Redefining the artistic movement that helped shape American modernism
In the early decades of the twentieth century, a loose contingent of artists working in and around New York City gave rise to the aesthetic movement known as precisionism, primarily remembered for its exacting depictions of skyscrapers, factories, machine parts, and other symbols of a burgeoning modernity. Although often regarded as a singular group, these artists were remarkably varied in their subject matter and stylistic traits. Fantasies of Precision excavates the surprising ties that connected them, exploring notions of precision across philosophy, technology, medicine, and many other fields.
Bookended by discussions of the landmark First Biennial Exhibition of Painting at the Whitney Museum in 1932, this study weaves together a series of interconnected chapters illuminating the careers of Charles Sheeler, Georgia O’Keeffe, and Charles Demuth. Built on a theoretical framework of the writing of modernist poets Marianne Moore and William Carlos Williams, Fantasies of Precision outlines an “ethos of precision” that runs through the diverse practices of these artists, articulating how the broad range of enigmatic imagery they produced was underpinned by shared strategies of restraint, humility, and slowness.
Questioning straightforward modes of art historical classification, Ashley Lazevnick redefines the concept that designated the precisionist movement. Through its cross-disciplinary approach and unique blend of historiography and fantasy, Fantasies of Precision offers a comprehensive reevaluation of one of the defining movements of artistic modernism.
Reproductive technology spans techniques ranging from cloning, surrogate motherhood, egg donation, and prenatal testing. In the early nineties, when public debate about this topic was new, the discourse focused on the moral and ethical issues that these new technologies evoked. Less than a decade later, the editors in Playing Dolly state, ethical questions seem less urgent. Enormous changes have taken place in the way that reproduction is represented, understood, and discussed.
The pieces, which range from the biomedical to the sociocultural and include even fiction, reflect the shift in public perception of these complex topics. They testify to the increasing acceptance of reproductive technology, and the resulting reduction in concern over the ethical issues raised by technological intervention.
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