I Have Not Loved You With My Whole Heart is a memoir of trauma, healing, faith, and violence. At its center is the author’s father, the Rev. Renne Harris, a heavy-handed, alcoholic Episcopal priest who came out in the height of the AIDS crisis and died of HIV in 1995.

In a book rich with remembrances of the Pacific Northwest of the 1970s–1990s, Cris Harris pulls the reader through turning points in a household crowded with abuse, addiction, neglect, acceptance, and grief, as well as the healing that comes after reconciliation. In recognizing perpetrators of violence as complex people—as selves we can recognize—Harris wrestles with paradox: the keening dissonance of loving people with hard edges, the humor of horrible situations, and how humor can cover for anger. He shows how violence can mark us and courageously lays bare those marks, owning them as his own precious history, born of a fierce species of love.

I Have Not Loved You With My Whole Heart will speak to readers whose family members came out late in life, and to those who lost loved ones in the AIDS crisis of the late 1980s and 1990s. Those with complicated relationships to faith, survivors of abuse, and anyone who has lived with family crisis will also find healing in these pages.

In Making Gaybies Jaya Keaney explores queer family making as a site of racialized intimacy. Drawing on interviews with queer families in Australia, Keaney traces the lived experiences of choice and constraint as these families seek to craft likeness with their future children and tell stories of chosen family made through love. Queer family building often involves multiracial and multicultural encounters, as intending parents take part in the global fertility industry. Keaney follows queer family making through reproductive technologies and highlights the confines of varied transnational reproductive markets and policies as well as changing formations of race, gender, sexuality, and kinship. Whether sharing the story of white gay men choosing Indian and Thai egg donors to make their surrogate-born children’s ethnicities visually distinct from their own or that of an Aboriginal lesbian and her white partner choosing a Cherokee donor from the United States to articulate a global Indigeneity, Keaney foregrounds the entwinement of reproduction, race, and affect. By focusing on queer family making, Keaney demonstrates how reproduction fosters a queer multiracial imaginary of kinship.