front cover of Race and Modern Architecture
Race and Modern Architecture
A Critical History from the Enlightenment to the Present
Irene Cheng, Charles L. Davis II, & Mabel O. Wilson
University of Pittsburgh Press, 2020
Although race—a concept of human difference that establishes hierarchies of power and domination—has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality—from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants—Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
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The Republic of Arabic Letters
Islam and the European Enlightenment
Alexander Bevilacqua
Harvard University Press, 2020

Winner of the Herbert Baxter Adams Prize
A Longman–History Today Book Prize Finalist
A Sheik Zayed Book Award Finalist
Winner of the Thomas J. Wilson Memorial Prize
A Times Literary Supplement Book of the Year


“Deeply thoughtful…A delight.”—The Economist

“[A] tour de force…Bevilacqua’s extraordinary book provides the first true glimpse into this story…He, like the tradition he describes, is a rarity.”
New Republic

In the seventeenth and eighteenth centuries, a pioneering community of Western scholars laid the groundwork for the modern understanding of Islamic civilization. They produced the first accurate translation of the Qur’an, mapped Islamic arts and sciences, and wrote Muslim history using Arabic sources. The Republic of Arabic Letters is the first account of this riveting lost period of cultural exchange, revealing the profound influence of Catholic and Protestant intellectuals on the Enlightenment understanding of Islam.

“A closely researched and engrossing study of…those scholars who, having learned Arabic, used their mastery of that difficult language to interpret the Quran, study the career of Muhammad…and introduce Europeans to the masterpieces of Arabic literature.”
—Robert Irwin, Wall Street Journal

“Fascinating, eloquent, and learned, The Republic of Arabic Letters reveals a world later lost, in which European scholars studied Islam with a sense of affinity and respect…A powerful reminder of the ability of scholarship to transcend cultural divides, and the capacity of human minds to accept differences without denouncing them.”
—Maya Jasanoff

“What makes his study so groundbreaking, and such a joy to read, is the connection he makes between intellectual history and the material history of books.”
Financial Times

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front cover of Rhetoric, Modality, Modernity
Rhetoric, Modality, Modernity
Nancy S. Struever
University of Chicago Press, 2009

Since antiquity, philosophy and rhetoric have traditionally been cast as rivals, with the former often lauded as a search for logical truth and the latter usually disparaged as empty speech. But in this erudite intellectual history, Nancy S. Struever stakes out a claim for rhetoric as the more productive form of inquiry.

Struever views rhetoric through the lens of modality, arguing that rhetoric’s guiding interest in what is possible—as opposed to philosophy’s concern with what is necessary—makes it an ideal tool for understanding politics. Innovative readings of Hobbes and Vico allow her to reexamine rhetoric’s role in the history of modernity and to make fascinating connections between thinkers from the classical, early modern, and modern periods. From there she turns to Walter Benjamin, reclaiming him as an exemplar of modernist rhetoric and a central figure in the long history of the form. Persuasive and perceptive, Rhetoric, Modality, Modernity is a novel rewriting of the history of rhetoric and a heady examination of the motives, issues, and flaws of contemporary inquiry.

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Richard Bentley
Poetry and Enlightenment
Kristine Louise Haugen
Harvard University Press, 2011

What made the classical scholar Richard Bentley deserve to be so viciously skewered by two of the literary giants of his day—Jonathan Swift in the Battle of the Books and Alexander Pope in the Dunciad? The answer: he had the temerity to bring classical study out of the scholar's closet and into the drawing rooms of polite society. Kristine Haugen’s highly engaging biography of a man whom Rhodri Lewis characterized as “perhaps the most notable—and notorious—scholar ever to have English as a mother tongue” affords a fascinating portrait of Bentley and the intellectual turmoil he set in motion.

Aiming at a convergence between scholarship and literary culture, the brilliant, caustic, and imperious Bentley revealed to polite readers the doings of professional scholars and induced them to pay attention to classical study. At the same time, Europe's most famous classical scholar adapted his own publications to the deficiencies of non-expert readers. Abandoning the church-oriented historical study of his peers, he worked on texts that interested a wider public, with spectacular and—in the case of his interventionist edition of Paradise Lost—sometimes lamentable results.

If the union of worlds Bentley craved was not to be achieved in his lifetime, his provocations show that professional humanism left a deep imprint on the literary world of England's Enlightenment.

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