A classic and invaluable reference work. Soon after its initial publication, the Harvard Dictionary of Music by Willi Apel was firmly established as a standard and essential resource for everyone concerned with music. The product of exceptional scholarship, it was praised as being comprehensive, concise, authoritative, scholarly, and enjoyable. Leopold Stokowski wrote, “I so often consult your dictionary of music, and with such never failing enlightenment, that I must offer you my thanks for your unique book, so profound and so broad in scope… The vast scholarship…is of immeasurable value to the whole world of music.”

For this second edition the dictionary has been thoroughly revised, updated, and substantially enlarged. Apel and eighty-eight other eminent music scholars have contributed new articles and revised old ones completely. The already comprehensive list of accurate definitions has grown measurably and it now even includes nothus, pyiba, and merengue.

In the greatly expanded coverage of ethnomusicology, cumbia—an Afro-Panamanian dance form—and Vietnam are only two of the new entries. Additionally, all the general information about individual countries has been revised and the discussion of both theory and history has been amply increased. Developments of the last two decades are given special attention with particular emphasis on compositional techniques, including electronic music and serial music. Individual compositions, representative of every type from every era, are described. The bibliography following each article, a unique feature of the first edition, has been updated and expanded. There are fifty percent more illustrations than in the first edition, including explicit drawings of instruments, clear music examples, diagrams, charts and a full-page outline of the history of music.

An extensive list of the most important music libraries and collections throughout the world with summaries of their significant musical holdings is a valuable part of the dictionary. The section on historical editions now lists fifty-three collections of music and briefly describes each volume within each collection.

The Harvard Dictionary of Music, Second Edition, Revised and Enlarged, is the result of imaginative, specialized, modern, and reliable music scholarship. Containing nearly 1,000 pages of precise and accessible information on all musical subjects, it offers over fifty percent more material than the first edition. It is essential not only to the scholar of music, the professional performer, and the practicing amateur, but to everyone who has ever anticipated the pleasure of a weekly musical broadcast, purchased a favorite recording, or truly enjoyed a concert.

Praised as "one of those rare scientific books that can be read both for pleasure and instruction" when it was first published, The Life of Yeasts now appears in a new edition incorporating the exciting developments of the last decade. Nowhere else is there an introduction to this complex group of organisms that is as succinct, clear, and useful. Reviewing the first edition in Nature, A. H. Cook welcomed it as a "simple but wide-ranging account of a field which for various reasons has hitherto mostly been described only in a few specialized texts or in many respects only piecemeal in original publications."

This book is written for the nonspecialist who wishes to understand the yeasts, but not necessarily to become an expert on them. The new edition covers recent and major advances in the morphology, physiology, genetics, and ecology of these organisms, which have long been important in commerce and medicine and are ever more studied in the laboratory as prototypical eukaryotes.

Major revisions in this widely used text include:
1. Larger typefaces for all Greek paradigms;
2. Greatly expanded vocabularies, both Greek-English and English-Greek;
3. New review exercises for each lesson in both Greek and English;
4. New appendices listing 75 irregular verbs with their principal parts and the prepositions with their meanings. At many points the expositions, notes, and lesson vocabularies are expanded and the English sentences revised.

When the first edition of this book was published, the Christian ScienceMonitor called it "one of the mostconcise and informative books toappear on Italy since the end of Fascism." Thoroughly revised and updated, this third edition insures thatProfessor Hughes' work will retain itspreeminence as the best single introduction to contemporary Italy.

Professor Hughes outlines the geographic, economic, and psychological factors that have conditionedItaly's development, and reviews thetraditional contacts between Italy andthe United States, in particular theimmigration of Italians to this country. The chapters on Italy's historicaldevelopment interpret the trends andforces--the "legacy" of Fascism,anti-Fascism, the Second WorldWar--that still affect Italy today.Hughes' treatment of Italy's cultural,economic, and international status issuccinct and stimulating.

Two new chapters have been added for this third edition, dealing with the problems produced by the country's rapid industrial growth. The first situates the new Italy in its ecological and social context, delineating the stresses that have resulted from rapid change, among them political terrorism and the protest movements of women and of youth. The second assesses the transformation of Italian public life that the leading Eurocommunist party in the Westernworld has brought about.