The twentieth century is frequently characterized in terms of its unprecedented levels of bloodshed. More human beings were killed or allowed to die by human cause than ever before in history. The impact of the century’s carnage does not end with the lives that were taken; the atrocities continue to take their toll on those who survived, on those who bore witness, and on succeeding generations.
Blooming through the Ashes features over sixty writings about this historic violence and its aftermath in a global anthology that brings together the work of Nobel laureates Seamus Heaney, Toni Morrison, Czeslaw Milosz, Wole Soyinka, Elie Wiesel, Imre Kertesz, Alexandr Solzhenitsyn, Eugenio Montale, and Pablo Neruda. In non-fiction and fiction, these writers and others reflect on the litany of man-made violence that marred the twentieth century and that shadows the twenty-first, including the Holocaust, the Gulag, the Chinese Cultural Revolution, apartheid, repression in Latin America, genocides in Rwanda, Cambodia, and the attacks of 9/11.
The texts are arranged thematically, rather than by event, in order to highlight the shared themes of memory expressed across culture and geography. Starting with visceral reactions to a violent event, chapters proceed through recognitions of loss, and move into statements of public remembrance through which future generations attempt to understand the impact of past violence.
In 2005 Michael Ignatieff left his life as a writer and professor at Harvard University to enter the combative world of politics back home in Canada. By 2008, he was leader of the country’s Liberal Party and poised—should the governing Conservatives falter—to become Canada’s next Prime Minister. It never happened. Today, after a bruising electoral defeat, Ignatieff is back where he started, writing and teaching what he learned.
What did he take away from this crash course in political success and failure? Did a life of thinking about politics prepare him for the real thing? How did he handle it when his own history as a longtime expatriate became a major political issue? Are cynics right to despair about democratic politics? Are idealists right to hope? Ignatieff blends reflection and analysis to portray today’s democratic politics as ruthless, unpredictable, unforgiving, and hyper-adversarial.
Rough as it is, Ignatieff argues, democratic politics is a crucible for compromise, and many of the apparent vices of political life, from inconsistency to the fake smile, follow from the necessity of bridging differences in a pluralist society. A compelling account of modern politics as it really is, the book is also a celebration of the political life in all its wild, exuberant variety.
This catalog documents a 2022 exhibition of original editorial illustrations commissioned by the University of Tennessee Libraries to complement the Chimney Tops 2 Wildfires Oral History Project. The four illustrators showcased here have strong ties to East Tennessee. Paige Braddock, author of the Eisner-nominated comic strip Jane’s World and Chief Creative Officer at Charles M. Schulz Creative Associates, is an ’85 UT alumna; Charlie Daniel, beloved Knoxville News Sentinel editorial illustrator, has been a Knoxville resident since 1958; Marshall Ramsey, syndicated editorial illustrator and Pulitzer nominee, is a ’91 UT alumnus; and professional illustrator Danny Wilson has been a visible part of Knoxville’s graphic landscape since graduating from UT in 1984. The artists were given access to the project’s digital archive of oral interviews—to date, 139 have been recorded—and were asked to respond creatively to what they heard and read.
The result is Rising from the Ashes, a candid and deeply felt collection of illustrations encapsulating accounts of the merciless firestorm that enveloped Sevier County in November 2016. The flexible medium of the editorial illustration shows itself capable of extended narrative, disquieting detail, and poignant synthesis, as well as moments of beauty, hope, horror, and even humor as it ushers viewers into the recollections of wrestling and sorrow that animate the project’s still expanding archive. Bales writes, “Ultimately, the multiple fires destroyed or damaged 2,500 homes and buildings, killed 14 trapped people, injured another 200 or more, and burned over 17,000 acres of mostly woodlands that were a powder keg of dried leaves, all in a matter of three hours.” Years later, the ramifications of this event are still being felt in the community and region. Rising from the Ashes is a tribute to a people who suffered, lost, banded together, and rebuilt; and no less important, it is an expression of solidarity, recognizing how much remains to be done.
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