The Essential Swedenborg summarizes in modern terms the basic features of the theology put forward by Emanuel Swedenborg (1688–1772), scientist, inventor, statesman, philosopher, and theologian.

The startling concepts of the “Northern Plato” caused the orthodox clergy of the time to consider him a heretic. For more than two hundred years, however, Swedenborg has inspired many of the world’s greatest intellects and contributors to modern culture—Balzac, Elizabeth Barrett Browning, Blake, Emerson, Henry James, Sr., Czeslaw Milosz, and Yates among them—with a visionary belief system for all people, regardless of background, that emphasizes good works, personal responsibility, and one’s inner connection to divine love.

This edition provides new translations of selections from Swedenborg’s works on some of his key theological topics, including use, charity, life after death, the destiny of humanity, and divine providence.

Their approach comes from a position of faith. They quote from the Creation account in the Pearl of Great Price: ”And the Gods said: Let us prepare the waters to bring forth abundantly the moving creatures that have life. And the Gods saw that they would be obeyed and that their plan was good.” In the authors’ view, the passage’s emphasis on process over end result is consistent with modern science.

According to the LDS church, “Whether the mortal bodies of man evolved in natural processes to present perfection” or were formed by some other means is “not fully answered in the revealed word of God.” That God may have created the mechanism by which all life was formed—rather than each organism separately—is a concept that the authors find to be a satisfying and awe-inspiring possibility.

After the 1872 publication of Exposé,Fanny Stenhouse became a celebrity in the cultural wars between Mormons and much of America. An English convert, she had grown disillusioned with the Mormon Church and polygamy, which her husband practiced before associating with a circle of dissident Utah intellectuals and merchants. Stenhouse’s critique of plural marriage, Brigham Young, and Mormonism was also a sympathetic look at Utah’s people and honest recounting of her life. She later created a new edition, titled "Tell It All," which ensured her notoriety in Utah and popularity elsewhere but turned her thoughtful memoir into a more polemical, true exposé of Polygamy. Since 1874, it has stayed in print, in multiple, varying editions. The original book, meanwhile, is less known, though more readable. Tracing the literary history of Stenhouse’s important piece of Americana, Linda DeSimone rescues an important autobiographical and historical record from the baggage notoriety brought to it.