front cover of Vanishing Sands
Vanishing Sands
Losing Beaches to Mining
Orrin H. Pilkey, Norma J. Longo, William J. Neal, Nelson G. Rangel-Buitrago, Keith C. Pilkey, and Hannah L. Hayes
Duke University Press, 2022
In a time of accelerating sea level rise and increasingly intensifying storms, the world’s sandy beaches and dunes have never been more crucial to protecting coastal environments. Yet, in order to meet the demands of large-scale construction projects, sand mining is stripping beaches and dunes, destroying environments, and exploiting labor in the process. The authors of Vanishing Sands track the devastating impact of legal and illegal sand mining over the past twenty years, ranging from Africa, Asia, and the Caribbean to South America and the eastern United States. They show how sand mining has reached crisis levels: beach, dune, and river ecosystems are in danger of being lost forever, while organized crime groups use deadly force to protect their illegal mining operations. Calling for immediate and widespread resistance to sand mining, the authors demonstrate that its cessation is paramount for saving not only beaches, dunes, and associated environments but also lives and tourism economies everywhere.
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front cover of The View From Cascade Head
The View From Cascade Head
Lessons for the Biosphere from the Oregon Coast
Bruce Byers
Oregon State University Press, 2020
Cascade Head, on the Oregon Coast between Lincoln City and Neskowin, has stunning ocean views, abundant recreational opportunities, and a rich history of ecological research and conservation. Its landscape and seascape support a multitude of species, some of which are threatened, such as the Oregon silverspot butterfly, spotted owl, and coho salmon. In The View from Cascade Head, Bruce Byers tells the fascinating story of this special place and the people who have worked to protect it. Drawing from his lifelong relationship with the Oregon Coast and recent experience living and working at Cascade Head, Byers weaves together personal observations, ecological science, and the history and philosophy of nature conservation in a series of interconnected essays.

Cascade Head is Oregon’s only biosphere reserve, part of the international network of biosphere reserves coordinated by UNESCO. Biosphere reserves around the world are laboratories for understanding how humans affect ecosystems and models for how we can heal the human-nature relationship.

The View from Cascade Head illustrates three main lessons: the actions and efforts of committed individuals can make a difference; ecological mysteries still abound despite decades of scientific research; and our worldviews—how we think about our place in nature—shape our individual and collective effect on the ecosystems we inhabit. Byers helps us understand how these lessons apply everywhere and can lead us toward a more sustainable relationship with our home planet.
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front cover of Visualizing Posthuman Conservation in the Age of the Anthropocene
Visualizing Posthuman Conservation in the Age of the Anthropocene
Amy D. Propen
The Ohio State University Press, 2018
How do we understand the lives of nonhuman animals and our relationship with and responsibilities to them? What are the artifacts or things that help configure such perceived responsibility? And what does it mean to practice conservation in the Anthropocene? Amy D. Propen seeks to answer these questions in Visualizing Posthuman Conservation in the Age of the Anthropocene, which brings a visual-material rhetorical approach into conversation with material feminisms and environmental humanities to describe how technologies, environments, bodies, and matter work together to shape and reshape how we coexist with our nonhuman kin.

Through case studies in which visual technologies and science play a prominent role in arguments to protect threatened marine species—from photographs showing the impact of ocean plastics on vulnerable sea birds, to debates about seismic testing and its impact on marine species, to maps created from GPS tracking projects—Propen advances a notion of posthuman environmental conservation that decenters the human enough to consider ideas about the material world from the vantage point of the nonhuman animal. In so bringing together work in environmental humanities, animal studies, human geography, and visual-material rhetoric, Propen further shows how interdisciplinary ways of knowing can further shape and illuminate our various lived and embodied experiences.
 
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front cover of Voyage of a Summer Sun
Voyage of a Summer Sun
Canoeing the Columbia River
Robin Cody
Oregon State University Press, 2012
“The story is the Columbia River, not the canoe and me, but I’ve learned that friends can’t hear me tell about the river until they know why I was out there. This is not an adventure story, though some adventure was unavoidable, and I didn’t set out to find myself if I could help it. Nor did I launch the trip with a large point to prove. It was a voyage of discovery, and its telling is the uncovering of surprise on a river I thought I knew…” —Robin Cody, from the prologue

On a June morning in 1990, high up in the Canadian Rockies, Robin Cody pushed his sixteen-foot Kevlar canoe through tall grass and mud to launch it on peaceful Columbia Lake, the nominal source of the river that heaves more water into the Pacific ocean than any other in North or South America. For the next eighty-two days, Cody would portage massive dams and revel in the rapids as the great river plunges 2,700 feet in 1,200 miles before reaching the river’s mouth in Astoria.

Cody’s canoe sneaks up on the bear and moose and raptors and beavers who make a living on the Columbia. He drops in on riverpeople: the trapper, the wind surfer, the archeologist, the lock operator, the native woman who grew up at riverside in a dwelling of tule reeds. With a generous and infectious spirit, Cody draws us into the mysteries of a much-altered and regulated river that is still, at heart, a life-giving place.

This first OSU Press edition of Voyage of a Summer Sun—winner of the Pacific Northwest Booksellers Association Book Award and the Oregon Book Award, and an Oregon State Library choice for “150 Books for the Oregon Sesquicentennial”—includes a new afterword by the author.
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