In 2009 Alaska celebrates its fiftieth anniversary of U.S. statehood. To commemorate that milestone, Alaska at 50 brings together some of today’s most noteworthy and recognizable writers and researchers to address the past, present, and future of Alaska. Divided into three overarching sections—art, culture, and humanities; law, economy, and politics; and environment, people, and place—Alaska at 50 is written in highly accessible prose. Illustrations and photographs of significant artefacts of Alaska history enliven the text. Each contributor brings a strong voice and prescription for the next fifty years, and the resulting work presents Alaskans and the nation with an overview of Alaska statehood and ideas for future development.
Born in early 1812 in Crawfordville, Georgia, Alexander Stephens grew up in an antebellum South that would one day inform the themes of his famous Cornerstone Speech. While Stephens made many speeches throughout his lifetime, the Cornerstone Speech is the discourse for which he is best remembered. Stephens delivered it on March 21, 1861—one month after his appointment as vice president of the Confederacy—asserting that slavery and white supremacy comprised the cornerstone of the Confederate States of America. Within a few short weeks, more than two hundred newspapers worldwide had reprinted Stephens’s words.
Following the war and the defeat of the Confederacy, Stephens claimed that his assertions in the Cornerstone Speech had been misrepresented, his meaning misunderstood, as he sought to breathe new and different life into an oration that may have otherwise been forgotten. His intentionally ambiguous rhetoric throughout the postwar years obscured his true antebellum position on slavery and its centrality to the Confederate Nation and lent itself to early constructions of Lost Cause mythology.
In Cornerstone of the Confederacy, Keith Hébert examines how Alexander Stephens originally constructed, and then reinterpreted, his well-known Cornerstone Speech. Hébert illustrates the complexity of Stephens’s legacy across eight chronological chapters, meticulously tracing how this speech, still widely cited in the age of Black Lives Matter, reverberated in the nation’s consciousness during Reconstruction, through the early twentieth century, and in debates about commemoration of the Civil War that live on in the headlines today.
Audiences both inside and outside of academia will quickly discover that the book’s implications span far beyond the memorialization of Confederate symbols, grappling with the animating ideas of the past and discovering how these ideas continue to inform the present.
George Washington: Revolutionary general, Father of His Country, first president, authentic hero, prime mover in establishing a constitutional government, squire of Mount Vernon, itself a national shrine. The sheer ubiquity of his persona makes him an excellent focus for understanding how Americans from the centennial of the nation's birth to the present have rediscovered their colonial origins and have manipulated what they found for a variety of social, economic, and political purposes. The more modern we become, says Karal Ann Marling, the more desperately we cling to our Washingtons, to our old-fashioned heroes, to an imaginary lost paradise chock-full of colonial furniture.
Marling has pursued the figure of Washington from flea markets to World's Fairs in order to understand his significance in American culture and iconography. Of all American heroes, she points out, Washington is the one most closely tied to artifacts, relics, material possessions, style. She describes the Philadelphia Centennial Exposition of 1876, where the federal government exhibited a scene of camp life at Valley Forge, complete with Washington's coat, pants, and other personal objects that lent a strong domestic flavor to the nascent colonial revival. When the restoration of Mount Vernon was begun in the late nineteenth century, it was financed and directed by women, as was much of the historic preservation of the period. Thanks to these efforts, the American home became the scene of successive waves of a revivalism that is still very alive in the 1980s.
In describing Washington's talismanic importance, Marling shows the efforts of twentieth-century politicians to co-opt his incorruptible image. When Harding wanted to convince Americans of his reliability and probity, he campaigned from the Colonial Revival porch of his house on Mount Vernon Avenue in Marion, Ohio. The Washington image was mined for the campaigns that celebrated Calvin Coolidge's Puritan simplicity and Herbert Hoover's engineering talents, said to be related to George Washington's career as a surveyor; more recently, Ronald Reagan at his second inaugural invoked the vision of the humble general praying in the snow at Valley Forge. The neutral and flexible Washington became whatever people wanted him to be—the decorators' darling, the doyen of the D.A.R., the model citizen held up as an example to unruly children and immigrants.
But Marling's book is about more than George Washington and the different ways in which Americans have made use of their past. In her quest for the unhistorical George, Marling has examined the subculture of American life—magazine fiction, historical romances, movies (both silent and talking), and journalism. She traces the descent of high art into such popular forms as posters, plaques, packages, and billboards, all to illuminate how Washington's iconic meaning has influenced styles and tastes on many levels.
Naked Lunch was banned, castigated, and recognized as a work of genius on its first publication in 1959, and fifty years later it has lost nothing of its power to astonish, shock, and inspire. A lacerating satire, an exorcism of demons, a grotesque cabinet of horrors, it is the Black Book of the Beat Generation, the forerunner of the psychedelic counterculture, and a progenitor of postmodernism and the digital age. A work of excoriating laughter, linguistic derangement, and transcendent beauty, it remains both influential and inimitable.
This is the first book devoted in its entirety to William Burroughs’ masterpiece, bringing together an international array of scholars, artists, musicians, and academics from many fields to explore the origins, writing, reception, and complex meanings of Naked Lunch. Tracking the legendary book from Texas and Mexico to New York, Tangier, and Paris, Naked Lunch@50 significantly advances our understanding and appreciation of this most elusive and uncanny of texts.
Contributors:
Contributors:
Keith Albarn
Eric Andersen
Gail-Nina Anderson
Théophile Aries
Jed Birmingham
Shaun de Waal
Richard Doyle
Loren Glass
Oliver Harris
Kurt Hemmer
Allen Hibbard
Rob Holton
Andrew Hussey
Rob Johnson
Jean-Jacques Lebel
Ian MacFadyen
Polina Mackay
Jonas Mekas
Barry Miles
R. B. Morris
Timothy S. Murphy
Jurgen Ploog
Davis Schneiderman
Jennie Skerl
DJ Spooky
Philip Taaffe
In the early hours of November 5, 1605, Guy Fawkes, an English Catholic who had served with the Spanish army in Flanders, was discovered in a storeroom under the Palace of Westminster—and with him, thirty-six barrels of gunpowder earmarked to obliterate England’s royal family, top officials, and members of Parliament gathered for Parliament’s opening day. Had it succeeded, this Gunpowder Plot—a Catholic conspiracy against the recently crowned Protestant King James I and his government—English history would have been shaped by a terrorist act of unprecedented proportions.
Today Guy Fawkes—whose name has long stood for the conspiracy—is among the most notorious figures in English history; and Bonfire Night, observed every November 5th to memorialize the narrowly foiled Gunpowder Plot, is one of the country’s most festive occasions. Why has the memory of this act of treason and terrorism persisted for 400 years? In Remember, Remember James Sharpe takes us back to 1605 and teases apart the tangled web of religion and politics that gave rise to the plot. And, with considerable wit, he shows how celebration of that fateful night, and the representation of Guy Fawkes, has changed over the centuries.
James Sharpe’s colorfully told story has wide implications. The plot of 1605 has powerful resonances today, in a time of heightened concern about ideological conflict, religious fanaticism, and terrorism. And his account of the festivities marking the momentous event comments on the role of rituals in constructing national histories.
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