front cover of Adventures of a Ballad Hunter
Adventures of a Ballad Hunter
By John A. Lomax, foreword by John Lomax III, John Nova Lomax, and Anna Lomax Wood
University of Texas Press, 2017

Growing up beside the Chisholm Trail, captivated by the songs of passing cowboys and his bosom friend, an African American farmhand, John A. Lomax developed a passion for American folk songs that ultimately made him one of the foremost authorities on this fundamental aspect of Americana. Across many decades and throughout the country, Lomax and his informants created over five thousand recordings of America’s musical heritage, including ballads, blues, children’s songs, fiddle tunes, field hollers, lullabies, play-party songs, religious dramas, spirituals, and work songs. He acted as honorary curator of the Archive of American Folk Song at the Library of Congress, directed the Slave Narrative Project of the WPA, and cofounded the Texas Folklore Society. Lomax’s books include Cowboy Songs and Other Frontier Ballads, American Ballads and Folk Songs, Negro Folk Songs as Sung by Leadbelly, and Our Singing Country, the last three coauthored with his son Alan Lomax.

Adventures of a Ballad Hunter is a memoir of Lomax’s eventful life. It recalls his early years and the fruitful decades he spent on the road collecting folk songs, on his own and later with son Alan and second wife Ruby Terrill Lomax. Vibrant, amusing, often haunting stories of the people he met and recorded are the gems of this book, which also gives lyrics for dozens of songs. Adventures of a Ballad Hunter illuminates vital traditions in American popular culture and the labor that has gone into their preservation.

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Last Cavalier
The Life and Times of John A. Lomax, 1867-1948
Nolan Porterfield
University of Illinois Press, 1996
Winner of the Carr P. Collins Award and a Miss Ima Hogg Historical Achievement Award, Last Cavalier is the never-before-told story of the remarkable life and career of John A. Lomax, pioneering American folklorist, canny businessman, influential educator, and patriarch of an extended family of artists, performers, and scholars.
 
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front cover of Pioneers of the Blues Revival
Pioneers of the Blues Revival
Steve Cushing
University of Illinois Press, 2018
Steve Cushing, the award-winning host of the nationally syndicated public radio staple Blues Before Sunrise, has spent more than thirty years observing and participating in the Chicago blues scene. In the expanded second edition of Pioneers of the Blues Revival, Cushing adds new interviewees to the roster of prominent white researchers and enthusiasts whose advocacy spearheaded the blues' crossover into the mainstream starting in the 1960s. Rare interview material with experts like Mack McCormick supplements dialogues with Paul Garon, Gayle Dean Wardlow, Paul Oliver, Sam Charters, and others in renewing lively debates and providing first-hand accounts of the era and movement. Throughout, the participants chronicle lifetimes spent loving, finding, collecting, reissuing, and producing records. They also recount relationships with essential blues musicians like Mississippi John Hurt, Son House, Skip James, and Bukka White—connections that allowed the two races to learn how to talk to each other in a still-segregated world.
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front cover of Pioneers of the Blues Revival
Pioneers of the Blues Revival
Steve Cushing
University of Illinois Press, 2014
Steve Cushing, the award-winning host of the nationally syndicated public radio staple Blues before Sunrise, has spent over thirty years observing and participating in the Chicago blues scene. In Pioneers of the Blues Revival, he interviews many of the prominent white researchers and enthusiasts whose advocacy spearheaded the blues' crossover into the mainstream starting in the 1960s.
 
Opinionated and territorial, the American, British, and French interviewees provide fascinating first-hand accounts of the era and movement. Experts including Paul Oliver, Gayle Dean Wardlow, Sam Charters, Ray Flerledge, Paul Oliver, Richard K. Spottswood, and Pete Whelan chronicle in their own words their obsessive early efforts at cataloging blues recordings and retrace lifetimes spent loving, finding, collecting, reissuing, and producing records. They and nearly a dozen others recount relationships with blues musicians, including the discoveries of prewar bluesmen Mississippi John Hurt, Son House, Skip James, and Bukka White, and the reintroduction of these musicians and many others to new generations of listeners. The accounts describe fieldwork in the South, renew lively debates, and tell of rehearsals in Muddy Waters's basement and randomly finding Lightning Hopkins's guitar in a pawn shop.
 
Blues scholar Barry Lee Pearson provides a critical and historical framework for the interviews in an introduction.
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