Eastern Old-Growth Forests is the first book devoted exclusively to old growth throughout the East. Authoritative essays from leading experts examine the ecology and characteristics of eastern old growth, explore its history and value -- both ecological and cultural -- and make recommendations for its preservation.
The book provides a thorough overview of the importance of old growth in the East including its extent, qualities, and role in wildlands restoration. It will serve a vital role in furthering preservation efforts by making eastern old-growth issues better known and understood.
Take an unforgettable road trip down one of America’s most fascinating highways, U.S.
On what highway can you find the headquarters of the FBI, Dow Jones Interactive, and the National Enquirer? What road is home to the Bronx Zoo, the Okefenokee Swamp, and Flipper? On the side of what freeway can you find the Super Duper Weenie Wagon, Larry’s Redneck Bar, and the Big Chicken Barn? Peter Genovese found them all, along with about a million other fascinating and bizarre attractions, on U.S. 1, ‘the best damn highway in America,” as he calls it. Join him for the road trip of a lifetime The Great American Road Trip: A Journey Down U.S. 1.
U.S. 1 may not be America’s scenic highway, but it’s certainly the most colorful. It runs through Boston, New York, Baltimore, Washington, D.C., and Miami, in addition to Caribou, Maine, Quonochontaug, Rhode Island, and Alma, Georgia. It zig-zags along the wild and beautiful Maine coast and soars over the Atlantic Ocean as the Overseas Highway, one of the most spectacular stretches of road anywhere. The Star-Spangled Banner is on U.S. 1. Madonna lived on U.S. 1 (until she sold her house to Rosie O'Donnell). U.S. 1 is Main Street and the Miracle Mile, two-lane blacktop and six-lane expressway, straight as an arrow in some places and twistier than a Philadelphia soft pretzel in others.
Genovese spent two years on U.S. 1, talking to everyone from doughnut makers, dolphin trainers, and swamp guides to real Miami vice cops and the keeper of the national parasite collection. His resulting book is the most complete portrait of an American highway ever written. With his unerring eye for detail, sense of humor, and understanding of human nature, Genovese takes readers on a sometimes funny, sometimes sad, always illuminating 2,450-mile journey from Fort Kent, Maine to Key West, Florida.
Ride along with Genovese and grab a drink at the Last Resort Bar or the Last Chance Saloon, then pick up a paperback at the Banned Bookstore. Visit Oscar, the biggest gator in the Okefenokee Swamp, have dinner at Hog Heaven, and take in a Portland Seadogs baseball game. Tour a Budweiser brewery and go into the pit at a NASCAR race. Looking for someplace to stay? How about the world’s only underwater hotel, the Jules’ Undersea Lodge, or in a cabin made entirely from one pine tree at the Maine Idyll Motor Court? If it’s culture you seek, the highway boasts dozens of museums. While you may have heard of the Museum of Natural History and the National Museum of American Art, how about the Blacks in Wax Museum, Tragedy in the United States Museum, and the Mushroom Museum? There’s something for everyone on U.S. 1, and Genovese has written about it all in The Great American Road Trip.
Eastern North America has one of the largest inventories of Paleoindian sites anywhere in the Americas. Despite this rich record of early human settlement during the late Pleistocene, there are few widely published reports or summaries of Paleoindian research in the region. The contributors to this volume present more than four decades of Early Paleoindian research in eastern North America, including previously unpublished site reports and updates on recent research. Their work helps create a more cohesive picture of the early human occupation of North America.
This data-rich volume provides specific information on artifacts and basic site descriptions which will allow for more thorough comparisons of eastern fluted point sites. Divided into four sections—chronology and environment, reinvestigations of classic sites, new sites and perspectives, and synthesis and conclusions—the volume will encourage further consideration of the sites included and their role in shaping our understanding of huntergatherer lifeways during the late Pleistocene. In the Eastern Fluted Point Tradition is a must read for scholars of Paleoindian archaeology and those generally interested in the prehistory of North America.
Macrofungi Associated with Oaks of Eastern North America, which was written as a companion to Field Guide to Oak Species of Eastern North America, represents the first major publication devoted exclusively to the macrofungi that occur in association with oak trees in the forests of eastern North America. The macrofungi covered in this volume include many of the more common examples of the three groups—mycorrhizal fungi, decomposers, and pathogens—that are ecologically important to the forest ecosystems in which oaks occur. More than 200 species of macrofungi are described and illustrated via vibrantly colored photographs. Information is given on edibility, medicinal properties, and other novel uses as well. This publication reflects the combined expertise of six mycologists on the macrofungi anyone would be likely to encounter in an oak forest.
“Never before has the case been more compellingly made that America’s dependence on a free and abundant water supply has become an illusion. Cynthia Barnett does it by telling us the stories of the amazing personalities behind our water wars, the stunning contradictions that allow the wettest state to have the most watered lawns, and the thorough research that makes her conclusions inescapable. Barnett has established herself as one of Florida’s best journalists and Mirage is a must-read for anyone who cares about the future of the state.”
—Mary Ellen Klas, Capital Bureau Chief, Miami Herald
“Mirage is the finest general study to date of the freshwater-supply crisis in Florida. Well-meaning villains abound in Cynthia Barnett’s story, but so too do heroes, such as Arthur R. Marshall Jr., Nathaniel Reed, and Marjorie Harris Carr. The author’s research is as thorough as her prose is graceful. Drinking water is the new oil. Get used to it.”
—Michael Gannon, Distinguished Professor of history, University of Florida, and author of Florida: A Short History
“With lively prose and a journalist’s eye for a good story, Cynthia Barnett offers a sobering account of water scarcity problems facing Florida—one of our wettest states—and the rest of the East Coast. Drawing on lessons learned from the American West, Mirage uses the lens of cultural attitudes about water use and misuse to plead for reform. Sure to engage and fascinate as it informs.”
—Robert Glennon, Morris K. Udall Professor of Law and Public Policy, University of Arizona, and author of Water Follies: Groundwater Pumping and the Fate of America’s Fresh Waters
Part investigative journalism, part environmental history, Mirage reveals how the eastern half of the nation—historically so wet that early settlers predicted it would never even need irrigation—has squandered so much of its abundant freshwater that it now faces shortages and conflicts once unique to the arid West.
Florida’s parched swamps and supersized residential developments set the stage in the first book to call attention to the steady disappearance of freshwater in the American East, from water-diversion threats in the Great Lakes to tapped-out freshwater aquifers along the Atlantic seaboard.
Told through a colorful cast of characters including Walt Disney, Jeb Bush and Texas oilman Boone Pickens, Mirage ferries the reader through the key water-supply issues facing America and the globe: water wars, the politics of development, inequities in the price of water, the bottled-water industry, privatization, and new-water-supply schemes.
From its calamitous opening scene of a sinkhole swallowing a house in Florida to its concluding meditation on the relationship between water and the American character, Mirage is a compelling and timely portrait of the use and abuse of freshwater in an era of rapidly vanishing natural resources.
Developed by the pioneering landscape design firm of Andropogon Associates, world-renowned for their innovative approach to integrating environmental protection and restoration with landscape architecture and design, The Once and Future Forest is a guidebook for restoring and managing natural landscapes. Focusing on remnant forest systems, it describes methods of restoring and linking forest fragments to recreate a whole landscape fabric.
The book begins by explaining the history and current situation of forest ecosystems in the eastern United States. Following that is an in-depth examination of the restoration process, with thorough descriptions of ecological strategies for landscape management along with specific examples of how those strategies have been implemented in various sites around the country. The final section provides hands-on information about the many specific details that must be considered when initiating and implementing a restoration program. All aspects of the restoration process are considered, including: Water -- opportunities for increasing infiltration, reducing pollutants, promoting habitat values Ground -- methods of protecting existing vegetation, removing fill, rebuilding soils Plants -- strategies and procedures for planting, maintenance, propagation Wildlife -- guidelines for preserving wildlife resources, management techniques to favor selected specie.
The Once and Future Forest presents a comprehensive approach to assessing sites, detailed guidelines for determining management goals, and a thorough overview of appropriate management and restoration techniques. It is an important guide for professional planners and landscape architects, government agency personnel at all levels, land managers, scientists involved in restoration work, and citizen activists who wish to do something constructive about our deteriorating forest patches.
Showcases the wealth of new research on sacred imagery found in twelve states and four Canadian provinces
In archaeology, rock-art—any long-lasting marking made on a natural surface—is similar to material culture (pottery and tools) because it provides a record of human activity and ideology at that site. Petroglyphs, pictographs, and dendroglyphs (tree carvings) have been discovered and recorded throughout the eastern woodlands of North America on boulders, bluffs, and trees, in caves and in rock shelters. These cultural remnants scattered on the landscape can tell us much about the belief systems of the inhabitants that left them behind.
The Rock-Art of Eastern North America brings together 20 papers from recent research at sites in eastern North America, where humidity and the actions of weather, including acid rain, can be very damaging over time. Contributors to this volume range from professional archaeologists and art historians to avocational archaeologists, including a surgeon, a lawyer, two photographers, and an aerospace engineer. They present information, drawings, and photographs of sites ranging from the Seven Sacred Stones in Iowa to the Bald Friar Petroglyphs of Maryland and from the Lincoln Rise Site in Tennessee to the Nisula Site in Quebec.
Discussions of the significance of artist gender, the relationship of rock-art to mortuary caves, and the suggestive link to the peopling of the continent are particularly notable contributions. Discussions include the history, ethnography, recording methods, dating, and analysis of the subject sites and integrate these with the known archaeological data.
A gripping account of the violence and turmoil that engulfed England’s fledgling colonies and the crucial role played by Native Americans in determining the future of North America.
In 1675, eastern North America descended into chaos. Virginia exploded into civil war, as rebel colonists decried the corruption of planter oligarchs and massacred allied Indians. Maryland colonists, gripped by fears that Catholics were conspiring with enemy Indians, rose up against their rulers. Separatist movements and ethnic riots swept through New York and New Jersey. Dissidents in northern Carolina launched a revolution, proclaiming themselves independent of any authority but their own. English America teetered on the edge of anarchy.
Though seemingly distinct, these conflicts were in fact connected through the Susquehannock Indians, a once-mighty nation reduced to a small remnant. Forced to scatter by colonial militia, Susquehannock bands called upon connections with Indigenous nations from the Great Lakes to the Deep South, mobilizing sources of power that colonists could barely perceive, much less understand. Although the Susquehannock nation seemed weak and divided, it exercised influence wildly disproportionate to its size, often tipping settler societies into chaos. Colonial anarchy was intertwined with Indigenous power.
Piecing together Susquehannock strategies from a wide range of archival documents and material evidence, Matthew Kruer shows how one people’s struggle for survival and renewal changed the shape of eastern North America. Susquehannock actions rocked the foundations of the fledging English territories, forcing colonial societies and governments to respond. Time of Anarchy recasts our understanding of the late seventeenth century and places Indigenous power at the heart of the story.
The Fascinating History of the Rapid Expansion of Roads, Canals, and Railways in the First Decades of the United States
While the great overland migration routes to America’s far west are well known and documented—the California, Oregon, Mormon, and Santa Fe Trails, the Central Overland and Pony Express—less attention has been given to how Americans in the first decades of the republic traveled across the western frontiers of the original colonies. Following the revolution, Americans began to seek their fortunes to the west in greater numbers. Land grants to veterans inspired others to move, including tradesmen, merchants, and tavern owners. With the Louisiana Purchase in 1803, the country doubled in size, and the rate of migration became extraordinary, with wider and more durable roads built, ferries installed at river crossings, canals cut to move goods, regular stage routes established, and ultimately the first railroad tracks laid down. Entire regions that supported few communities in the 1790s exploded in population, and as a result seven new states were admitted to the Union in the decade following the War of 1812. John Bradbury, who traveled through the United States between 1809 and 1811, wrote that “In passing through the upper parts of Virginia, I observed a great number of farms that had been abandoned, on many of which good houses had been erected, and fine apple and peach orchards had been planted. On enquiring the reason, I was always informed that the owners had gone to the western country.” In Maryland, a newspaper reporter wrote, “The time is close at hand when the region west of the Allegheny mountains will sway the destinies of the nation.” By 1839, the National Road extended more than 700 miles from Washington, DC, to central Illinois, New York’s Erie Canal operated from Albany to Buffalo, and the Baltimore and Ohio Railroad carried passengers briskly west, ultimately to the Ohio River.
The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples.
Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.
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