The Old Northwest—the region now known as the Midwest—has been largely overlooked in American cultural history, represented as a place smoothly assimilated into the expanding, manifestly-destined nation. An American Colony: Regionalism and the Roots of Midwestern Culture studies the primary texts and principal conflicts of the settlement of the Old Northwest to reveal that its entry into the nation’s culture was not without problems. In fact, Edward Watts argues that it is best understood as a colony of the United States, just as the eastern states were colonies of the British Empire.
Reconsidered as a colony, the Old Northwest becomes a crucible revealing the complex entanglement of local, indigenous, and regional interests with the coercions of racism, nationalism, and imperialism. This conflicted setting, like those of all settlement colonies, was beset by competing views of local identity, especially as they came to contradict writers from the eastern seaboard.
Using postcolonial theories developed to describe other settlement colonies, An American Colony identifies the Old Northwest as a colony and its culture as less than fully participating in either the nation’s or its own writing and identity. This embedded sense of cultural inferiority, Watts argues, haunts Midwestern culture even today.
American Empire and the Politics of Meaning is an examination of how these efforts to provide the elite of Puerto Rico and the Philippines a practical education in self-government played out on the ground in the early years of American colonial rule, from 1898 until 1912. It is the first systematic comparative analysis of these early exercises in American imperial power. The sociologist Julian Go unravels how American authorities used “culture” as both a tool and a target of rule, and how the Puerto Rican and Philippine elite received, creatively engaged, and sometimes silently subverted the Americans’ ostensibly benign intentions. Rather than finding that the attempt to transplant American-style democracy led to incommensurable “culture clashes,” Go assesses complex processes of cultural accommodation and transformation. By combining rich historical detail with broader theories of meaning, culture, and colonialism, he provides an innovative study of the hidden intersections of political power and cultural meaning-making in America’s earliest overseas empire.
This ground-breaking collection of new interviews, critical essays, and commentary explores South Asian identity and culture. Sensitive to the false homogeneity implied by "South Asian," "diaspora," "postcolonial," and "Asian American," the contributors attempt to unpack these terms. By examining the social, economic, and historical particularities of people who live "between the lines"—on and between borders—they reinstate questions of power and privilege, agency and resistance. As South Asians living in the United States and Canada, each to some degree must reflect on the interaction of the personal "I," the collective "we," and the world beyond.
The South Asian scholars gathered together in this volume speak from a variety of theoretical perspectives; in the essays and interviews that cross the boundaries of conventional academic disciplines, they engage in intense, sometimes contentious, debate.
Contributors: Meena Alexander, Gauri Viswanathan, Gayatri Chakravorty Spivak, Amritjit Singh, M. G. Vassanji, Sohail Inayatullah, Ranita Chatterjee, Benita Mehta, Sanjoy Majumder, Mahasveta Barua, Sukeshi Kamra, Samir Dayal, Pushpa Naidu Parekh, Indrani Mitra, Huma Ibrahim, Amitava Kumar, Shantanu DuttaAhmed, Uma Parameswaran.
In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ.
An alternative view of Puerto Rico’s past, present, and future
How do we map the pathways to liberation where we have been taught to see only trauma, suffering, and lack? Melissa L. Rosario offers an alternative view of Puerto Rico, America’s oldest colony, removing readers from the framework of crisis to consider the deeper legacies of its current impasse. Beyond Disaster: Building Collective Futures in Puerto Rico is an intimate portrait, weaving insights from the author’s own life, research, and organizing work as a scholar in the diaspora who rematriated. Rosario bridges the genres of social history and memoir to unsettle the meaning of resistance and freedom, underscoring the deep wounds of colonialism while still uplifting the profound possibilities of embodied alternatives.
Beyond Disaster critiques the framework of debt and crisis by examining the psychological, emotional, and spiritual effects of colonialism. Rosario highlights key examples of organizing efforts to defend land and education against total enclosure, protecting life amid loss. This book offers a series of microhistories, vignettes, and prose poetry to foreground the daily practices necessary to anchor the ecological and political landscapes of our collective future.
Black Jews in Africa and the Americas tells the fascinating story of how the Ashanti, Tutsi, Igbo, Zulu, Beta Israel, Maasai, and many other African peoples came to think of themselves as descendants of the ancient tribes of Israel. Pursuing medieval and modern European race narratives over a millennium in which not only were Jews cast as black but black Africans were cast as Jews, Tudor Parfitt reveals a complex history of the interaction between religious and racial labels and their political uses.
For centuries, colonialists, travelers, and missionaries, in an attempt to explain and understand the strange people they encountered on the colonial frontier, labeled an astonishing array of African tribes, languages, and cultures as Hebrew, Jewish, or Israelite. Africans themselves came to adopt these identities as their own, invoking their shared histories of oppression, imagined blood-lines, and common traditional practices as proof of a racial relationship to Jews.
Beginning in the post-slavery era, contacts between black Jews in America and their counterparts in Africa created powerful and ever-growing networks of black Jews who struggled against racism and colonialism. A community whose claims are denied by many, black Jews have developed a strong sense of who they are as a unique people. In Parfitt’s telling, forces of prejudice and the desire for new racial, redemptive identities converge, illuminating Jewish and black history alike in novel and unexplored ways.
Black Skin, White Coats is a history of psychiatry in Nigeria from the 1950s to the 1980s. Working in the contexts of decolonization and anticolonial nationalism, Nigerian psychiatrists sought to replace racist colonial psychiatric theories about the psychological inferiority of Africans with a universal and egalitarian model focusing on broad psychological similarities across cultural and racial boundaries. Particular emphasis is placed on Dr. T. Adeoye Lambo, the first indigenous Nigerian to earn a specialty degree in psychiatry in the United Kingdom in 1954. Lambo returned to Nigeria to become the medical superintendent of the newly founded Aro Mental Hospital in Abeokuta, Nigeria’s first “modern” mental hospital. At Aro, Lambo began to revolutionize psychiatric research and clinical practice in Nigeria, working to integrate “modern” western medical theory and technologies with “traditional” cultural understandings of mental illness. Lambo’s research focused on deracializing psychiatric thinking and redefining mental illness in terms of a model of universal human similarities that crossed racial and cultural divides.
Black Skin, White Coats is the first work to focus primarily on black Africans as producers of psychiatric knowledge and as definers of mental illness in their own right. By examining the ways that Nigerian psychiatrists worked to integrate their psychiatric training with their indigenous backgrounds and cultural and civic nationalisms, Black Skin, White Coats provides a foil to Frantz Fanon’s widely publicized reactionary articulations of the relationship between colonialism and psychiatry. Black Skin, White Coats is also on the cutting edge of histories of psychiatry that are increasingly drawing connections between local and national developments in late-colonial and postcolonial settings and international scientific networks. Heaton argues that Nigerian psychiatrists were intimately aware of the need to engage in international discourses as part and parcel of the transformation of psychiatry at home.
Building the Devil’s Empire is the first comprehensive history of New Orleans’s early years, tracing the town’s development from its origins in 1718 to its revolt against Spanish rule in 1768. Shannon Lee Dawdy’s picaresque account of New Orleans’s wild youth features a cast of strong-willed captives, thin-skinned nobles, sharp-tongued women, and carousing travelers. But she also widens her lens to reveal the port city’s global significance, examining its role in the French Empire and the Caribbean, and she concludes that by exemplifying a kind of rogue colonialism—where governments, outlaws, and capitalism become entwined—New Orleans should prompt us to reconsider our notions of how colonialism works.
"[A] penetrating study of the colony's founding."—Nation
“A brilliant and spirited reinterpretation of the emergence of French New Orleans. Dawdy leads us deep into the daily life of the city, and along the many paths that connected it to France, the North American interior, and the Greater Caribbean. A major contribution to our understanding of the history of the Americas and of the French Atlantic, the work is also a model of interdisciplinary research and analysis, skillfully bringing together archival research, archaeology, and literary analysis.”—Laurent Dubois, Duke University
In Kenyan colonialist imagery, the Kikuyu were vilified as deceitful servants while the Maasai were romanticized as noble savages in a fashion similar to American representation of the Black slave and the "wild" Indian. Carolyn Martin Shaw examines this imagery in the works of historians and ethnographers, as well as in novels and films.
Through the works of Louis Leakey, Jomo Kenyatta, Elspeth Huxley, and Isak Dinesen, along with her own ethnographic research, Martin Shaw investigates the discourses that shaped inequalities, rivalries, and fantasies in colonial Kenya. She explores narratives of domination and subordination, arguing that Europeans brought to Africa long-established ideas of difference that influenced racial inequalities in the colonial situation. Including discussion of the controversial practice of female genital mutilation, Colonial Inscriptions presents an African American woman's views of how images of African colonialism have been influenced by European and American racism and sexual fantasies.Historians of colonial Africa have largely regarded the decade of the Great Depression as a period of intense exploitation and colonial inactivity. In Colonial Meltdown, Moses E. Ochonu challenges this conventional interpretation by mapping the determined, at times violent, yet instructive responses of Northern Nigeria’s chiefs, farmers, laborers, artisans, women, traders, and embryonic elites to the British colonial mismanagement of the Great Depression. Colonial Meltdown explores the unraveling of British colonial power at a moment of global economic crisis.
Ochonu shows that the economic downturn made colonial exploitation all but impossible and that this dearth of profits and surpluses frustrated the colonial administration which then authorized a brutal regime of grassroots exactions and invasive intrusions. The outcomes were as harsh for Northern Nigerians as those of colonial exploitation in boom years.
Northern Nigerians confronted colonial economic recovery measures and their agents with a variety of strategies. Colonial Meltdown analyzes how farmers, women, laborers, laid-off tin miners, and NorthernNigeria’s emergent elite challenged and rebelled against colonial economic recovery schemes with evasive trickery, defiance, strategic acts of revenge, and criminal self-help and, in the process, exposed the weak underbelly of the colonial system.
Combined with the economic and political paralysis of colonial bureaucrats in the face of crisis, these African responses underlined the fundamental weakness of the colonial state, the brittleness of its economicmission, and the limits of colonial coercion and violence. This atmosphere of colonial collapse emboldened critics of colonial policies who went on to craft the rhetorical terms on which the anticolonial struggle of the post–World War II period was fought out.
In the current climate of global economic anxieties, Ochonu’s analysis will enrich discussions on the transnational ramifications of economic downturns. It will also challenge the pervasive narrative of imperial economic success.
During the colonial period in Guyana, the country’s coastal lands were worked by enslaved Africans and indentured Indians. In Creole Indigeneity, Shona N. Jackson investigates how their descendants, collectively called Creoles, have remade themselves as Guyana’s new natives, displacing indigenous peoples in the Caribbean through an extension of colonial attitudes and policies.
Looking particularly at the nation’s politically fraught decades from the 1950s to the present, Jackson explores aboriginal and Creole identities in Guyanese society. Through government documents, interviews, and political speeches, she reveals how Creoles, though unable to usurp the place of aboriginals as First Peoples in the New World, nonetheless managed to introduce a new, more socially viable definition of belonging, through labor. The very reason for bringing enslaved and indentured workers into Caribbean labor became the organizing principle for Creoles’ new identities.
Creoles linked true belonging, and so political and material right, to having performed modern labor on the land; labor thus became the basis for their subaltern, settler modes of indigeneity—a contradiction for belonging under postcoloniality that Jackson terms “Creole indigeneity.” In doing so, her work establishes a new and productive way of understanding the relationship between national power and identity in colonial, postcolonial, and anticolonial contexts.
Winner of the 2017 Aidoo-Snyder Book Prize
Winner of the 2016 American Historical Association’s Wesley-Logan Prize in African diaspora
Finalist for the 2016 Fage and Oliver Prize from the African Studies Association of the UK
Interracial sex mattered to the British colonial state in West Africa. In Crossing the Color Line, Carina E. Ray goes beyond this fact to reveal how Ghanaians shaped and defined these powerfully charged relations. The interplay between African and European perspectives and practices, argues Ray, transformed these relationships into key sites for consolidating colonial rule and for contesting its hierarchies of power. With rigorous methodology and innovative analyses, Ray brings Ghana and Britain into a single analytic frame to show how intimate relations between black men and white women in the metropole became deeply entangled with those between black women and white men in the colony in ways that were profoundly consequential.
Based on rich archival evidence and original interviews, the book moves across different registers, shifting from the micropolitics of individual disciplinary cases brought against colonial officers who “kept” local women to transatlantic networks of family, empire, and anticolonial resistance. In this way, Ray cuts to the heart of how interracial sex became a source of colonial anxiety and nationalist agitation during the first half of the twentieth century.
This is a sharply observed assessment of the history of the last half century by a distinguished group of historians of Kenya. At the same time the book is a courageous reflection in the dilemmas of African nationhood.
Professor B. A. Ogot says:
“The main purpose of the book is to show that decolonization does not only mean the transfer of alien power to sovereign nationhood; it must also entail the liberation of the worlds of spirit and culture, as well as economics and politics.
“The book also raises a more fundamental question, that is: How much independence is available to any state, national economy or culture in today’s world? It asks how far are Africa’s miseries linked to the colonial past and to the process of decolonization?
“In particular the book raises the basic question of how far Kenya is avoidably neo-colonial? And what does neo-colonial dependence mean? The book answers these questions by discussing the dynamic between the politics of decolonization, the social history of class formation and the economics of dependence. The book ends with a provocative epilogue discussing the transformation of the post-colonial state from a single-party to a multi-party system.”
When the American reporter Henry Morton Stanley stepped out of the jungle in 1871 and doffed his pith helmet to the Scottish missionary-explorer Dr. David Livingstone, his greeting was to take on mythological proportions. But do any of us really know what his words meant at the time--and what they have come to mean since?
Far from meeting in a remote thicket in "Darkest Africa," Stanley met Livingstone in the middle of a thriving Muslim community. The news of their encounter was transmitted around the globe, and Livingstone instantly became one of the world's first international celebrities.
This book shows how urgently a handshake between a Briton and an American was needed to heal the rift between the two countries after the American Civil War. It uncovers for the first time the journeys that Livingstone's African servants made around Britain after his death, and it makes a case for Stanley's immense influence on the idea of the modern at the dawn of the twentieth century. Drawing on films, children's books, games, songs, cartoons, and TV shows, this book reveals the many ways our culture has remembered Stanley's phrase, while tracking the birth of an Anglo-American Christian imperialism that still sets the world agenda today.
Dr. Livingstone, I Presume? is a story of conflict and paradox that also takes us into the extraordinary history of British engagement with Africa. Clare Pettitt shows both the bleakest side of imperialism and the strange afterlife of a historical event in popular mythmaking and music hall jokes.
In the century after the French Revolution, the South American outpost of Guiana became a depository for exiles—outcasts of the new French citizenry—and an experimental space for the exercise of new kinds of power and violence against marginal groups. Miranda Spieler chronicles the encounter between colonial officials, planters, and others, ranging from deported political enemies to convicts, ex-convicts, vagabonds, freed slaves, non-European immigrants, and Maroons (descendants of fugitive slaves in the forest). She finds that at a time when France was advocating the revolutionary principles of liberty, equality, and fraternity, Guiana’s exiles were stripped of their legal identities and unmade by law, becoming nonpersons living in limbo.
The French Revolution invented the notion of the citizen, but as Spieler shows, it also invented the noncitizen—the person whose rights were nonexistent. Empire and Underworld discovers in Guiana’s wilderness a haunting prehistory of current moral dilemmas surrounding detainees of indeterminate legal status. Pairing the history of France with that of its underworld and challenging some of the century’s most influential theorists from Hannah Arendt to Michel Foucault, Spieler demonstrates how rights of the modern world can mutate into an apparatus of human deprivation.
Psychiatrist, philosopher, and revolutionary, Frantz Fanon is one of the most important intellectuals of the twentieth century. He presented powerful critiques of racism, colonialism, and nationalism in his classic books, Black Skin, White Masks (1952) and The Wretched of the Earth (1961). This biography reintroduces Fanon for a new generation of readers, revisiting these enduring themes while also arguing for those less appreciated—namely, his anti-Manichean sensibility and his personal ethic of radical empathy, both of which underpinned his utopian vision of a new humanism. Written with clarity and passion, Christopher J. Lee’s account ultimately argues for the pragmatic idealism of Frantz Fanon and his continued importance today.
Socialist doctrines had an important influence on Korean writers and intellectuals of the early twentieth century. From the 1910s through the 1940s, a veritable wave of anarchist, Marxist, nationalist, and feminist leftist groups swept the cultural scene with differing agendas as well as shared demands for equality and social justice. In The Proletarian Wave, Sunyoung Park reconstructs the complex mosaic of colonial leftist culture by focusing on literature as its most fertile and enduring expression. The book combines a general overview of the literary left with the intellectual portraits of four writers whose works exemplify the stylistic range and colonial inflection of socialist culture in a rapidly modernizing Korea. Bridging Marxist theory and postcolonial studies, Park confronts Western preconceptions about third-world socialist cultures while interrogating modern cultural history from a post–Cold War global perspective.
The Proletarian Wave provides the first historical account in English of the complex interrelations of literature and socialist ideology in colonial Korea. It details the origins, development, and influence of a movement that has shaped twentieth-century Korean politics and aesthetics alike through an analysis that simultaneously engages some of the most debated and pressing issues of literary historiography, Marxist criticism, and postcolonial cultural studies.
How were indigenous social practices deemed queer and aberrant by colonial forces?
In Queering Colonial Natal, T.J. Tallie travels to colonial Natalestablished by the British in 1843, today South Africa’s KwaZulu-Natal provinceto show how settler regimes “queered” indigenous practices. Defining them as threats to the normative order they sought to impose, they did so by delimiting Zulu polygamy; restricting alcohol access, clothing, and even friendship; and assigning only Europeans to government schools.
Using queer and critical indigenous theory, this book critically assesses Natal (where settlers were to remain a minority) in the context of the global settler colonial project in the nineteenth century to yield a new and engaging synthesis. Tallie explores the settler colonial history of Natal’s white settlers and how they sought to establish laws and rules for both whites and Africans based on European mores of sexuality and gender. At the same time, colonial archives reveal that many African and Indian people challenged such civilizational claims.
Ultimately Tallie argues that the violent collisions between Africans, Indians, and Europeans in Natal shaped the conceptions of race and gender that bolstered each group’s claim to authority.
Rebellions broke out in many areas of South Africa shortly after the institution of white rule in the late nineteenth century and continued into the next century. However, distrust of the colonial regime reached a new peak in the mid-twentieth century, when revolts erupted across a wide area of rural South Africa. All these uprisings were rooted in grievances over taxes. Rebels frequently invoked supernatural powers for assistance and accused government officials of using witchcraft to enrich themselves and to harm ordinary people.
As Sean Redding observes in Sorcery and Sovereignty, beliefs in witchcraft and supernatural powers were part of the political rhetoric; the system of taxation—with all its prescribed interactions between ruler and ruled—was intimately connected to these supernatural beliefs.
In this fascinating study, Redding examines how black South Africans’ beliefs in supernatural powers, along with both economic and social change in the rural areas, resulted in specific rebellions and how gender relations in black South African rural families changed. Sorcery and Sovereignty explores the intersection of taxation, political attitudes, and supernatural beliefs among black South Africans, shedding light on some of the most significant issues in the history of colonized Africa.
“All my work fits in my mouth,” Jo Carson says. “I write performance material no matter what else the pieces get called, and whether they are for my voice or other characters’ voices … they are first to be spoken aloud.” Following an oral tradition that has strong roots in her native Tennessee, the author of Teller Tales invites the reader to participate in events in a way that no conventional history book can.
Both stories in this book are set in East Tennessee in the mid-eighteenth century and share certain characters. The first narrative, “What Sweet Lips Can Do,” recounts the story of the Overmountain Men and the battle of King’s Mountain, a tide-turning battle in the American Revolution. “Men of Their Time” is an exploration of white-Cherokee relationships from early contact through the time of the Revolution.
Although not well known to the outside world, the stories recounted in Teller Tales are cornerstones in the heritage of the Appalachian region and of American history. In ways that will appeal to young and old alike, Jo Carson’s irreverent telling will broaden the audience and the understanding for the stories of native Americans, settlers, explorers, and revolutionaries of early America.
In twentieth-century Kenya, age and gender were powerful cultural and political forces that animated household and generational relationships. They also shaped East Africans’ contact with and influence on emergent colonial and global ideas about age and masculinity. Kenyan men and boys came of age achieving their manhood through changing rites of passage and access to new outlets such as town life, crime, anticolonial violence, and nationalism. And as they did, the colonial government appropriated masculinity and maturity as means of statecraft and control.
In An Uncertain Age, Paul Ocobock positions age and gender at the heart of everyday life and state building in Kenya. He excavates in unprecedented ways how the evolving concept of “youth” motivated and energized colonial power and the movements against it, exploring the masculinities boys and young men debated and performed as they crisscrossed the colony in search of wages or took the Mau Mau oath. Yet he also considers how British officials’ own ideas about masculinity shaped not only young African men’s ideas about manhood but the very nature of colonial rule.
An Uncertain Age joins a growing number of histories that have begun to break down monolithic male identities to push the historiographies of Kenya and empire into new territory.
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