Sexual combat is not a monopoly of the human species. As Sarah Blaffer Hrdy argues in this spellbinding book, war between male and female animals has deep roots in evolutionary history. Her account of family life among hanuman langurs—the black-faced, gray monkeys inhabiting much of the Indian subcontinent—is written with force, wit, and at times, sorrow.
Male hanumans, in pursuit of genetic success, routinely kill babies sired by their competitors. The mothers of endangered infants counter with various strategems to deceive the males and prevent destruction of their own offspring. Competition and selfishness are dominant themes of langur society. Competition among males for access to females, competition among females for access to food resources, and disregard by one female for the well-being of another’s infant—these are some very common examples. Yet there are also moments of heroic self-sacrifice, as when an elderly female rushes to defend her troop and its babies from an invading, infancticidal male.
The Langurs of Abu is the first book to analyze behavior of wild primates from the standpoint of both sexes. It is also a poignant and sophisticated exploration of primate behavior patterns from a feminist point of view. This book may inspire controversy; it will certainly be read with pleasure by anyone interested in animal behavior.
Richly illustrated with photographs, seven in full color.
"What if truth were a woman?" asked Nietzsche. In ancient Greek thought, truth in language has a special relation to the female by virtue of her pre-eminent art-form—the one Freud believed was even invented by women—weaving. The essays in this book explore the implications of this nexus: language, the female, weaving, and the construction of truth.
The Homeric bard—male, to be sure—inherits from Indo-European culture the designation of his poetry as a weaving, the female's art. Like her tapestries, his "texts" can suspend, reverse, and re-order time. He can weave the content from one world into the interstices of another.
The male poet shares the ambiguous power of the female Muses whose speech he channels. "We can say false things like to real things, and whenever we wish, we can utter the truth."
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