Different conceptions of the purpose of charity and the role of the state have long been at the center of the debate over American welfare policy. Yet as Susan Traverso shows in this informative study of early twentieth-century Boston, ethnic, religious, and gender conflicts also have had a significant impact on welfare politics.

Between 1910 and 1940, Boston's growing immigrant population repeatedly clashed with the city's traditional elite over how to provide assistance to the needy. While Yankee politicians and the leaders of Protestant charities argued that relief should be delivered by private organizations, Irish politicians and officials at Catholic and Jewish charities advocated extensive public welfare programs. Competing views of gender roles further complicated these disagreements. The campaign for widows' pensions, for example, won wide popular support even as public welfare programs that would primarily benefit men-such as unemployment insurance and old age assistance-failed to gain acceptance.

In the 1920s, the debate over welfare shifted focus as prolonged periods of unemployment brought demands for aid to men who had lost their jobs, particularly those with families to support. Using the rhetoric of the Mothers' Aid campaign, Irish politicians broadened the idea of "acceptable dependency" to include men who needed jobs to provide for their own dependents. By lessening the stigma of male dependency on public welfare, these gendered arguments encouraged the expansion of public aid and set the stage for New Deal welfare programs of the 1930s. During that decade, Traverso contends, the idealized family headed by a male breadwinner became the basis for a shared vision of gender relations that mediated the political and ethnic debate over welfare policy.

Founded by the Puritans in 1630 and the site of many of the American Revolution's major precursors and events (including the Boston Massacre, the Boston Tea Party, and Paul Revere’s midnight ride, among others), Boston has played—and continues to play—an influential role in the shaping of the historic, intellectual, cultural, and political landscapes of the United States. And Boston has a significantly rich tradition of cinematic representation. While Harvard is central to many of the films set in the Greater Boston area, World Film Locations: Boston considers the full spectrum of Boston’s abundant aesthetic potential, reviewing films located within as well as far beyond Harvard’s hallowed halls and ivy-covered gates.

Many iconic American classics, blockbusters, romantic comedies, and legal thrillers, as well as films examining Boston’s criminal underside, particularly in juxtaposition to the city’s elitist high society, were filmed on location in the city’s streets and back lots. World Film Locations: Boston looks in depth into a highly select group of forty-six films such as Love Story, Good Will Hunting, The Friends of Eddy Coyle, and The Social Network, among many others, presented at the intersection of critical analysis and stunning visual critique (with material from the films themselves as well as photographs of the contemporary city locations). Featuring articles and film scene reviews written by a variety of leading contemporary film writers, critics, and scholars, this book is a multimedia resource that will find a welcome audience in movie lovers in Beantown and beyond.