BiblioVault - Books about End

Napoleon at Peace

How to End a Revolution

William Doyle

Reaktion Books, 2022

A cogent, comprehensive, and sweeping account of Napoleon’s dismantling of the French Revolution, giving new insight into this critical period of French history.

The French Revolution facilitated the rise of Napoleon Bonaparte, but after gaining power he knew that his first task was to end it. In this book William Doyle describes how he did so, beginning with the three large issues that had destabilized revolutionary France: war, religion, and monarchy. Doyle shows how, as First Consul of the Republic, Napoleon resolved these issues: first by winning the war, then by forging peace with the Church, and finally by making himself a monarch. Napoleon at Peace ends by discussing Napoleon’s one great failure—his attempt to restore the colonial empire destroyed by war and slave rebellion. By the time this endeavor was abandoned, the fragile peace with Great Britain had broken down, and the Napoleonic wars had begun.

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Neurotechnology and the End of Finitude

Michael Haworth

University of Minnesota Press, 2018

A bold philosophical investigation into technology and the limits of the human

A daring, original work of philosophical speculation, Neurotechnology and the End of Finitude mounts a sustained investigation into the possibility that human beings may technologically overcome the transcendental limits of possible experience and envisages what such a transition would look like. Focusing on emergent neurotechnologies, which establish a direct channel of communication between brain and machine, Michael Haworth argues that such technologies intervene at the border between interiority and exteriority, offering the promise of immediacy and the possibility of the mind directly affecting the outside world or even other minds.

Through detailed, targeted readings of Kant, Freud, Heidegger, Croce, Jung, and Derrida, Haworth explores the effect of this transformation on human creativity and our relationships with others. He pursues these questions across four distinct but interrelated spheres: the act of artistic creation and the potential for a technologically enabled coincidence of idea and object; the possibility of humanity achieving the infinite creativity that Kant attributed only to God; the relationship between the psyche and the external world in Freudian psychoanalysis and Jungian analytical psychology; and the viability and impact of techno-telepathic communication.

Addressing readers interested in contemporary continental philosophy and philosophy of technology, media and communications, and science and technology studies, Neurotechnology and the End of Finitude critically envisions a plausible posthuman future.

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No End in Sight

Polish Cinema in the Late Socialist Period

Anna Krakus

University of Pittsburgh Press, 2018

No End in Sight offers a critical analysis of Polish cinema and literature during the transformative late Socialist period of the 1970s and 1980s. Anna Krakus details how conceptions of time, permanence, and endings shaped major Polish artistic works. She further demonstrates how film and literature played a major role in shaping political consciousness during this highly-charged era. Despite being controlled by an authoritarian state and the doctrine of socialism, artists were able to portray the unsettled nature of the political and psychological climate of the period, and an undetermined future.

In analyzing films by Andrzej Wajda, Krzysztof Kieslowsi, Krzysztof Zanussi, Wojciech Has, and Tadeusz Konwicki alongside Konwicki’s literary production, Anna Krakus identifies their shared penchant to defer or completely eschew narrative closure, whether in plot, theme, or style. Krakus calls this artistic tendency "aesthetic unfinalizability." As she reveals, aesthetic unfinalizability was far more than an occasional artistic preference or a passing trend; it was a radical counterpolitical act. The obsession with historical teleology saturated Polish public life during socialism to such a degree that instances of nonclosure or ambivalent endings emerged as polemical responses to official ideology.

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Nonhuman Witnessing

War, Data, and Ecology after the End of the World

Michael Richardson

Duke University Press, 2024

In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of witnessing can help us better understand contemporary crises. He examines the media-specificity of nonhuman witnessing across an array of sites, from nuclear testing on First Nations land and autonomous drone warfare to deepfakes, artificial intelligence, and algorithmic investigative tools. Throughout, he illuminates the ethical and political implications of witnessing in an age of profound instability. By challenging readers to rethink their understanding of witnessing, testimony, and trauma in the context of interconnected crises, Richardson reveals the complex entanglements between witnessing and violence and the human and the nonhuman.

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Nothingism

Poetry at the End of Print Culture

Jason Schneiderman

University of Michigan Press, 2025

What is the internet doing to poetry? Good question! In Nothingism, Jason Schneiderman grapples with the way that digital culture has begun to reshape America’s poetry landscape, examining this profound shift in the way that poetry is written, read, and taught. He dives into the history of the poetic line and how previous media (oral, manuscript, print) have shaped our understanding of exactly what a poem is. In considering the transformations of poetry in the digital age, he finds that the transition from print to digital culture mirrors the earlier transition from manuscript to print culture.

In this collection, the essays range from blistering manifesto to deep historical dives to gentle classroom guidance to considerations of the poets of James Merrill and Agha Shahid Ali, moving between the theoretical and the practical. Nothingism is both deeply personal and highly erudite, providing an engaging and scholarly account of reading, writing, and teaching poetry as our world continues its unsupervised lurch toward digital culture.

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Nuclear Freeze in a Cold War

The Reagan Administration, Cultural Activism, and the End of the Arms Race

William M. Knoblauch

University of Massachusetts Press, 2017

The early 1980s were a tense time. The nuclear arms race was escalating, Reagan administration officials bragged about winning a nuclear war, and superpower diplomatic relations were at a new low. Nuclear war was a real possibility and antinuclear activism surged. By 1982 the Nuclear Freeze campaign had become the largest peace movement in American history. In support, celebrities, authors, publishers, and filmmakers saturated popular culture with critiques of Reagan's arms buildup, which threatened to turn public opinion against the president.

Alarmed, the Reagan administration worked to co-opt the rhetoric of the nuclear freeze and contain antinuclear activism. Recently declassified White House memoranda reveal a concerted campaign to defeat activists' efforts. In this book, William M. Knoblauch examines these new sources, as well as the influence of notable personalities like Carl Sagan and popular culture such as the film The Day After, to demonstrate how cultural activism ultimately influenced the administration's shift in rhetoric and, in time, its stance on the arms race.

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