A SCHOLARLY BOOK REPOSITORY
Bright Lights in the Desert explores the history of how members of the Church of Jesus Christ of Latter-day Saints in Las Vegas have improved the regions’ neighborhoods, inspired educational institutions, brought integrity to the marketplace, and provided wholesome entertainment and cultural refinement. The LDS influence has helped shape the metropolitan city because of its members’ focus on family values and community service.
Woods discusses how, through their beliefs and work ethics, they have impacted the growth of the area from the time of their first efforts to establish a mission in 1855 through the present day. Bright Lights in the Desert reveals Las Vegas as more than just a tourist destination and shows the LDS community’s commitment to making it a place of deep religious faith and devotion to family.
Frueh’s performances are unabashedly autobiographical, as likely to reflect her scholarship as a feminist art historian as her love affairs or childhood memories. For Frueh, eros and self-love are part of a revolutionary feminist strategy; her work exemplifies the physicality and embrace of pleasure that she finds wanting in contemporary feminist theory. Scholarly and rigorous yet playful in tone, her performances are joyful, filled with eroticism, flowers, sexy costumes, and beautiful colors, textures, and scents. Recurring themes include Frueh’s passionate attachment to the desert landscape and the idea of transformation: a continual reaching for clarity of thought and feeling.
In an afterword as lyrical and breathless as her performance pieces, Frueh explores her identification with the desert and its influence on her art. Clairvoyance (For Those In The Desert) includes a detailed chronology of Frueh’s performances.
Whether you're raising vegetables, nursing citrus trees, or just trying to keep your front yard looking its best, you'll find that this handy book gives you a valuable month-by-month perspective on the year. It helps you to focus on necessary activities and reminds you of simple tasks you might overlook.It's especially valuable for people who've moved to the desert regions from other parts of the country and follow old gardening dates that seldom apply to their new home.
The Desert Gardener's Calendar is a guide to the maintenance you need to do to keep your garden flourishing and your landscape attractive throughout the year. It combines the month-by-month gardening and landscaping activities from two separate books by George Brookbank—Desert Gardening, Fruits and Vegetables and Desert Landscaping—and was created in response to readers who have found the calendar sections of those books especially invaluable.
And because not all deserts are the same, Brookbank is careful to point out differences in scheduling encountered by gardeners in low- and middle-elevation regions in California and the Southwest. "I believe," says the author, "that if you use this calendar and let your judgment become more accurate with experience, you'll soon be doing everything right." Although that might suggest a day when you don't need this book, chances are good that, if you're a desert gardener, right now you do.
Covering an immense geographical range, Michael Welland wanders from the Sahara to the Atacama, depicting the often bizarre adaptations of plants and animals to these hostile environments. He also looks at these seemingly infertile landscapes in the context of their place in history—as the birthplaces not only of critical evolutionary adaptations, civilizations, and social progress, but also of ideologies. Telling the stories of the diverse peoples who call the desert home, he describes how people have survived there, their contributions to agricultural development, and their emphasis on water and its scarcity. He also delves into the allure of deserts and how they have been used in literature and film and their influence on fashion, art, and architecture. As Welland reveals, deserts may be difficult to define, but they play an active role in the evolution of our global climate and society at large, and their future is of the utmost importance. Entertaining, informative, and surprising, The Desert is an intriguing new look at these seemingly harsh and inhospitable landscapes.
CONTENTS
Part 1 - How to Start and Maintain a Desert Landscape
1. Desert Conditions: How They Are "Different"
2. Plants Are Like People: They're Not Alike
3. Use Arid-Land Plants to Save Water
4. How to Irrigate in the Desert
5. How to Design and Install a Drip Irrigation System
6. Soils and Their Improvement I: How to Plant in the Desert
7. Soils and Their Improvement II: How to Use Fertilizers
8. What to Do When Things Go Wrong: A Troubleshooter's Guide
9. How to Avoid—and Repair—Frost Damage
10. How to Control "Weeds"
11. Palo Verde Borer Beetle: What to Do
12. How to Avoid Texas Root Rot
13. When You Move Into an Empty House
14. What to Do About Roots in Drains
15. How to Dig Up Plants and Move Them
16. How to Have Flower Bed Color All Year
17. Landscape Gardening with Containers
18. Starting Wildflowers
19. Starting a Lawn
20. Making and Keeping a Good Hedge
21. Pruning Trees and Shrubs
22. Palm Tree Care
23. Caring for Saguaros, Ocotillos, Avages, and Prickly Pears
24. Roses in the Desert: Hard Work and Some Disappointments
25. Landscaping with Citrus
26. Swimming Pools: Plants, Play, and Water-Saving
27. Landscape Maintenance While You're Away
28. Condominiums: Common Grounds, Common Problems
Part 2 - A Month-by-Month Maintenance Guide
Norman “Fats” Rangle, an ex–deputy sheriff, operates a horse stabling and excursion business with his brother and sister-in-law on their family ranch in the small rural community of Blue Lake, a few hours outside of Las Vegas. By chance, high on a southern Nevada mountain range, Fats discovers the wreckage of a plane that crashed two years earlier. Although he reports his find to the sheriff, he does not disclose that someone had already been to the crash site—evidence that Fats deliberately destroyed.
Soon, Fats is tracking back and forth between Las Vegas and Blue Lake in a search for a missing cousin, a briefcase full of cash, and, finally, for a killer. Along the way, Fats also begins to understand that he’s searching for himself and his place in a rapidly changing West.
Angry and alienated, Fats distrusts everyone he meets, from sleaze-merchants and political power brokers to two women: one he wants to believe in, a retired judge; and the other, a police sergeant, he can’t quite believe isn’t deceiving him. After all, in this Nevada, corruption is a given. Everybody lies. Much is uncertain—motives, loyalties, affections. But in Drowning in the Desert, one thing is certain: water is a precious resource that can both kill and be killed for.
Newcomers to the Southwest usually find that their favorite landscape plants aren't suited to the hot, dry climate. Many authors offer advice on adapting plants to the desert; now Mary Irish tells how gardeners can better adapt themselves to the challenge.
Drawing on her experience with public horticulture in the Phoenix metropolitan area, Irish explores the vexations and delights of desert gardening. She offers practical advice on plants and gardening practices for anyone who lives in the Southwest, from El Paso to Palm Springs, Tucson to Las Vegas.
Irish encourages readers who may be new to the desert—or desert dwellers who may be new to gardening—to stop struggling against heat, aridity, and poor soils and instead learn to use and appreciate the wonderful and well-adapted plants native to the desert. She shares information and anecdotes about trees, shrubs, perennials, agaves, cacti, and other plants that make gardening in the Southwest a unique experience, and provides further information about plants from other desert regions that will easily adapt to the Southwest. In addition to descriptions of plants, Irish also offers tips on planting, watering, pruning, and propagation.
For anyone who has struggled to maintain a patch of green or blanched at their water bill after unproductive irrigation, the answer to an attractive landscape may be as close as the desert around you. And for anyone who has bought a catalog guide to desert plants and not known which to choose, this book can set you on the right path. Mary Irish shows how to take heart in available plants of adaptable beauty in a book to enjoy while waiting for the next planting cycle.
To the untrained eye, a desert is a wasteland that defies civilization; yet the desert has been home to native cultures for centuries and offers sustenance in its surprisingly wide range of plant life. Gary Paul Nabhan has combed the desert in search of plants forgotten by all but a handful of American Indians and Mexican Americans. In Gathering the Desert readers will discover that the bounty of the desert is much more than meets the eye—whether found in the luscious fruit of the stately organpipe cactus or in the lowly tepary bean.
Nabhan has chosen a dozen of the more than 425 edible wild species found in the Sonoran Desert to demonstrate just how bountiful the land can be. From the red-hot chiltepines of Mexico to the palms of Palm Springs, each plant exemplifies a symbolic or ecological relationship which people of this region have had with plants through history. Each chapter focuses on a particular plant and is accompanied by an original drawing by artist Paul Mirocha. Word and picture together create a total impression of plants and people as the book traces the turn of seasons in the desert.
In this uplifting new book, author Stephen G. Post explores the mysteries and the wonder of Godly love. This all-important love is personal, unconditional, unlimited, generative, and omnipresent. The title alludes to Isaiah 35, how Godly love is said to plant a rose in our hearts precisely when we feel like a desert with no more love to give.
Post draws on his life experiences and works at the Institute for Research on Unlimited Love as he intersperses personal anecdotes with spiritual truths and research on human happiness. In the process, he defines the concept of Godly love and illustrates how important it can be in our lives—not only emotionally and spiritually but physically as well. "Godly love," he writes, "is the only foundation in the universe that we can really lean on."
We all have deserts in life, so we all need Godly love. Without it, the downward slide to cynicism, hostility, and cool indifference can be too easy. These meditations on the subject will nurture our confidence in the power of a love greater than our own when we need it most.
Las Vegas, says William Fox, is a pay-as-you-play paradise that succeeds in satisfying our fantasies of wealth and the excesses of pleasure and consumption that go with it. In this context, Fox examines how Las Vegas’s culture of spectacle has obscured the boundaries between high art and entertainment extravaganza, nature and fantasy, for-profit and nonprofit enterprises. His purview ranges from casino art galleries—including Steve Wynn’s private collection and a branch of the famed Guggenheim Museum—to the underfunded Las Vegas Art Museum; from spectacular casino animal collections like those of magicians Siegfried and Roy and Mandalay Bay’s Shark Reef exhibit to the city’s lack of support for a viable public zoo; from the environmental and psychological impact of lavish water displays in the arid desert to the artistic ambiguities intrinsic to Las Vegas’s floating world of showgirls, lapdancers, and ballet divas. That Las Vegas represents one of the world’s most opulent displays of private material wealth in all its forms, while providing miserly funding for local public amenities like museums and zoos, is no accident, Fox maintains. Nor is it unintentional that the city’s most important collections of art and exotic fauna are presented in the context of casino entertainment, part of the feast of sensation and excitement that seduces millions of visitors each year. Instead, this phenomenon shows how our insatiable modern appetite for extravagance and spectacle has diminished the power of unembellished nature and the arts to teach and inspire us, and demonstrates the way our society privileges private benefit over public good. Given that Las Vegas has been a harbinger of national cultural trends, Fox’s commentary offers prescient insight into the increasing commercialization of nature and culture across America.
In contrast to other ethnic and national representations, Jewish writers since antiquity have not constructed a neat antithesis between the desert and the city or nation; rather, the desert becomes a symbol against which the values of the city or nation can be tested, measured, and sometimes found wanting. This book examines how the ethical tension between the clashing Mosaic and Davidic paradigms of the desert still reverberate in secular Jewish literature and produce fascinating literary rewards. Omer-Sherman ultimately argues that the ancient encounter with the desert acquires a renewed urgency in response to the crisis brought about by national identities and territorial conflicts.
Jardinería desértica---mes por mes le servirá de guía para cuidar las plantas de su jardín y determinar el mejor tiempo para plantar, podar, y regar. Este libro es especialmente útil para los jardineros y residentes recién llegados al sudoeste desértico. Si usted cultiva vegetales o árboles frutales y cítricos, o si sencillamente quiere mantener un jardín hermoso, encontrará que este libro práctico le informará sobre las labores necesarias y le ayudará a recordar las tareas importantes que inadvertidamente podría olvidar.
Now available in a Spanish-language edition, this popular guide provides pointers to the maintenance needed to keep gardens flourishing and landscapes attractive throughout the year. Translated by master gardener Félix Hurtado, Jardinería desértica makes a wealth of common-sense wisdom available to Spanish-speaking readers.
Natural Environments of Arizona bridges the gap between coffee-table volumes and scientific literature, offering a nontechnical, single-volume overview that introduces readers to a myriad of topics and provides pointers toward deeper reading. It’s all here: climate, geology, soil and water resources, an amazing variety of flora and fauna—and of course human impacts on the state’s fragile ecosystems.
These chapters show the extent to which Arizona’s natural environments have changed since Lowe first set the stage for their study. They consider changes in forests and grasslands, the effects of soil erosion, questions about water quality, and the evolving status of rivers and wildlife communities. And while the common thread of environments makes the book a complete introduction to the subject, each chapter stands alone as an authoritative synopsis of its particular topic.
Ranging widely over the impacts of drought, floods, and wildfires, this practical guide clearly shows that nature is more than picturesque landscapes, vegetation, and wildlife. For anyone with a dog-eared copy of Lowe, this book will serve as the new standard on the subject—a valuable tool for resource managers, students, and general readers alike.
Nabhan invites a prism of voices—friends, colleagues, and advisors from his more than four decades of study of deserts—to bring their own perspectives. Scientists, artists, desert contemplatives, poets, and writers bring the desert into view and investigate why these places compel us to walk through their sands and beneath their cacti and acacia. We observe the spines and spears, stings and songs of the desert anew. Unexpected. Surprising. Enchanting. Like the desert itself, each essay offers renewed vocabulary and thoughtful perceptions.
The desert inspires wonder. Attending to history, culture, science, and spirit, The Nature of Desert Nature celebrates the bounty and the significance of desert places.
Contributors
Thomas M. Antonio
Homero Aridjis
James Aronson
Tessa Bielecki
Alberto Búrquez Montijo
Francisco Cantú
Douglas Christie
Paul Dayton
Alison Hawthorne Deming
Father David Denny
Exequiel Ezcurra
Thomas Lowe Fleischner
Jack Loeffler
Ellen McMahon
Rubén Martínez
Curt Meine
Alberto Mellado Moreno
Paul Mirocha
Gary Paul Nabhan
Ray Perotti
Larry Stevens
Stephen Trimble
Octaviana V. Trujillo
Benjamin T. Wilder
Andy Wilkinson
Ofelia Zepeda
The Negev, first published in 1971, told the story of some twenty years of study of southern Israel’s desert. It synthesized the findings of botanists, geologists, soil scientists, agronomists, archaeologists, historians, and engineers and told how the applications of their work produced an agricultural surplus in this forbiddingly dry, hot region.
Now Michael Evenari has amplified the book with data from another decade of work. He describes the efforts at a new farm at Wadi Mashash, extends the weather data another ten years, presents further work on the adaptations of plants and animals to desert conditions, and takes a much deeper look at the historical precedents for the method of runoff agriculture, which has made the desert bloom.
Poet Ofelia Zepeda centers these poems on her own experiences growing up in a Tohono O'odham family, where desert climate profoundly influenced daily life, and on her perceptions as a contemporary Tohono O'odham woman. One section of poems deals with contemporary life, personal history, and the meeting of old and new ways. Another section deals with winter and human responses to light and air. The final group of poems focuses on the nature of women, the ocean, and the way the past relationship of the O'odham with the ocean may still inform present day experience. These fine poems will give the outside reader a rich insight into the daily life of the Tohono O'odham people.
Eric Wagner joined her team for six months in 2008, and in Penguins in the Desert, he chronicles that season in the remarkable lives of both the Magellanic penguins of Punta Tombo and the scientists who track their every move. For Boersma, the penguins are ecosystem sentinels. At the colony’s peak, more than a million birds bred there, but now less than half as many do. In confronting this fact, Boersma tackles some of the most urgent issues facing penguins and people today. What is the best way to manage our growing appetite for fish? How do we stop catastrophic oil spills from coating birds? How will we address the looming effects of climate change?
As Wagner spends more and more time with the penguins and the scientists in the field, other equally pressing questions come to mind. What is it like to be beaten by a penguin? Or bitten by one? How can a person be so dirty for so many months on end? In a tale that is as much about life in the field as it is about one of the most charismatic creatures on earth, Wagner brings humor, warmth, and hard-won insight as he tries to find the answer to what turns out to be the most pressing question of all: What does it mean to know an animal and to grapple with the consequences of that knowing?
"To read and gaze through this elegantly illustrated book is to be exposed, as if through a work of science fiction, to an astonishing and unknown cultural world."—North Dakota Quarterly
For twenty years Mary Irish, along with her husband Gary, tended a garden in Scottsdale, Arizona. Over the years they transformed it into a lively and lovely spot that reflected both its place in the world—hot, dry, and often hostile to gardeners who don’t understand its ways—and the particular passions of its two creators. Of course, not everything went as planned, and the garden talked back as much as it obeyed. But for these two gardeners, the unexpected outcome is one of gardening’s great pleasures.
Mary Irish is a delightful writer. With grace, wit, and obvious affection, she tells the story of how she and Gary transformed a barren half-acre plot around their house in the center of Greater Phoenix into a haven: for its creators and their friends, for the birds and insects and other critters that have discovered it, and for the plants that have made it their home. Although it describes the experience of gardening in one of the most extreme climates in the inhabited world, A Place All Our Own will interest anyone who gardens—and everyone who enjoys a well-told, true-life nature tale.
The author of The Desert, the book that made the American landscape accessible to the mainstream mind, was much less like his fellow environmental prophets John Muir and Henry David Thoreau than he would have had us believe. Van Dyke claimed to have wandered "alone on horseback for thousands of miles through the American Southwest and northern Mexico," as readers of The Desert—now in the millions since the book was published in 1901—were told. He did not. In The Secret Life of John C. Van Dyke, Teague and Wild unmask the desert saint with Van Dyke’s own recently discovered letters. These letters depict a privileged, patrician, and pampered member of the upper-class. His incriminating correspondence reveals that he saw most of the desert from plush railroad cars and grand hotel rooms. In the introduction, the editors clear up many misconceptions scholars currently hold about Van Dyke’s ecological principles, about his outdoorsmanship, and about his trip through the desert itself. As the centennial of the publication of The Desert approaches, this lively collection of letters helps set the record straight. The John C. Van Dyke unveiled in The Secret Life is a more varied character than we had supposed—still worthy of much admiration for his remarkable accomplishments, but still mysterious, and not the man we thought him to be.
The Ways of the Desert, translated from the French, offers an introduction to the North African Arab nomads—their way of life, customs, dress, and religion. The companion to this volume, The Horses of the Sahara, provides a detailed description and history of the great breeds of Arab horses. While part of this book is devoted to descriptions of the various animals that are both hunted and used for hunting, its appeal goes well beyond its attraction for those with a special interest in the lore of desert hunt and chase. General Daumas and his major collaborator-informant, the Emir Abd-el-Kader, together provide sensitive insights into the total culture of the North African desert people of the nineteenth century.
Both spiritual and material aspects of desert life are encompassed in this work, which ranges from translations of Arab poetry to descriptions of the uses of the fat and remains of the ostrich. The patterns of conviction and conduct described form an important part of the rich cultural heritage of the modern Maghreb nations.
The way of life described in this book is often presented from what comes very close to being an inside point of view. Occasionally Daumas feels obliged to disapprove of certain practices or beliefs or to criticize his Arab friends, but in large part his underlying sympathy for the Arab people permits his informants to speak clearly through his pen.
General Melchior Joseph Eugene Daumas took part in the conquest of Algeria by France and, for his distinguished service, was named Director of the Bureau of Algerian Affairs in the French Ministry of War. During the campaigns and the occupation that followed, he studied and attempted to understand the native peoples with an objectivity and sympathy unusual among the colonialists of the period. He recorded a way of life that has changed much since the nineteenth century, and much of what he recorded has since been lost. His account, as well as being an important source for the historian and ethnographer, provides for the general reader a fascinating record of the vanishing ways of the desert.
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