’s goat population. With food so scarce, will they hide the outlawed animals? Or will they comply with the edict and endure the bite of hunger?
    The Time of the Goats is the second novel in Luan Starova’s acclaimed multivolume Balkan saga. It follows the main characters from My Father’s Books and the tragicomic events of their lives in Skopje as the narrator’s intellectual father and the head goatherd become friends. As local officials clumsily carry out absurd policies, Starova conveys the bonds of understanding and mutual support that form in Skopje’s poorest neighborhoods. At once historical and allegorical, folkloric and fantastic, The Time of the Goats draws lyrically on Starova’s own childhood.

Even before the first cannonballs were fired at Fort Sumter, American writers were trying to make creative sense of the War Between the States. These thirty-one stories were culled from hundreds that circulated in popular magazines between 1861 and the celebration of the American centennial in 1876. Arranged to echo the sequence of the unfolding drama of the war and Reconstruction, together these short stories constitute an “inadvertent novel,” a collective narrative about a domestic crisis that was still ongoing as the stories were being written and published.
The authors, who include Louisa May Alcott and Mark Twain, depict the horrors of the battlefield, the suffering in prison camps and field hospitals, and the privations of the home front. In these pages, bushwhackers carry the war to out-of-the-way homesteads, spies work households from the inside, journeying paymasters rely on the kindness of border women, and soldiers turn out to be girls. The stories are populated with nurses, officers, speculators, preachers, slaves, and black troops, and they take place in cities, along the frontier, and on battlefields from Shiloh to Gettysburg.
The book opens with a prewar vigilante attack on the Underground Railroad and a Kansas parson in Henry King’s “The Cabin at Pharoah’s Ford” and concludes with an ex-slave recalling the loss of her remaining son in Twain’s “A True Story.” In between are stories written by both women and men that were published in magazines from the South and West as well as the culturally dominant Northeast. Wartime wood engravings highlight the text. Kathleen Diffley’s introduction provides literary and historical background, and her commentary introduces readers to magazine authors as well as the deepening disruptions of a country at war.
Just as they did for nineteenth-century readers, these stories will bring the war home to contemporary readers, giving shape to a crisis that rocked the nation then and continues to haunt it now.

      A story of the growth of the
        new South, To Make My Bread revolves around a family of Appalachian
        mountaineers—small farmers, hunters, and moonshiners—driven
        by economic conditions to the milltown and transformed into millhands,
        strikers, and rebels against the established order. Recognized as one
        of the major works on the Gastonia textile strike, Grace Lumpkin's novel
        is also important for anyone interested in cultural or feminist history
        as it deals with early generations of women radicals committed to addressing
        the difficult connections of class and race. Suzanne Sowinska's introduction
        looks at Lumpkin's volatile career and this book's critical reception.
      Originally published in 1932
      "[The book's] meaning
        rises out of people in dramatic conflict with other people and with the
        conditions of their life. . . . [Lumpkin] treats her theme with a craftsman's
        and a psychologist's respect. The novel springs naturally from its author's
        immersion in and personal knowledge of her absorbing subject material."
        -- The New York Times
      "Unpretentious . . .
        written in a simple and matter-of-fact prose, and yet reading it has been
        a more real, more satisfying experience than that which almost any other
        recent work of fiction has given me. I cannot imagine how anyone could
        read it and not be moved by it." -- The Nation
      "A beautiful and sincere
        novel, outstanding." -- The New Republic
      The late
 

2020 Killer Nashville Silver Falchion Award finalist

Darrick MacBrehon, a government auditor, wakes among the dead. Bloodied and disoriented from a gaping head wound, the man who staggers out of the mine crack in Redbird, West Virginia, is much more powerful—and dangerous—than the one thrown in. An orphan with an unknown past, he must now figure out how to have a future.

Hard-as-nails Lourana Taylor works as a sweepstakes operator and spends her time searching for any clues that might lead to Dreama, her missing daughter. Could this stranger’s tale of a pit of bones be connected? With help from disgraced deputy Marco DeLucca and Zadie Person, a local journalist  investigating an acid mine spill, Darrick and Lourana push against everyone who tries to block the truth. Along the way, the bonds of love and friendship are tested, and bodies pile up on both sides.

In a town where the river flows orange and the founding—and controlling—family is rumored to “strip a man to the bones,” the conspiracy that bleeds Redbird runs as deep as the coal veins that feed it.

The range of J. R. R. Tolkien’s talents is remarkable. Not only was he an accomplished linguist and philologist, as well as a scholar of Anglo-Saxon and medieval literature and Norse folklore, but also a skillful illustrator and storyteller. Drawing on these talents, he created a universe which is for many readers as real as the physical world they inhabit daily.

Tolkien: Maker of Middle-earth explores the huge creative endeavor behind Tolkien’s enduring popularity. Lavishly illustrated with three hundred images of his manuscripts, drawings, maps, and letters, the book traces the creative process behind his most famous literary works—The Hobbit, The Lord of the Rings, and The Silmarillion—and reproduces personal photographs and private papers, many of which have never been seen before in print.

Six essays introduce the reader to the person of J. R. R. Tolkien and to main themes in his life and work, including the influence of northern languages and legends on the creation of his own legendarium; his concept of “Faërie” as an enchanted literary realm; the central importance of his invented languages in his fantasy writing; his visual imagination and its emergence in his artwork; and the encouragement he derived from his close friend C. S. Lewis and their literary group the Inklings.

The book brings together the largest collection of original Tolkien material ever assembled in a single volume. Drawing on the extensive archives of the Tolkien collections at the Bodleian Libraries, Oxford, which stretch to more than five hundred boxes, and Marquette University, Milwaukee, as well as private collections, this hugely ambitious and exquisitely produced book draws together the worlds of J. R. R. Tolkien – scholarly, literary, creative, and domestic—offering a rich and detailed understanding and appreciation of this extraordinary author.

This landmark publication, produced on the occasion of a major exhibition at the Bodleian Libraries in Oxford in 2018 and at the Morgan Library in New York in 2019, is set to become a standard work in the literature on J. R. R. Tolkien. 
 

WINNER OF FC2’S CATHERINE DOCTOROW INNOVATIVE FICTION PRIZE
 
Stories haunted by the remains of the industrial Midwest, the opioid epidemic, and the technology of war
 
Located somewhere in the rust belt in the early twenty-first century, residents of the town of Whispering Dolls dream of a fabled and illusory past, even as new technologies reshape their world into something different and deeply strange. Dolls walk down the streets, cradling their empty heads and letting the wind turn them into flutes. A politician heads to Washington, DC, and leaves a toxic underground plume in his wake. A woman eats car parts instead of confronting the children who have forgotten her. A young woman falls in love with the robot who took her job at the candy factory.
 
In The Town of Whispering Dolls, it is usually the grandmothers and the children who grieve. Feeling invisible, in the story “Here,” a woman who has buried her children looks up at the sky where commercial and military jets fly overhead and tries to express her rage to the rich and powerful: “Keep flying above us in your planes. From one coast to the other, keep right on flying over us! We test your bombs and your beloved warriors. Here. Right here. Look down.”

 

Clark's classic novel is a compelling tale of four men who fear a marauding mountain lion but swear to conquer it. It is also a story of violent human emotions--love and hate, hope and despair--and of the perpetual conflict between good and evil.

The Trail Book is a classic of American nature writing. First published in 1918, it is a collection of children’s tales, framed by its setting in New York’s Museum of Natural History. For two children, Oliver and his sister Dorcas, the museum’s famed dioramas (which were new at that time) come to life and admit them into a series of exciting adventures that include talking animals and magical travels. Along the way, the children discover the ways of the ancient Native Americans and the landscapes of the pre-Columbian continent, as well as the impact on both Indians and wildlife from contact with European explorers and Euro-Americans. Told by a variety of narrators, including some of the animals, the stories offer a perceptive and sympathetic view of the natural history of North America and of Native American–white relations.

This edition of The Trail Book includes an afterword by Austin scholar Melody Graulich that addresses Austin’s motives in writing the book and its significance as an early example of interdisciplinary multicultural literature. The illustrations by Milo Winter that enlivened the original edition are included, as are Austin’s appendix giving historical background and a glossary of Indian and Spanish names.

A timely, politically savvy examination of how impossible disasters shape the very real possibilities of our world

Why would the normally buttoned-down national security state imagine lurid future scenarios like a zombie apocalypse? In Training for Catastrophe, author Lindsay Thomas shows how our security regime reimagines plausibility to focus on unlikely and even unreal events rather than probable ones. With an in-depth focus on preparedness (a pivotal, emergent national security paradigm since 9/11) she explores how fiction shapes national security.

Thomas finds fiction at work in unexpected settings, from policy documents and workplace training manuals to comics and video games. Through these texts—as well as plenty of science fiction—she examines the philosophy of preparedness, interrogating the roots of why it asks us to treat explicitly fictional events as real. Thomas connects this philosophical underpinning to how preparedness plays out in contemporary politics, emphasizing how it uses aesthetic elements like realism, genre, character, and plot to train people both to regard some disasters as normal and to ignore others.

Training for Catastrophe makes an important case for how these documents elicit consent and compliance. Thomas draws from a huge archive of texts—including a Centers for Disease Control comic about a zombie apocalypse, the work of Audre Lorde, and the political thrillers of former national security advisor Richard Clarke—to ask difficult questions about the uses and values of fiction. A major statement on how national security intrudes into questions of art and life, Training for Catastrophe is a timely intervention into how we confront disasters.

Dawn Jewell is fifteen. She is restless, curious, and wry. She listens to Black Flag, speaks her mind, and joins her grandmother’s fight against mountaintop removal mining almost in spite of herself. “I write by ear,” says Robert Gipe, and Dawn’s voice is the essence of his debut novel, Trampoline. She lives in eastern Kentucky with her addict mother and her Mamaw, whose stance against the coal companies has earned her the community’s ire. Jagged and honest, Trampoline is a powerful portrait of a place struggling with the economic and social forces that threaten and define it. Inspired by oral tradition and punctuated by Gipe’s raw and whimsical drawings, it is above all about its heroine, Dawn, as she decides whether to save a mountain or save herself; be ruled by love or ruled by anger; remain in the land of her birth or run for her life.

Listen to what I am about to tell you: do not read this book alone. You really shouldn’t. In one of the most playful experiments ever put between two covers, every other section of Trance-Migrations prescribes that you read its incantatory tales out loud to a lover, friend, or confidant, in order to hypnotize in preparation for Lee Siegel’s exploration of an enchanting India. To read and hear this book is to experience a particular kind of relationship, and that’s precisely the point: hypnosis, the book will demonstrate, is an essential aspect of our most significant relationships, an inherent dimension of love, religion, medicine, politics, and literature, a fundamental dynamic between lover and beloved, deity and votary, physician and patient, ruler and subject, and, indeed, reader and listener.
           
Even if you can’t read this with a partner—and I stress that you certainly ought to—you will still be in rich company. There is Shambaraswami, an itinerant magician, hypnotist, and storyteller to whom villagers turn for spells that will bring them wealth or love; José-Custodio de Faria, a Goan priest hypnotizing young and beautiful women in nineteenth-century Parisian salons; James Esdaile, a Scottish physician for the East India Company in Calcutta, experimenting on abject Bengalis with mesmerism as a surgical anesthetic; and Lee Siegel, a writer traveling in India to learn all that he can about hypnosis, yoga, past life regressions, colonialism, orientalism, magic spells, and, above all, the power of story. And then there is you: descending through these histories—these tales within tales, trances within trances, dreams within dreams—toward a place where the distinctions between reverie and reality dissolve.
           
Here the world within the book and that in which the book is read come startlingly together. It’s one of the most creative works we have ever published, a dazzling combination of literary prowess, scholarly erudition, and psychological exploration—all tempered by warm humor and a sharp wit. It is informing, entertaining, and, above all, mesmerizing. 

Heroines in Sondra Spatt Olsen's compelling stories often find themselves in bad situations: a wife with an irresponsible husband, an older woman who wants to leave her younger lover, a suburban housewife who wants sex with her doctor, a teacher who falls in love with her student, a young girl haunted by her mother's judgments, a demanding career woman unsettled by her boyfriend's success, a young woman who finds that her friends, when drunk, are potential murderers. But just as Chekhov gives us pleasure from moments of pain, Olsen illuminates the universal humor and pathos of bad situations.

Olsen brings bright wit, fresh empathy, and a generous dose of psychological insight to themes of abandonment and humiliation—her fiction offers a sort of transcendence from pain. These haunting, unsparing stories are not afraid to confront life's traps and pitfalls, but they do so with a celebration of the courage that rises amid the confusion all of us face.

A Trauma Artist examines how O'Brien's works variously rewrite his own traumatization during the war in Vietnam as a never-ending fiction that paradoxically "recovers" personal experience by both recapturing and (re)disguising it. Mark Heberle considers O'Brien's career as a writer through the prisms of post-traumatic stress disorder, postmodernist metafiction, and post-World War II American political uncertainties and public violence.
        Based on recent conversations with O'Brien, previously published interviews, and new readings of all his works through 1999, this book is the first study to concentrate on the role and representation of trauma as the central focus of all O'Brien's works, whether situated in Vietnam, in post-Vietnam America, or in the imagination of protagonists suspended between the two. By doing so, Heberle redefines O'Brien as a major U.S. writer of the late twentieth century whose representations of self-damaging experiences and narratives of recovery characterize not only the war in Vietnam but also relationships between fathers and sons and men and women in the post-traumatic culture of the contemporary United States.

Plum Falls, New York, 1840s: Dismissed from Harvard Divinity School for his liberal views, Increase Joseph Link arrives home with a heavy heart. He gives up his dream of becoming a minister to settle for life on the farm, until the day he is struck by lightning and hears a voice telling him to rise and speak. Heeding that voice, Increase becomes a preacher, advocating for environmental protection and the end of slavery and war. His growing band of followers calls itself the Standalone Fellowship, and they accompany him on his move west to Wisconsin, to a place of better land and opportunity.
    Link Lake, Wisconsin, 1852: Preacher Increase Link and the Standalone Fellowship settle near a lake that they name in his honor. Increase’s gifted tongue calls people to his mission to protect the land: “Unless we take care of the land we shall all perish.” To finance the fellowship activities, Increase sells his special cure-all tonic—fifty cents per bottle!
    Inspired by actual events that took place in upstate New York and Wisconsin in the mid-nineteenth century, The Travels of Increase Joseph is the first in Jerry Apps’s series set in fictional Ames County, Wisconsin. The four novels in the series—which also includes In a Pickle, Blue Shadows Farm, and the forthcoming Cranberry Red—all take place around Link Lake at different points in history. They convey Apps’s deep knowledge of rural life and his own concern for land stewardship.

The third volume in this powerful trilogy, The Cattle Cars Are Waiting follows the tragic fate of the inhabitants of the ghetto. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through every page.

Winner, Georges Bugnet Award for Best Novel, Writers Guild of Alberta

This volume describes the lives of the novel’s protagonists in the Lodz Ghetto at the beginning of World War II. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create realistic characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although horrendous experiences are depicted, the light of faith in the human spirit shines through this novel’s every page.

One of the most prominent Arabic novels to document the intricate details of the revolt of the Arabs against the Turks and their collaboration with the English, The Tree Stump brings to life a critical period of history that includes key players such as King Faisal, Odeh  Abu Tayeh , and T. E. Lawrence. It places the reader in the heart of that remarkable era with accuracy, authenticity, and an added human dimension that introduces the Arabian Desert people, traditions, and way of life. Author Samiha Khrais weaves tribal customs, religion, politics, and love into a history with characters that actually walked the land, lived on the land, and fought the land’s war of independence with originality, pride, and wisdom. The novel stands witness to the lived experience of many Arabs in the region—experience that can still be seen today. The novel’s style, content, and strong human dimension makes it an exception literary work with regional flavor and global appeal.

This groundbreaking anthology brings together twenty-seven authors from a wide range of experiences that offer new perspectives on the Iranian American story. The authors in Tremors represent the maturing voice of Iranian American fiction from the vantage point of those who were born and raised in Iran, as well as those writers who reflect a more distant, but still important, connection to their Iranian heritage. Altogether, these narratives capture the diversity of the Iranian diaspora and complicate the often-narrow view of Iranian culture represented in the media. The stories and novel excerpts explore the deeply human experiences of one of the newest immigrant groups to the United States in its attempts to adjust and assimilate in the face of major historical upheavals such as the 1979 Iranian revolution, the hostage crisis, and the attacks of September 11, 2001. The stories set in Iran testify to the resilience, dignity, and humor of a people rich in history and culture.

Originally published in 1947, The Trial of Sören Qvist has been praised by a number of critics for its intriguing plot and Janet Lewis’s powerful writing. And in the introduction to this new edition, Swallow Press executive editor and author Kevin Haworth calls attention to the contemporary feeling of the story—despite its having been written more than fifty years ago and set several hundred years in the past. As in Lewis’s best-known novel, The Wife of Martin Guerre, the plot derives from Samuel March Phillips’s nineteenth-century study, Famous Cases of Circumstantial Evidence, in which this British legal historian considered the trial of Pastor Sören Qvist to be the most striking case.

Trigger Man is a superb collection of stories capturing the gritty spirit of Detroit and the sometimes grim circumstances of the characters shaped by its industry and economics. Grounded on the bleak streets of the Motor City, these stories also explore the mythical “Up North,” the idealized country of many Detroit workers’ fantasy—an escape from the concrete and metal reality of their daily lives. Daniels’ characters are resilient and defiant, inhabiting a world that has often placed them on the margins of society, scouring a declining region for spiritual providence. Building on Daniels’ earlier collections of stories, Trigger Man brings vivid life to individuals struggling both to remain in and to flee the city that once sustained them.

“One day you’re going to ask me, ‘Mama, do you remember that trip to Salto?’ and I don’t want such questions to go unanswered.”

What happens on that trip to Salto opens this moving narrative by Uruguayan writer and poet Circe Maia. It begins with a mother and her young daughter desperately trying to catch an overnight train to Salto that they hope carries their husband and father, a physician and political prisoner who is traveling to the Salto prison accompanied by military guards after being interrogated in Montevideo. Their ensuing trip reveals the effects of a totalitarian regime on families and social relationships.

The tale of their journey is followed by a series of diary entries written by the mother between 1972 and 1974. The diary complements the opening account as each entry sensitively chronicles the family’s struggle to cope with daily life under prolonged separation, fear, and uncertainty. The diarist questions how one’s sense of community and love for country change when basic human rights can no longer be taken for granted.

Presented here in a bilingual edition, A Trip to Salto ultimately provides an intimate glimpse into Uruguayan history while it explores the deeper truths about an individual’s capacity to resist, adapt, and hope.

For Jill, a young American living in Saudi Arabia in the 1980s, life is in “a holding pattern” of long days in a restrictive place-“sandlocked nowhere,” as another expat calls it.  Others don't know how to leave, and try to adopt the country as their own.  And to those who were born there, the changes seem to come at warp speed: Thurayya, the daughter of a Bedouin chief, later finds herself living in a Riyadh high-rise where, she says, there are “worlds wound together with years.”

The characters in the linked stories in Triple Time are living an uneasy mesh of two divergent cultures, in a place where tradition and progress are continually in flux. These are tales of confliction-of old and new, rich and poor, sexual repression and personal freedom. We experience a barren yet strangely beautiful landscape jolted by sleek glass apartment towers and opulent fountains. On the fringes of urbanity, Bedouins traverse the desert in search of the next watering hole.

Beneath a surface of cultural upheaval, the stories hold deeper, more personal meanings. They tell of yearnings-for a time lost, for a homeland, for belonging, and for love. Anne Sanow reveals much about the culture, psyche, and essence of life in modern Saudi Arabia, where Saudis struggle to keep their traditions and foreigners muddle through in search of a quick buck or a last chance at making a life for themselves in a world that is quickly running out of hiding places.

Troublemakers is an often hilarious, sometimes frightening, occasionally off-the-wall collection of stories about men living on the edge. From the streets of Chicago's southwest side to the rural roads of Nebraska to the small towns of southern Illinois, these men tread a very fine line between right and wrong, love and hate, humor and horror.

Each story is a Pandora's box waiting to be opened: a high school boy with a new driver's license picks his brother up from jail; a UPS driver suspects his wife of having an affair but cannot find any tangible evidence of her indiscretion; an unemployed man's life begins to unravel after he discovers a dead man in a tree in his own backyard; two boys spend Halloween with an older thug; a young college teacher's patience is tested by both his annoying colleagues and the criminals who haunt his neighborhood. In story after story, McNally's troublemakers lead readers to a place no less thrilling or dangerous than the human heart itself.

"Seelye's version seems even
  funnier than the original, and also more moving, since Seelye's Huck Finn is
  even less sentimental about life and Tom Sawyer than Twain's Huck Finn. He is
  also more perceptive about black people than the original."
  -- Hughes Rudd, CBS News
"Seelye has stitched together
  a whale of a book. Without reference to Twain's own version, it is almost impossible
  to see the seams where 1970 joins 1884."
  -- Geoffrey Wolff, Newsweek
 

These nine stories are teeming with people on the margins, where destitute New Yorkers and determined immigrants are as much at the mercy of social services, media attention, opportunistic politicians, and "quality-of-life" campaigns as they are prey to grinding poverty, dangerous streets, and their own haunting memories. Delving into Lucy Honig's fiction, one is willingly drawn into an intimacy with these resilient, but flawed characters—among them, a woman who cleans a beauty salon, a high school kid who’s lost a parent, a runaway Cambodian bride, an actress, and a homeless woman. Crossing paths, these difficult characters often misunderstand and sometimes demean each other, yet they also redeem and rescue one other in odd and unexpected ways. In The Truly Needy, Lucy Honig has created a heartbreaking, imaginative world that is the American urban landscape.

His seventh book of fiction, Brazaitis writes a collection of stories that explore the lives of characters with unfortunate luck.

Harking from the golden age of fiction set in American suburbia—the school of John Updike and Cheever—this work from the great American humorist Peter De Vries looks with laughter upon its lawns, its cocktails, and its slightly unreal feeling of comfort. De Vries’s classic situation comedy The Tunnel of Love follows the interactions of a socially insecure, pun-loving family man, an officious lady caseworker from an adoption agency, and a chauvinist pig—all suburban neighbors who know far too much about one another’s private lives in this goofy and gently hilarious tale of marital quibbles. Noted as much for his verbal fluidity and wordplay as for his ability to see humor through pain, De Vries will delight both new readers and old in this uproarious modern masterpiece.

 

Colombian-born Santiago Martinez starts his adult life as a young gay writer living in Spain. Years later, as a university professor in New York City, Santiago is called back to his native Colombia upon the suicide of his sister. There he learns some shocking secrets about his childhood and adolescence and comes to the realization that cherished memories of the past are only illusion.

On the face of it, Winston Churchill and Charlie Chaplin—two icons of the twentieth century—couldn’t be more different. One is the grand statesman whose resolve led a nation in the struggle against Nazi Germany, the other the world-famous actor and comedian behind The Great Dictator, whose owns roots were in poverty and hardship. But in this moving novel, they are bound by a dark secret: both suffer from depression.

When a chance encounter reveals what they share, an unusual and unlikely friendship ensues. A series of therapeutic meetings across the world, in Germany, England, and America, sees each become the other’s confidant as they talk of their “black dog days.” With the eye of a masterfully subtle narrator, Michael Köhlmeier imagines a startling friendship of unique understanding between this extraordinary pair: a friendship of the twentieth century between art and politics, humor and seriousness, but which at heart remains an understanding between two men—the poor tramp and the grand statesman—who bring together the history of the century.
 

Set in Rembrandt's Amsterdam, "An Obscure Man" is the story of Nathanaël—innocent, open to experience—born like Everyman upon the stream of life. In "A Lovely Morning," Nathanaël's young son joins a touring company of Jacobean actors. "Anna, soror . . . ," the final tale, is an account of illicit passion in the baroque world of Naples.

"An Obscure Man swarms with life. This intricately researched, imaginative, beautifully written tale of a young man's brief life in the mid-17th century is entirely engrossing."—Leona Weiss, San Francisco Chronicle

"In these three stories, [Yourcenar] succeeds in making the essences of these past lives a part of the reader's future through the sheer intensity of their portrayal."—Margaret Ezell, Houston Chronicle

Two Stories of Prague signifies the maturation of a poet and of a people. Although most readers know Rilke as a mature, cosmopolitan poet, here we can discern a young writer self-consciously exploring his development as a man and his emergence as an artist. Angela Esterhammer writes that in symbolic, stylistic, and biographical terms these stories "record the process by which Rilke fashions himself into an independent, empowered individual."

In 1842, a young Cuban woman living in Spain published a novel that was so passionate and boldly feminist in content, it did not appear in her homeland until more than seventy years later. Two Women tells the riveting tale of a tumultuous love triangle among three wealthy Spaniards: a brilliant, young, widowed countess named Catalina, her inexperienced lover Carlos, and his pure and virtuous wife Luisa. The two women start out as rivals, yet in an insightful twist, they ultimately find they are both victims of a patriarchal society that ruthlessly pits women against each other. As the story builds to its thrilling climax, they confront the stark truth that in nineteenth-century Spain, women have few paths to a happy ending.
 
This first English translation of the novel captures the lyrical romanticism of its prose and includes a scholarly introduction to the work and its author, Gertrudis Gómez de Avellaneda, a pioneering feminist and anti-slavery activist who based the character of Catalina on her own experience. Two Women is a searing indictment of the stern laws and customs governing marriage in the Hispanic world, brought to life in a spellbinding, tragic love story.