Antiquities have been pawns in empire-building and global rivalries; power struggles; assertions of national and cultural identities; and cross-cultural exchanges, cooperation, abuses, and misunderstandings—all with the underlying element of financial gain. Indeed, “who owns antiquity?” is a contentious question in many of today’s international conflicts.
About Antiquities offers an interdisciplinary study of the relationship between archaeology and empire-building around the turn of the twentieth century. Starting at Istanbul and focusing on antiquities from the Ottoman territories, Zeynep Çelik examines the popular discourse surrounding claims to the past in London, Paris, Berlin, and New York. She compares and contrasts the experiences of two museums—Istanbul’s Imperial Museum and the Metropolitan Museum of Art—that aspired to emulate European collections and gain the prestige and power of owning the material fragments of ancient history. Going beyond institutions, Çelik also unravels the complicated interactions among individuals—Westerners, Ottoman decision makers and officials, and local laborers—and their competing stakes in antiquities from such legendary sites as Ephesus, Pergamon, and Babylon.
Recovering perspectives that have been lost in histories of archaeology, particularly those of the excavation laborers whose voices have never been heard, About Antiquities provides important historical context for current controversies surrounding nation-building and the ownership of the past.
How can we effectively interpret and present one culture to another without stereotypes or over-simplifications? What is the best way to present an authoritative version of a national heritage without also endangering ancient sites or being insensitive to the local customs, beliefs, and religious practices of the indigenous peoples?
This volume addresses the ongoing thrust in archaeology to take the next step after preserving the past: interpreting that past for the future. That future audience includes both local citizens and tourists who may have little background in archaeology, anthropology, or the history of the culture featured. Walker presents the key components of the anthropological study of tourism as a global phenomenon, with particular emphasis on the more prominent arguments for how and why tourism is a universal and meaningful human activity. The highly controversial topic of authenticity is examined, with special attention given to how "authentic" has been defined and how it relates to the ways in which archaeological sites, artifacts, and cultural traditions are presented--or not presented--to the visiting public. The ephemeral promise of “authenticity” drives the heritage tourism industry, which is a key consideration for the long term economy of the Maya Riviera and elsewhere. Through analysis of seven archaeological sites on the Yucatan peninsula that are open to heritage touring, Walker reveals the planned growth of the Maya Riviera since the early 1970s and examines the impact of international tourism on both ancient structures and the contemporary Maya people and culture.
The discovery of the tomb of Tutankhamun in 1922 was a landmark event in Egyptology that was celebrated around the world. Had Howard Carter found his prize a few years earlier, however, the treasures of Tut might now be in the British Museum in London rather than the Egyptian Museum in Cairo. That's because the years between World War I and World War II were a transitional period in Middle Eastern archaeology, as nationalists in Egypt and elsewhere asserted their claims to antiquities discovered within their borders. These claims were motivated by politics as much as by scholarship, with nationalists seeking to unite citizens through pride in their ancient past as they challenged Western powers that still exercised considerable influence over local governments and economies. James Goode's analysis of archaeological affairs in Turkey, Egypt, Iran, and Iraq during this period offers fascinating new insight into the rise of nationalism in the Middle East, as well as archaeological and diplomatic history.
The first such work to compare archaeological-nationalistic developments in more than one country, Negotiating for the Past draws on published and archival sources in Arabic, English, French, German, Persian, and Turkish. Those sources reveal how nationalists in Iraq and Iran observed the success of their counterparts in Egypt and Turkey, and were able to hold onto discoveries at legendary sites such as Khorsabad and Persepolis. Retaining artifacts allowed nationalists to build museums and control cultural heritage. As Goode writes, "Going to the national museum became a ritual of citizenship." Western archaeologists became identified (in the eyes of many) as agents of imperialism, thus making their work more difficult, and often necessitating diplomatic intervention. The resulting "negotiations for the past" pulled patrons (such as John D. Rockefeller, Jr., and Lord Carnarvon), archaeologists (James Breasted and Howard Carter), nationalist leaders (Ataturk and Sa'd Zaghlul), and Western officials (Charles Evan Hughes and Lord Curzon) into intractable historical debates with international implications that still resonate today.
Recipient of the 1994 Anne B. and James B. McMillan Prize
This comprehensive study provides a history of New Deal archaeology in the Southeast in the 1930s and early 1940s and focuses on the projects of the Federal Emergency Relief Administration, the Civil Works Administration, the Works Progress Administration, the Tennessee Valley Authority, the National Park Service, and the Smithsonian Institution.
Utilizing primary sources including correspondence and unpublished reports, Lyon demonstrates the great importance of the New Deal projects in the history of southeastern and North American archaeology. New Deal archaeology transformed the practice of archaeology in the Southeast and created the basis for the discipline that exists today. With the current emphasis on curation and repatriation, archaeologists and historians will find this volume invaluable in reconstructing the history of the projects that generated the many collections that now fill our museums.
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