One highly visible example of French influence on the city of Philadelphia is the Benjamin Franklin Parkway, modeled on the Champs-Élysées. In Salut!, Lynn Miller and Therese Dolan trace the fruitful, three-centuries-long relationship between the City of Brotherly Love and France. This detailed volume illustrates the effect of Huguenots settling in Philadelphia and 18-year-old William Penn visiting Paris, all the way up through more recent cultural offerings that have helped make the city the distinctive urban center it is today. 

Salut! provides a magnifique history of Philadelphia seen through a particular cultural lens. The authors chronicle the French influence during colonial and revolutionary times. They highlight the contributions of nineteenth-century French philanthropists, such as Stephen Girard and the Dupont family. And they showcase the city’s vibrant visual arts community featuring works from the Philadelphia Museum of Art, the Rodin Museum, the Barnes Foundation, and the Joan of Arc sculpture, as well as studies of artists Thomas Eakins, Mary Cassatt, and Henry Ossawa Tanner. There is also a profile of renowned Le Bec-Fin chef Georges Perrier, who made Philadelphia a renowned culinary destination in the twentieth century.

With lavish illustrations and enthusiastic text, Salut!celebrates a potpourri of all things French in the Philadelphia region.

An antiquarian’s festival.

The Saturnalia, Macrobius’ encyclopedic celebration of Roman culture written in the early fifth century AD, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue, the Saturnalia treats subjects as diverse as the divinity of the Sun and the quirks of human digestion while showcasing Virgil as the master of all human knowledge from diction and rhetoric to philosophy and religion.

The new Latin text is based on a refined understanding of the medieval tradition and improves on Willis’ standard edition in nearly three hundred places. The accompanying translation—only the second in English and the only one now in print—offers a clear and sprightly rendition of Macrobius’ ornate Latin and is supplemented by ample annotation. A full introduction places the work in its cultural context and analyzes its construction, while indexes of names, ancient works cited in both text and notes, and topics make the work more readily accessible than ever before.

An antiquarian’s festival.

The Saturnalia, Macrobius’ encyclopedic celebration of Roman culture written in the early fifth century AD, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue, the Saturnalia treats subjects as diverse as the divinity of the Sun and the quirks of human digestion while showcasing Virgil as the master of all human knowledge from diction and rhetoric to philosophy and religion.

The new Latin text is based on a refined understanding of the medieval tradition and improves on Willis’ standard edition in nearly three hundred places. The accompanying translation—only the second in English and the only one now in print—offers a clear and sprightly rendition of Macrobius’ ornate Latin and is supplemented by ample annotation. A full introduction places the work in its cultural context and analyzes its construction, while indexes of names, ancient works cited in both text and notes, and topics make the work more readily accessible than ever before.

An antiquarian’s festival.

The Saturnalia, Macrobius’ encyclopedic celebration of Roman culture written in the early fifth century AD, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue, the Saturnalia treats subjects as diverse as the divinity of the Sun and the quirks of human digestion while showcasing Virgil as the master of all human knowledge from diction and rhetoric to philosophy and religion.

The new Latin text is based on a refined understanding of the medieval tradition and improves on Willis’ standard edition in nearly three hundred places. The accompanying translation—only the second in English and the only one now in print—offers a clear and sprightly rendition of Macrobius’ ornate Latin and is supplemented by ample annotation. A full introduction places the work in its cultural context and analyzes its construction, while indexes of names, ancient works cited in both text and notes, and topics make the work more readily accessible than ever before.

The definitive source for how to write and publish in the field of biblical studies

The long-awaited second edition of the essential style manual for writing and publishing in biblical studies and related fields includes key style changes, updated and expanded abbreviation and spelling-sample lists, a list of archaeological site names, material on qur’anic sources, detailed information on citing electronic sources, and expanded guidelines for the transliteration and transcription of seventeen ancient languages.

Features:

• Expanded lists of abbreviations for use in ancient Near Eastern, biblical, and early Christian studies
• Information for transliterating seventeen ancient languages
• Exhaustive examples for citing print and electronic sources

Following completion of the U.S. air base in Natal, Brazil, in 1942, U.S. airmen departing for North Africa during World War II communicated with Brazilian mechanics with a thumbs-up before starting their engines. This sign soon replaced the Brazilian tradition of touching the earlobe to indicate agreement, friendship, and all that was positive and good—yet another indication of the Americanization of Brazil under way during this period.

In this translation of O Imperialismo Sedutor, Antonio Pedro Tota considers both the Good Neighbor Policy and broader cultural influences to argue against simplistic theories of U.S. cultural imperialism and exploitation. He shows that Brazilians actively interpreted, negotiated, and reconfigured U.S. culture in a process of cultural recombination. The market, he argues, was far more important in determining the nature of this cultural exchange than state-directed propaganda efforts because Brazil already was primed to adopt and disseminate American culture within the framework of its own rapidly expanding market for mass culture. By examining the motives and strategies behind rising U.S. influence and its relationship to a simultaneous process of cultural and political centralization in Brazil, Tota shows that these processes were not contradictory, but rather mutually reinforcing.

The Seduction of Brazil brings greater sophistication to both Brazilian and American understanding of the forces at play during this period, and should appeal to historians as well as students of Latin America, culture, and communications.

Though he died as Benito Mussolini's prisoner, leaving only newspaper articles and fragmentary notes, Antonio Gramsci is now seen as the most significant Marxist thinker since Lenin. This volume is the first English translation of his writings on culture, organically and coherently edited from his journalism and his Prison Notebooks.

Gramsci writes about the popular and the great artists from Jules Verne to Dante, but not as so many timeless monuments. He sees artworks in the context of their reception and their absorption in particular cultures and histories. He is sensitive to the politics of culture as well as to the demands of philological scholarship, as his superb work on Dante in this volume shows. We have in this book Gramsci's changing views on particular literary movements and authors, as well as his ideas on the nature of proletarian and popular cultural criticism. Throughout he is concerned with cultural analysis and strategy rather than literary criticism by itself. The headnotes and footnotes prepared by Forgacs and Nowell-Smith address themselves both to the circumstances surrounding the composition of each segment and to the central problems of contemporary Gramsci scholarship. Antonio Gramsci is the twentieth-century writer who has most brilliantly and suggestively explored the ties that bind culture and politics. The publication of this collection is an event of major significance for theorists of all sorts.

In the midst of China’s wild rush to modernize, a surprising note of reality arises: Shanghai, it seems, was once modern indeed, a pulsing center of commerce and art in the heart of the twentieth century. This book immerses us in the golden age of Shanghai urban culture, a modernity at once intrinsically Chinese and profoundly anomalous, blending new and indigenous ideas with those flooding into this “treaty port” from the Western world.

A preeminent specialist in Chinese studies, Leo Ou-fan Lee gives us a rare wide-angle view of Shanghai culture in the making. He shows us the architecture and urban spaces in which the new commercial culture flourished, then guides us through the publishing and filmmaking industries that nurtured a whole generation of artists and established a bold new style in urban life known as modeng. In the work of six writers of the time, particularly Shi Zhecun, Mu Shiying, and Eileen Chang, Lee discloses the reflection of Shanghai’s urban landscape—foreign and familiar, oppressive and seductive, traditional and innovative. This work acquires a broader historical and cosmopolitan context with a look at the cultural links between Shanghai and Hong Kong, a virtual genealogy of Chinese modernity from the 1930s to the present day.

How China’s borderlands transformed politically and culturally throughout the twentieth and twenty-first centuries.

China’s land borders, shared with fourteen other nations, are the world’s longest. Like all borders, they are not just lines on a map but also spaces whose histories and futures are defined by their frontier status. An ambitious appraisal of China’s borderlands, Shifting Sands addresses the full scope and importance of these regions, illustrating their transformation from imperial backwaters to hotbeds of resource exploitation and human development in the age of neoliberal globalization.

Xiaoxuan Lu brings to bear an original combination of archival research, fieldwork, cartography, and landscape analysis, broadening our understanding of the political economy and cultural changes in China’s borderlands in the twentieth and twenty-first centuries. While conventional wisdom looks to the era of Deng Xiaoping for China’s “opening,” Lu shows the integration of China’s borderlands into national and international networks from Sun Yat-sen onward. Yet, while the state has left a firm imprint on the borderlands, they were hardly created by China alone. As the Chinese case demonstrates, all borderlands are transnational, their physical and socioeconomic landscapes shaped by multidirectional flows of materials, ideas, and people.

Writing in Life magazine in February 1941, Henry Luce memorably announced the arrival of “The American Century.” The phrase caught on, as did the belief that America’s moment was at hand. Yet as Andrew J. Bacevich makes clear, that century has now ended, the victim of strategic miscalculation, military misadventures, and economic decline. To take stock of the short American Century and place it in historical perspective, Bacevich has assembled a richly provocative range of perspectives.

What did this age of reputed American preeminence signify? What caused its premature demise? What legacy remains in its wake? Distinguished historians Jeffry Frieden, Akira Iriye, David Kennedy, Walter LaFeber, Jackson Lears, Eugene McCarraher, Emily Rosenberg, and Nikhil Pal Singh offer illuminating answers to these questions. Achievement and failure, wisdom and folly, calculation and confusion all make their appearance in essays that touch on topics as varied as internationalism and empire, race and religion, consumerism and globalization.

As the United States grapples with protracted wars, daunting economic uncertainty, and pressing questions about exactly what role it should play in a rapidly changing world, understanding where the nation has been and how it got where it is today is critical. What did the forging of the American Century—with its considerable achievements but also its ample disappointments and missed opportunities—ultimately yield? That is the question this important volume answers.

This volume seeks to study the connections between two well-studied epochs in Chinese history: the mid-imperial era of the Tang and Song (ca. 800-1270) and the late imperial era of the late Ming and Qing (1550-1900). Both eras are seen as periods of explosive change, particularly in economic activity, characterized by the emergence of new forms of social organization and a dramatic expansion in knowledge and culture. The task of establishing links between these two periods has been impeded by a lack of knowledge of the intervening Mongol Yuan dynasty (1271-1368). This historiographical "black hole" has artificially interrupted the narrative of Chinese history and bifurcated it into two distinct epochs.

This volume aims to restore continuity to that historical narrative by filling the gap between mid-imperial and late imperial China. The contributors argue that the Song-Yuan-Ming transition (early twelfth through the late fifteenth century) constitutes a distinct historical period of transition and not one of interruption and devolution. They trace this transition by investigating such subjects as contemporary impressions of the period, the role of the Mongols in intellectual life, the economy of Jiangnan, urban growth, neo-Confucianism and local society, commercial publishing, comic drama, and medical learning.

Since the Civil War whites and blacks have struggled over the meanings and uses of the Southern past. Indeed, today’s controversies over flying the Confederate flag, renaming schools and streets, and commemorating the Civil War and the civil rights movement are only the latest examples of this ongoing divisive contest over issues of regional identity and heritage. The Southern Past argues that these battles are ultimately about who has the power to determine what we remember of the past, and whether that remembrance will honor all Southerners or only select groups.

For more than a century after the Civil War, elite white Southerners systematically refined a version of the past that sanctioned their racial privilege and power. In the process, they filled public spaces with museums and monuments that made their version of the past sacrosanct. Yet, even as segregation and racial discrimination worsened, blacks contested the white version of Southern history and demanded inclusion. Streets became sites for elaborate commemorations of emancipation and schools became centers for the study of black history. This counter-memory surged forth, and became a potent inspiration for the civil rights movement and the black struggle to share a common Southern past rather than a divided one.

W. Fitzhugh Brundage’s searing exploration of how those who have the political power to represent the past simultaneously shape the present and determine the future is a valuable lesson as we confront our national past to meet the challenge of current realities.

This work unfolds the idea of “nothing” out of a Titian painting of Danaë and the shower of gold. Michele Jaffe’s philological and pictorial argument links, across several languages, such seemingly disparate concepts as money, coins, mothers (through the mint’s matrix), subjects, courtiers, prostitutes (through etymologies that join minting, standing-under, standing-for), ciphers, codes, and the codex form.

This ambitious book is a cultural history of the “cipher” zero as code and as nothing, as the absence of value and the place-holder constructing value. It traces the wide-ranging implications of “nothing”—not only in mathematics but also in literature. Along the way, it makes important points about the orthography and editing of early modern texts, and about the material affinities of these texts with painting and minting.

Drawing on her ten years of living in the Russian North, Robin P. Harris documents how the Sakha have used the Masterpiece program to revive olonkho and strengthen their cultural identity. Harris’s personal relationships with and primary research among Sakha people provide vivid insights into understanding olonkho and the attenuation, revitalization, transformation, and sustainability of the Sakha’s cultural reemergence. Interdisciplinary in scope, Storytelling in Siberia considers the nature of folklore alongside ethnomusicology, anthropology, comparative literature, and cultural studies to shed light on how marginalized peoples are revitalizing their own intangible cultural heritage.

As the Mississippi and other midwestern rivers inundated town after town during the summer of 1993, concerned and angry citizens questioned whether the very technologies and structures intended to "tame" the rivers did not, in fact, increase the severity of the floods. Much of the controversy swirled around the apparent culpability of the U.S. Army Corps of Engineers, the builder of many of the flood control systems that failed.

In this book, Todd Shallat examines the turbulent first century of the dam and canal building Corps and follows the agency's rise from European antecedents through the boom years of river development after the American Civil War. Combining extensive research with a lively style, Shallat tells the story of monumental construction and engineering fiascoes, public service and public corruption, and the rise of science and the army expert as agents of the state.

More than an institutional history, Structures in the Stream offers significant insights into American society, which has alternately supported the public works projects that are a legacy of our French heritage and opposed them based on the democratic, individualist tradition inherited from Britain. It will be important reading for a wide audience in environmental, military, and scientific history, policy studies, and American cultural history.

The Renaissance marked a turning point in Europe’s relationship to Arabic thought. On the one hand, Dag Nikolaus Hasse argues, it was the period in which important Arabic traditions reached the peak of their influence in Europe. On the other hand, it is the time when the West began to forget, and even actively suppress, its debt to Arabic culture. Success and Suppression traces the complex story of Arabic influence on Renaissance thought.

It is often assumed that the Renaissance had little interest in Arabic sciences and philosophy, because humanist polemics from the period attacked Arabic learning and championed Greek civilization. Yet Hasse shows that Renaissance denials of Arabic influence emerged not because scholars of the time rejected that intellectual tradition altogether but because a small group of anti-Arab hard-liners strove to suppress its powerful and persuasive influence. The period witnessed a boom in new translations and multivolume editions of Arabic authors, and European philosophers and scientists incorporated—and often celebrated—Arabic thought in their work, especially in medicine, philosophy, and astrology. But the famous Arabic authorities were a prominent obstacle to the Renaissance project of renewing European academic culture through Greece and Rome, and radical reformers accused Arabic science of linguistic corruption, plagiarism, or irreligion. Hasse shows how a mixture of ideological and scientific motives led to the decline of some Arabic traditions in important areas of European culture, while others continued to flourish.

In a world of relentless and often violent change, what does it take for a culture to survive? Steven Weitzman addresses this question by exploring the "arts of cultural persistence"--the tactics that cultures employ to sustain themselves in the face of intractable realities. Surviving Sacrilege focuses on a famously resilient culture caught between two disruptive acts of sacrilege: ancient Judaism between the destruction of the First Temple (by the Babylonians) in 586 B.C. and the destruction of the Second Temple (by the Romans) in 70 C.E..

Throughout this period Jews faced the challenge of preserving their religious traditions in a world largely out of their control--a world ruled first by the Persians, then by the Hellenistic Seleucid Kingdom, and finally by the Roman Empire. Their struggle to answer this challenge yields insight into the ingenuity, resourcefulness, and creativity of a distinctive period in Jewish history, but one with broad implications for the study of religious and cultural survival.

Detecting something tenaciously self-preserving at the core of the imagination, Weitzman argues that its expression in storytelling, fantasy, imitation, metaphor, and magic allows a culture's survival instinct to maneuver within, beyond, and even against the limits of reality.