Essays by the foremost labor historian of the Black experience in the Appalachian coalfields.
This collection brings together nearly three decades of research on the African American experience, class, and race relations in the Appalachian coal industry. It shows how, with deep roots in the antebellum era of chattel slavery, West Virginia’s Black working class gradually picked up steam during the emancipation years following the Civil War and dramatically expanded during the late nineteenth and early twentieth centuries.
From there, African American Workers and the Appalachian Coal Industry highlights the decline of the region’s Black industrial proletariat under the impact of rapid technological, social, and political changes following World War II. It underscores how all miners suffered unemployment and outmigration from the region as global transformations took their toll on the coal industry, but emphasizes the disproportionately painful impact of declining bituminous coal production on African American workers, their families, and their communities. Joe Trotter not only reiterates the contributions of proletarianization to our knowledge of US labor and working-class history but also draws attention to the gender limits of studies of Black life that focus on class formation, while calling for new transnational perspectives on the subject. Equally important, this volume illuminates the intellectual journey of a noted labor historian with deep family roots in the southern Appalachian coalfields.
In many communities across North America in the 1960s and 1970s, the rural-relocation movement became both a way of life and a path forward for many people inclined to buck the mainstream—and Paul Salstrom embraced it. His experiences in rural Lincoln County, West Virginia, led him to the self-sufficient, “neighborly networking” lifestyle well known in many Appalachian communities since the early nineteenth century.
In Appalachia’s Alternative to Mainstream America, Salstrom outlines his Appalachian experiences in a memoir, revisiting this back-to-the-land tradition that guided his cultural experience during this time. While he pursued a number of experimental alternatives to a mainstream way of life during the late 1960s, it was not until he landed in Lincoln County a few years later that he found himself engaging in an alternative way of living that didn’t feel “experimental” at all. This distinctive way of life was largely characterized by a closer connection to the earth—local sufficiency informed by homesteading, subsistence farming, and gardening—and the community-wide trading of favors in a spirit of mutual aid.
Over time, Salstrom’s engagement in this “neighborly” occupation has nurtured an informed belief that Americans will be drawn back to landed customs, taking care of the earth and of one another to thrive as individuals and communities. Facing today’s pandemics, climate change, and deepening political divisions, says Salstrom, Americans urgently need to create a groundswell of localized food security and energy production.
Jim Wayne Miller’s The Brier Poems, published posthumously, is a selection of poetry from The Mountains Have Come Closer (where the Brier figure first emerged) and Brier, His Book, along with additional poems not published in previous volumes. It celebrates the Appalachian region and its people through “The Brier,” the enlightened Appalachian who laments what is happening to the world that nurtured him. Through vivid imagery and rich language, Miller explores themes of identity and tradition and the connection between the land and its inhabitants. The poems capture the spirit and resilience of Appalachian culture, blending personal reflection with social commentary. Miller’s work highlights the beauty and complexity of life in the mountains, offering a voice to the often-overlooked experiences of rural Appalachia.
After a century of archaeological research in the Southeastern United States, there are still areas about which little is known. Surprisingly, one of these areas is the Appalachian Summit, which in historic times was inhabited by the Cherokee people whose rich culture and wide influence made their name commonplace in typifying Southeastern Indians. The culture of the people who preceded the historic Cherokees was no less rich, and their network of relationships with other groups no less wide. Until recently, however, the prehistoric cultural remains of the Southern Appalachians had received only slight attention.
Archaeological sites in the Appalachians usually do not stand out dramatically on the landscape as do the effigy mounds of the Ohio Valley and the massive platform mounds of the Southeastern Piedmont and Mississippi Valley. Prehistoric settlements in the Southern Appalachians lay in the bottomlands along the clear, rocky rivers, hidden in the folds of the mountains. Finding and investigating these sites required a systematic approach. From 1964 to 1971, under the direction of Joffre L. Coe, the Research Laboratories of Anthropology at the University of North Carolina, Chapel Hill, conducted an archaeological project that was designed to investigate the antecedents of the historic Cherokees in the Appalachian Summit, and included site surveys over large portions of the area and concentrated excavations at several important sites in the vicinity of the historic Cherokee Middletowns.
One result of the Cherokee project is this book, the purpose of which is to present an initial description and synthesis of a late prehistoric phase in the Appalachian Summit, a phase that lasted from the beginnings of South Appalachian Mississippian culture to the emergence of identifiable Cherokee culture. At various points Professor Dickens draws these data into the broader picture of Southeastern prehistory, and occasionally presents some interpretations of the human behavior behind the material remains, however, is to make available some new information on a previously unexplored area. Through this presentation Cherokee Prehistory helps to provide a first step to approaching, in specific ways, the problems of cultural process and systemics in the aboriginal Southeast.
During the Battle of Perryville, fought in Kentucky in October 1862, participants experienced an unusual phenomenon known as an “acoustic shadow”: this peculiar combination of wind and terrain muffled the sounds of the fighting in such a manner that nearby soldiers were unaware that the battle was even taking place. As the editors of this pioneering collection of essays observe, a figurative acoustic shadow has long fallen on the study of the Civil War in Appalachia. Regional stereotypes, cursory generalizations, and a neglect of geographic context have too often replaced detailed analysis and innovative interpretation.
Recent historiography has begun to present a fuller view of the war as it unfolded in the mountain counties of Alabama, Georgia, Kentucky, Maryland, the Carolinas, Tennessee, Virginia, and West Virginia. The goals of this volume, the editors state, are “to provide a useful introduction to the social history of Appalachia’s Civil War, illustrating both the strengths and weaknesses of current historiography; to sum up where we have been and suggest where we need to go; and to point out the need to integrate Appalachian scholarship with studies of the Civil War and vice versa.” Among the topics covered are the experiences of blacks in Appalachia, the war as it affected women, the breakdown of community, changing gender roles, disaffection and desertion, guerrilla warfare, perceptions of mountain life, and the early stirrings of industrialization. These essays demonstrate the rich variety of Appalachian sentiments and attitudes toward the war, dismantling familiar myths such as the view of Appalachia as a “unionist monolith.”
Following the conflict from the secession crisis to the postwar period, these essays, taken together, provide what the editors call “the closest thing historians have to a comprehensive history of the Southern Mountains at war.”
In 1775, renowned pioneer Daniel Boone was commissioned to blaze a road through the Appalachian and Cumberland Plateau regions as a fledgling American nation steadily pushed westward. What would come to be known as the Wilderness Road was the first major route into the West, and it allowed settlers to migrate northwest into Kentucky and later settle parts of Ohio, Indiana, and Illinois. In 2012, Jim Dahlman stopped to stretch his legs on a brief hike into the Cumberland Gap and stumbled upon an adventure. After months of preparation, Dahlman grabbed a pack and set out to hike as accurately as possible Daniel Boone’s original trace.
In A Familiar Wilderness, Dahlman illustrates that the Wilderness Road is more than an old track through Appalachia. Many of the towns grew up along Boone’s original footpath, and people in these areas can draw direct connections to Boone himself or to other early settlers who traversed this trans-Appalachian route. Dahlman uses these and other encounters to uncover the history of the Wilderness Road and show how we are all a product of our past.
The hospitality of strangers becomes especially instrumental in making Dahlman’s hike come alive. Robert, one such stranger, offers to personally guide Dahlman over Powell Mountain. As they make their ascent, Robert provides a splendid view of the mountain, blending careful observation of their surroundings with deep knowledge of the place. A finale to Dahlman’s almost 300-mile hike occurs on Hackberry Ridge overlooking Fort Boonesborough State Park—a fitting tribute to Boone’s own arrival on the ridge famously overlooking a herd of buffalo.
A Familiar Wilderness takes readers on a winding path where geography, history, and local memory intersect with daily life, and Dahlman’s lively writing, sensitive to every detail, will bring readers into thrilling touch with a past that still shapes and challenges the present.
Finding a Clear Path intertwines literature, agriculture, and ecology as author Jim Minick takes the reader on many journeys, allowing you to float on a pond, fly with a titmouse, gather ginseng, and grow the lowly potato. The reader visits monarch butterflies and morel mushrooms, encountering beavers, black snakes, and bloodroot along the way. Using his background as a blueberry farmer, gardener and naturalist, Minick explores the Appalachian region and also introduces information that can be appreciated from a scientific point of view, explaining, for example, the ears of an owl, or the problems with the typical Christmas tree. Reading this collection of essays invites you to search for ways to better understand and appreciate this marvelous world, opening paths for journeys of your own.
Blue Ridge tacos, kimchi with soup beans and cornbread, family stories hiding in cookbook marginalia, African American mountain gardens—this wide-ranging anthology considers all these and more. Diverse contributors show us that contemporary Appalachian tables and the stories they hold offer new ways into understanding past, present, and future American food practices. The poets, scholars, fiction writers, journalists, and food professionals in these pages show us that what we eat gives a beautifully full picture of Appalachia, where it’s been, and where it’s going.
Contributors: Courtney Balestier, Jessie Blackburn, Karida L. Brown, Danille Elise Christensen, Annette Saunooke Clapsaddle, Michael Croley, Elizabeth S. D. Engelhardt, Robert Gipe, Suronda Gonzalez, Emily Hilliard, Rebecca Gayle Howell, Abigail Huggins, Erica Abrams Locklear, Ronni Lundy, George Ella Lyon, Jeff Mann, Daniel S. Margolies, William Schumann, Lora E. Smith, Emily Wallace, Crystal Wilkinson
Appalachians have always honored craft. Showoff quilts, complicated whittlings, "face jugs," intricate woven coverlets, and the work of famous basketmakers constituted the art of early Appalachia, the life and color of its remote mountain households. By the 1920s, however, the craft tradition was quickly vanishing. This lively, highly personal book recounts the "missionary" effort that preserved the traditional Appalachian craft culture and traces the organization, politics, and economics of later handcraft revival organizations in Southern Appalachia.
Deeply involved in many of the events he describes, Garry Barker has worked in the Appalachian crafts world since the early 1960s. He draws on memories of the leading craftspeople of a bygone era, LBJ's War on Poverty, mushrooming markets for craft products, and the rise of academic crafts training. The Handcraft Revival in Southern Appalachia represents the thoughtful winnowing of Barker's decades of serendipitous experience and disciplined observation, casual conversation and formal interviews, research and collecting, teaching and writing.
The book is the only history of the Appalachian craft movement between 1930 and 1990. As such it will become an essential resource for craftspeople, scholars, and all interested in the Southern Appalachian region. In addition, it constitutes a crucial chapter in the newly emerging history of American craft.
Michigan State University Press is proud to announce the re-release of Harriette Simpson Arnow's 1949 novel Hunter's Horn, a work that Joyce Carol Oates called "our most unpretentious American masterpiece."
In Hunter's Horn, Arnow has written the quintessential account of Kentucky hill people—the quintessential novel of Southern Appalachian farmers, foxhunters, foxhounds, women, and children. New York Times reviewer Hirschel Brickell declared that Arnow "writes...as effortlessly as a bird sings, and the warmth, beauty, the sadness and the ache of life itself are not even once absent from her pages."
Arnow writes about Kentucky in the way that William Faulkner writes about Mississippi, that Flannery O'Connor writes about Georgia, or that Willa Cather writes about Nebraska—with studied realism, with landscapes and characters that take on mythic proportions, with humor, and with memorable and remarkable attention to details of the human heart that motivate literature.
In the House of the Serpent Handler offers an intimate and engrossing look at the latest generation of Pentecostal believers who “take up” venomous snakes as a test of their religious faith. Focusing on several preachers and their families in six Appalachian states, journalist Julia C. Duin explores the impact that such twenty-first-century phenomena as social media and “reality television” have had on rituals long practiced in obscurity.
As Duin reveals, the mortal snakebite suffered by pastor Mack Wolford in 2012 marked the passing of the torch to younger preachers Jamie Coots and Andrew Hamblin, who were featured in the 2013 series Snake Salvation on the National Geographic Channel. Seeing their participation in the show as a way of publicizing their faith and thus winning converts, Coots and Hamblin attempted to reinvent the snake-handling tradition for a modern audience. The use of the internet, particularly Facebook, became another key part of their strategy to spread their particular brand of Christianity. However, Coots’s own death in 2014 was widely reported after the TV series was canceled, while Hamblin, who emerges as the central figure in the book, was arrested and tried after a shooting incident involving his estranged wife. His hopes of becoming a serpent-handling superstar seemingly dashed, Hamblin spent several months in prison, emerging more determined than ever to keep to the faith. By the end of the narrative, he has begun a new church where he can pass on the tradition to yet another generation.
Duin’s thorough, sympathetic reporting and lively style bring the ecstatic church services she witnessed vividly to life, and through interviews and quotations from the principals’ Facebook postings, she has allowed them to express their beliefs and reveal their everyday lives in their own words. She also gives the reader an up-close view of how a reporter pursues a story and the various difficulties encountered along the way. Together these elements frame a striking picture: the young practitioners of a century-old custom—one so often dismissed as bizarre by outsiders—adjusting to the challenges of the new millennium.
Julia C. Duin, the former religion editor for the Washington Times, has published articles in the Washington Post, the Wall Street Journal and other national publications. She is the author of five previous books, including, most recently, Days of Fire and Glory: The Rise and Fall of a Charismatic Community.
“After saying our good-byes to friends and neighbors, we all got in the cars and headed up the hill and down the road toward a future in Ohio that we hoped would be brighter,” Otis Trotter writes in his affecting memoir, Keeping Heart: A Memoir of Family Struggle, Race, and Medicine.
Organized around the life histories, medical struggles, and recollections of Trotter and his thirteen siblings, the story begins in 1914 with his parents, Joe William Trotter Sr. and Thelma Odell Foster Trotter, in rural Alabama. By telling his story alongside the experiences of his parents as well as his siblings, Otis reveals cohesion and tensions in twentieth-century African American family and community life in Alabama, West Virginia, and Ohio.
This engaging chronicle illuminates the journeys not only of a black man born with heart disease in the southern Appalachian coalfields, but of his family and community. It fills an important gap in the literature on an underexamined aspect of American experience: the lives of blacks in rural Appalachia and in the nonurban endpoints of the Great Migration. Its emotional power is a testament to the importance of ordinary lives.
In Lost in Transition: Removing, Resettling, and Renewing Appalachia, Aaron D. Purcell presents a thematic and chronological exploration of twentieth-century removal and resettlement projects across southern Appalachia. The book shares complex stories of loss and recollection that have grown and evolved over time.
This edited volume contains seven case studies of public land removal actions in Virginia, Kentucky, the Carolinas, and Tennessee from the 1930s through the 1960s. Some of the removals include the Tennessee Valley Authority and the Norris Basin, Shenandoah National Park and the New River, the Great Smoky Mountains National Park, and the Keowee-Toxaway Project in northwestern South Carolina. Each essay asks key questions: How did governmental entities throughout the twentieth century deal with land acquisition and removal of families and communities? What do the oral histories of the families and communities, particularly from different generations, tell us about the legacies of these removals? This collection reveals confrontations between past and present, federal agencies and citizens, and the original accounts of removal and resettlement and contemporary interpretations. The result is a blending of practical historical concerns with contemporary nostalgia and romanticism, which often deepen the complexity of Appalachian cultural life.
Lost in Transition provides a nuanced and insightful study of removal and resettlement projects that applies critical analysis of fact, mythology, and storytelling. It illustrates the important role of place in southern Appalachian history. This collection is a helpful resource to anthropologists, folklorists, and Appalachian studies scholars, and a powerful volume of stories for all readers who reflect upon the importance of place and home.
If asked to identify which children rank lowest in relation to national educational norms, have higher school dropout and absence rates, and more commonly experience learning problems, few of us would know the answer: white, urban Appalachian children. These are the children and grandchildren of Appalachian families who migrated to northern cities in the 1950s to look for work. They make up this largely “invisible” urban group, a minority that represents a significant portion of the urban poor. Literacy researchers have rarely studied urban Appalachians, yet, as Victoria Purcell-Gates demonstrates in Other People’s Words, their often severe literacy problems provide a unique perspective on literacy and the relationship between print and culture.
A compelling case study details the author’s work with one such family. The parents, who attended school off and on through the seventh grade, are unable to use public transportation, shop easily, or understand the homework their elementary-school-age son brings home because neither of them can read. But the family is not so much illiterate as low literate—the world they inhabit is an oral one, their heritage one where print had no inherent use and no inherent meaning. They have as much to learn about the culture of literacy as about written language itself.
Purcell-Gates shows how access to literacy has been blocked by a confluence of factors: negative cultural stereotypes, cultural and linguistic elitism, and pedagogical obtuseness. She calls for the recruitment and training of “proactive” teachers who can assess and encourage children’s progress and outlines specific intervention strategies.
Power in the Blood: A Family Narrative traces Linda Tate’s journey to rediscover the Cherokee-Appalachian branch of her family and provides an unflinching examination of the poverty, discrimination, and family violence that marked their lives. In her search for the truth of her own past, Tate scoured archives, libraries, and courthouses throughout Kentucky, Tennessee, Alabama, Illinois, and Missouri, visited numerous cemeteries, and combed through census records, marriage records, court cases, local histories, old maps, and photographs. As she began to locate distant relatives — fifth, sixth, seventh cousins, all descended from her great-greatgrandmother Louisiana — they gathered in kitchens and living rooms, held family reunions, and swapped stories. A past that had long been buried slowly came to light as family members shared the pieces of the family’s tale that had been passed along to them.
Power in the Blood is a dramatic family history that reads like a novel, as Tate’s compelling narrative reveals one mystery after another. Innovative and groundbreaking in its approach to research and storytelling, Power in the Blood shows that exploring a family story can enhance understanding of history, life, and culture and that honest examination of the past can lead to healing and liberation in the present.
When Sandy Holston is on dry land, she’s nothing special: a nurse who wears her hair in a ponytail and prefers a fishing lure as an earring. But once she dons waders, picks up a fly rod, and steps into a river, she becomes a remarkable, elegant fisherwoman who’s at peace with the world.
After surviving her marriage to Vernon - her violent, incarcerated ex-husband - peace is just what Sandy needs. So she moves to Damascus, a small town on the Ripshin River, where she plans to enjoy the fishing and the solitude. Finally she is on the brink of a life she desires in a place she loves. But as the Ripshin’s trout mysteriously die off, and as Sandy grows closer to a reclusive neighbor who has a propensity for fishing naked, her plans are put in jeopardy. Will Sandy be able to find peace - in the river or out - once Vernon is released from prison and fulfills his promise to hunt her down?
The Brown Goose, the White Case Knife, Ora’s Speckled Bean, Radiator Charlie’s Mortgage Lifter—these are just a few of the heirloom fruits and vegetables you’ll encounter in Bill Best’s remarkable history of seed saving and the people who preserve both unique flavors and the Appalachian culture associated with them. As one of the people at the forefront of seed saving and trading for over fifty years, Best has helped preserve numerous varieties of beans, tomatoes, corn, squashes, and other fruits and vegetables, along with the family stories and experiences that are a fundamental part of this world. While corporate agriculture privileges a few flavorless but hardy varieties of daily vegetables, seed savers have worked tirelessly to preserve genetic diversity and the flavors rooted in the Southern Appalachian Mountains—referred to by plant scientists as one of the vegetative wonders of the world.
Saving Seeds, Preserving Taste will introduce readers to the cultural traditions associated with seed saving, as well as the remarkable people who have used grafting practices and hand-by-hand trading to keep alive varieties that would otherwise have been lost. As local efforts to preserve heirloom seeds have become part of a growing national food movement, Appalachian seed savers play a crucial role in providing alternatives to large-scale agriculture and corporate food culture. Part flavor guide, part people’s history, Saving Seeds, Preserving Taste will introduce you to a world you’ve never known—or perhaps remind you of one you remember well from your childhood.
Part cookbook and part memoir, Southern Appalachian Farm Cooking blends staples of farm-fresh, Appalachian cuisine with stories of life on a large farm in East Tennessee, where homemade biscuits and harvest vegetables were the fruits of hard work and meager earnings. Robert G. Netherland begins with the family farm: a sprawling sixty acres of fertile, rolling hills located in the small town of Surgoinsville, Tennessee, situated between bends in the Holston River. From there, Netherland guides the reader through threshing wheat, churning butter, sharecroppers and country doctors, hunting and hog killing, and all the while sharing updated versions of his family’s recipes for authentic farm-to-table food.
From biscuits to cornbread, freshly shelled beans to red-ripe tomatoes, and savory meats to the sweetest cherry pies, Southern Appalachian Farm Cooking provides the home cook with recipes and historical asides to turn any trip to the farmer’s market into a delicious family affair. In sharing his experiences, Netherland reminds us of a time when prepackaged and plastic-wrapped food didn’t line our counters and fill our cabinets, but in its place were baskets of seasonal fruit, canned vegetables, fresh baked breads, and hot-from-the-oven cobblers. Southern Appalachian Farm Cooking is more than just a nostalgic memoir of farming and food, it’s also filled with healthy, simple, everyday eats for the modern cook.
Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization.
Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time.
Women, Power, and Dissent in the Hills of Carolina is a unique and impassioned exploration of gender, labor, and resistance in western North Carolina. Based on eight months of field research in a mica manufacturing plant and the surrounding rural community, as well as oral histories of women who worked in mica houses in the early twentieth century, this landmark study canvasses the history of the mica industry and the ways it came to be organized around women's labor.
Mary K. Anglin's investigation of working women's lives in the plant she calls "Moth Hill Mica Company" reveals the ways women have contributed to household and regional economies for more than a century. Without union support or recognition as skilled laborers, these women developed alternate strategies for challenging the poor working conditions, paltry wages, and corporate rhetoric of Moth Hill. Utilizing the power of memory and strong family and community ties, as well as their own interpretations of gender and culture, the women have found ways to "boss themselves."
“A beautiful, powerful book. Read it and be changed.”—Jim Minick
This collection of fourteen essays by Charles Dodd White—praised by Silas House as “one of the best prose stylists of Appalachian literature”—explores the boundaries of family, loss, masculinity, and place. Contemplating the suicides of his father, uncle, and son, White meditates on what it means to go on when seemingly everything worth living for is lost. What he discovers is an intimate connection to the natural world, a renewed impulse to understand his troubled family history, and a devotion to following the clues that point to the possibility of a whole life.
Avoiding easy sentiment and cliché, White’s transformative language drives toward renewal. A Year without Months introduces lively and memorable characters, as the author draws on a wide range of emotions to analyze everything, including himself.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press