front cover of The Antiquities Act
The Antiquities Act
A Century of American Archaeology, Historic Preservation, and Nature Conservation
Edited by David Harmon, Frances P. McManamon, and Dwight T. Pitcaithley
University of Arizona Press, 2006
Winner of the State of New Mexico’s Heritage Preservation Award in the category of Heritage Publication

Enacted in 1906, the Antiquities Act is one of the most important pieces of conservation legislation in American history and has had a far-reaching influence on the preservation of our nation’s cultural and natural heritage. Thanks to the foresight of thirteen presidents, parks as diverse as Acadia, Grand Canyon, and Olympic National Park, along with historic and archaeological sites such as Thomas Edison’s Laboratory and the Gila Cliff Dwellings, have been preserved for posterity.

A century after its passage, this book presents a definitive assessment of the Antiquities Act and its legacy, addressing the importance and breadth of the act—as well as the controversy it has engendered. Authored by professionals intimately involved with safeguarding the nation’s archaeological, historic, and natural heritage, it describes the applications of the act and assesses its place in our country’s future. With a scope as far-reaching as the resources the act embraces, this book offers an unparalleled opportunity for today’s stewards to reflect on the act’s historic accomplishments, to remind fellow professionals and the general public of its continuing importance, and to look ahead to its continuing implementation in the twenty-first century.

The Antiquities Act invites all who love America’s natural and cultural treasures not only to learn about the act’s rich legacy but also to envision its next hundred years.
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front cover of Field Seasons
Field Seasons
Reflections on Career Paths and Research in American Archaeology
Anna Marie Prentiss
University of Utah Press, 2012

In Field Seasons, Anna Marie Prentiss chronicles her experiences as an archaeologist, providing an insider’s look at the diverse cultures, personal agendas, and career pathways associated with American archaeology since the late twentieth century. As the narrative moves from her academic training to employment in government and private consulting to her eventual professorship at a state university, several themes emerge.

This book is about career paths. Its discussion of the diverse jobs within the archaeological profession makes it valuable to students seeking guidance about their career options. It also provides insight into the cultures of American archaeology, a discipline with many schools of thought and unique subcultures. The world of archaeological field technicians is quite different from that of government bureaucrats or academics. Prentiss also explores the elements of cultural change within archaeology while she reflects on her personal evolution throughout her thirty years within the discipline.

The book’s unique personal assessment of the state of American archaeology will appeal to a broad swath of students and professionals. Students will find it an entertaining road map to possible careers while professionals will find plenty of scholarly material concerning ethics, archaeological theory, and interpretations of the archaeological record.
 

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Foreign Objects
Rethinking Indigenous Consumption in American Archaeology
Edited by Craig N. Cipolla
University of Arizona Press, 2017

Brass tinklers and pendants. Owl effigies, copper kettles, crucifixes with blue glass stones. What do they have in common? The answer spans thousands of years and a multitude of peoples and places, and reveals how people made sense of their world as they collected and used the objects they encountered.

Foreign Objects demonstrates the breadth and vibrancy of contemporary archaeology. Taking a broad set of archaeological cases from across the Americas, editor Craig N. Cipolla and the volume contributors explore how indigenous communities have socialized foreign objects over time. The book critiques the artificial divide between prehistory and history, studying instead the long-term indigenous histories of consumption, a term typically associated with capitalism and modern-world colonialism.

The case studies range from “exotic” stone tools used millennia ago to nineteenth-century patent medicines made and marketed by an Indian doctress. Foreign Objects focuses on how indigenous groups and foreign objects became entangled with one another in myriad ways. The book explores how the framework of consumption can shed new light on trade, exchange, materiality, and cultural production.

Contributors place foreign objects in the spotlight and offer a comparison of how this general class of material played a part in indigenous and colonial worlds. Each chapter illustrates how notions of consumption fit into their place in time and also delves into how foreign objects related to ideas of the body and personhood, how people used them to participate in political and spiritual worlds, and how they presented new ways of enduring or resisting European colonialism and capitalism. Foreign Objects is a critical look at consumption through the lens of indigenous knowledge and archaeological theory.

Contributors:

Matthew A. Beaudoin
Lewis Borck
Kathleen J. Bragdon
Craig N. Cipolla
Charles R. Cobb
John L. Creese
Diana DiPaolo Loren
Martin Gallivan
Meghan C. L. Howey
Barbara J. Mills
Maxine Oland
Lee M. Panich
Patricia E. Rubertone
Christopher Shephard
Keith D. Stephenson

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front cover of Method and Theory in American Archaeology
Method and Theory in American Archaeology
Gordon R. Willey
University of Alabama Press, 2001

A Dan Josselyn Memorial Publication

This invaluable classic provides the framework for the development of American archaeology during the last half of the 20th century.

In 1958 Gordon R. Willey and Philip Phillips first published Method and Theory in American Archaeology—a volume that went through five printings, the last in 1967 at the height of what became known as the new, or processual, archaeology. The advent of processual archaeology, according to Willey and Phillips, represented a "theoretical debate . . . a question of whether archaeology should be the study of cultural history or the study of cultural process."

Willey and Phillips suggested that little interpretation had taken place in American archaeology, and their book offered an analytical perspective; the methods they described and the structural framework they used for synthesizing American prehistory were all geared toward interpretation. Method and Theory served as the catalyst and primary reader on the topic for over a decade.

This facsimile reprint edition of the original University of Chicago Press volume includes a new foreword by Gordon R. Willey, which outlines the state of American archaeology at the time of the original publication, and a new introduction by the editors to place the book in historical context. The bibliography is exhaustive. Academic libraries, students, professionals, and knowledgeable amateurs will welcome this new edition of a standard-maker among texts on American archaeology.


 

 


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front cover of Prophet, Pariah, and Pioneer
Prophet, Pariah, and Pioneer
Walter W. Taylor and Dissension in American Archaeology
Allan Maca
University Press of Colorado, 2010
"This is a fascinating book about a complex person...Taylor is claimed by the contributors to this new book as ancestor to both processual and postprocessual archaeologies...It thus remains possible to read him in different ways, as is well brought out by the diverse contributions to this volume, which is the first to provide a thorough and informed account that contextualizes Taylor's work and habilitates him within later and contemporary currents in archaeology...Throughout Prophet, Pariah, and Pioneer and especially at the end, the twists and turns, the refractions never stop...The editors are to be congratulated for not trying to tidy him up..."
-Ian Hodder, Current Anthropology

In his 1948 work A Study of Archaeology, recently minted Harvard Ph.D. Walter W. Taylor delivered the strongest and most substantial critique of American archaeology ever published. He created many enemies with his dissection of the research programs of America’s leading scholars, who took it as a personal affront. Taylor subsequently saw his ideas co-opted, his research pushed to the margins, and his students punished. Publicly humiliated at the 1985 Society for American Archaeology meeting, he suffered ridicule until his death in 1997.

Nearly everyone in the archaeological community read Taylor’s book at the time, and despite the negative reaction, many were influenced by it. Few young scholars dared to directly engage and build on his “conjunctive approach,” yet his suggested methods nevertheless began to be adopted and countless present-day authors highlight his impact on the 1960s formation of the “New Archaeology.” In

Prophet, Pariah, and Pioneer, peers, colleagues, and former students offer a critical consideration of Taylor’s influence and legacy. Neither a festschrift nor a mere analysis of his work, the book presents an array of voices exploring Taylor and his influence, sociologically and intellectually, as well as the culture of American archaeology in the second half of the twentieth century.

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front cover of Voices in American Archaeology
Voices in American Archaeology
Wendy Ashmore
University Press of Colorado, 2010
Archaeological ideas and practices have experienced transformative change since the Society for American Archaeology’s fiftieth Anniversary. Authors in this volume from the SAA press consider critically some of today’s most noteworthy issues. Their voices—like their views—are as diverse as the discipline. Nonetheless, they repeatedly recognize deep articulation between archaeology and social, economic, and political milieus, from local to global scales. And they share conviction that much is to be done in the years ahead. This volume aims to rouse more voices to join the lively ongoing conversation.
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