The fundamentals guiding labor historians are under scrutiny today as never before. The field has attempted to uncover the socioeconomic conditions that produced labor militancy and class consciousness, with scholars focusing on proletarianization---the loss of control over the production process---as the key to class conflict. Currently, this entire approach is being questioned.
In Rethinking Labor History, nine well-known French labor historians join the debate. Advocates of both revisionist Marxism and discourse analysis are represented, and examples of empirical research emerging from the theoretical disputes are included.
 

Topics are as far-ranging and current as the use of steroids, training for competition,
athlete's heart, exercise physiology, physical activity and sport for females, women's
health, physical culture and quackery, diet, and more.
 

This collection of essays highlights the influence of Swedish visionary Emanuel Swedenborg (1688-1772) on art, spirituality, and culture. Opening with an essay by Spanish-language writer and metaphysician Jorge Luis Borges, from which the collection draws its name, the volume includes a description of Swedenborg's influence on Fyodor Dosteovsky by Czleslaw Mloscz; a look at Swedenborg from a mystical perspective from Wilson Van Dusen; the transcendentalist connection with Ralph Waldo Emerson in an essay by Eugene Taylor; and Buddhist scholar D. T. Suzuki's describes similarities between Swedenborg's philosophy and Buddhism. Essays by Kathleen Raine on Swedenborg's poetic influence and Colin Wilson on the psychological perspective on Swedenborg's visions round out the collection.

Just over a decade earlier, a group of colleagues had honored Professor Cross with a Festschrift published as a special volume of Leeds Studies in English, but in the years since that collection appeared, Professor Cross had managed to launch into the most productive period of his entire career, producing over thirty new articles and books since 1984, including his ground-breaking monograph on the Pembroke 25 homiliary, a facsimile edition of the Copenhagen Wulfstan manuscript for the series Early English Manuscripts in Facsimile, a book on the Gospel of Nicodemus and Vindicta Salvatoris apocrypha from the St Omer 202 homiliary, and an edition and translation of Archbishop Wulfstan’s canon laws.

 

Surely these achievements were worthy of fresh recognition, we reasoned, and a small cohort of Professor Cross’s friends accordingly began conspiring to host a symposium in his honor with an eye toward producing a second Festschrift. Kalamazoo was the logical site for this event. Professor Cross had frequented the Medieval Congress at Kalamazoo for as long as any of us could remember, had chaired and presented in numerous sessions, and was a plenary speaker in 1990. It was also at Kalamazoo that Professor Cross initiated discussions of a plan to revise and update J. D. A. Ogilvy’s Books Known to the English, 597-1066, an ambitious project that has since given rise to two large collaborative ventures to which many Anglo-Saxonists around the world now contribute: Fontes Anglo-Saxonici and Sources of Anglo-Saxon Literary Culture.

 

Kalamazoo was thus a perfect match for Professor Cross, and with the kind indulgence of the Medieval Congress program committee, we proceeded to organize five sessions for the 1996 meeting on Irish and Anglo-Saxon studies as a tribute to Professor Cross’s work in these areas. The timing, as it turned out, proved meaningful: Professor Cross died unexpectedly the following December, just seven months after the symposium, and the Kalamazoo conference was consequently the last opportunity most of us had to see him.

Wildly popular with Victorian readers, sensation fiction was condemned by most critics for scandalous content and formal features that deviated from respectable Victorian realism. Victorian Sensations is the first collection to examine sensation fiction as a whole, showing it to push genre boundaries and resist easy classification. Comprehensive in scope, this collection includes twenty original essays employing various critical approaches to cover a range of topics that will interest many readers. In addition to well-known novels such as The Woman in White by Wilkie Collins and Lady Audley’s Secret by Mary Elizabeth Braddon, this volume addresses other works by Collins and Braddon as well as those of Sheridan Le Fanu, Rhoda Broughton, Charles Reade, Ellen (Mrs. Henry) Wood, and perhaps surprisingly, Charles Dickens and Thomas Hardy.  Sensation literature, once considered one-dimensionally as a vehicle for contrived, plot-driven stories of mystery and intrigue, is shown here as a multi-faceted formal and ideological hybrid.  Essays are organized thematically into three sections: issues of genre; sensational representations of gender and sexuality; and the texts’ complex readings of diverse social and cultural phenomena such as class, race, and empire. The introduction reviews critical reception of sensation fiction to situate these new essays within a larger scholarly context.   Victorian Sensations aims to further previous efforts to recognize sensation fiction as an integral part of Victorian literature and not as the subgenre that it has too long been considered. The collection’s broad scope indicates the breadth and complexity of the genre itself.