front cover of Black Communist in the Freedom Struggle
Black Communist in the Freedom Struggle
The Life of Harry Haywood
Harry Haywood
University of Minnesota Press, 2012

Mustering out of the U.S. army in 1919, Harry Haywood stepped into a battle that was to last the rest of his life. Within months, he found himself in the middle of one of the bloodiest race riots in U.S. history and realized that he’d been fighting the wrong war—the real enemy was right here at home. This book is Haywood’s eloquent account of coming of age as a black man in twentieth-century America and of his political awakening in the Communist Party.

For all its cultural and historical interest, Harry Haywood’s story is also noteworthy for its considerable narrative drama. The son of parents born into slavery, Haywood tells how he grew up in Omaha, Nebraska, found his first job as a shoeshine boy in Minneapolis, then went on to work as a waiter on trains and in restaurants in Chicago. After fighting in France during the war, he studied how to make revolutions in Moscow during the 1920s, led the Communist Party’s move into the Deep South in 1931, helped to organize the campaign to free the Scottsboro Boys, worked with the Sharecroppers’ Union, supported protests in Chicago against Mussolini’s invasion of Ethiopia, fought with the International Brigades in Spain, served in the Merchant Marines during World War II, and continued to fight for the right of self-determination for the Afro-American nation in the United States until his death in 1985.

This new edition of his classic autobiography, Black Bolshevik, introduces American readers to the little-known story of a brilliant thinker, writer, and activist whose life encapsulates the struggle for freedom against all odds of the New Negro generation that came of age during and after World War I.

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The Making of a Black Communist
The Selected Writings of Eugene Gordon
Louis J. Parascandola, Editor
University of Massachusetts Press, 2025

Eugene Gordon (1891–1974) was a major writer involved in the development of the burgeoning Black literary scene in Boston in the 1920s, an active player in the Harlem Renaissance, and a longtime member of the Communist Party. Despite his credentials as a reporter, editor, fiction writer, and political activist, he is rarely mentioned in studies of the Harlem Renaissance or Marxist politics. Here, Louis Parascandola has pulled together Gordon’s journalism, autobiographical writing, and fiction. This new collection, featuring both previously published pieces from a wide variety of publications as well as material that has never before been published, demonstrates his range and his skill while establishing his importance as a critical voice of his time.

Gordon was born and raised in the South but made his way north at a young age. In Boston, he founded the Saturday Evening Quill Club, an African American literary group that included other notable writers such as Helene Johnson and Dorothy West. He later became editor of and contributor to two major publications coming out of the era: the Messenger and Opportunity: A Journal of Negro Life. As he grew more political, he joined the Communist Party in the 1930s and became editor of and contributor to the New Masses. Scholars looking to research him have struggled to find disparate writings to get a fuller sense of his literary stylings as well as his political commitments. This welcome new volume establishes Gordon as a significant, understudied figure.

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