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Uganda Now
Between Decay and Development
Hölger Bernt Hansen
Ohio University Press, 1988

Can the revolutionary government of Yoweri Museveni’s National Resistance Movement put Uganda back on the road from decay to development?

These informed assessments put the present situation in context. The contributors assembled as Museveni’s guerrillas were launching their final bid for power. They have finalized their contributions in the light of the Museveni government’s initial period of power.

Contributions by Ugandan academics and politicians interlock with those by scholars from across the world who have a concern for Uganda. Historians examine the period of colonialism. There are political studies of the quarter century since independence. There are detailed analyses of the economic realities for the Ugandan government in the period of international debt. The central role of education in national development is given due prominence.

Ali A. Mazrui ends the book by asking ‘Is Africa Decaying?’ The editors have put the consideration of the case of Uganda’s recent history within the context of Africa’s development crisis. Uganda has presented in an aggravated form the crisis common to many other African countries: infrastructural breakdown, mounting foreign debt, military regimes and waves of refugees.

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front cover of The Uncoiling Python
The Uncoiling Python
South African Storytellers and Resistance
Harold Scheub
Ohio University Press, 2010

There are many collections of African oral traditions, but few as carefully organized as The Uncoiling Python. Harold Scheub, one of the world’s leading scholars of African oral traditions and folklore, explores the ways in which oral traditions have served to combat and subvert colonial domination in South Africa. From the time colonial forces first came to southern Africa in 1487, oral and written traditions have been a bulwark against what became 350 years of colonial rule, characterized by the racist policies of apartheid. The Uncoiling Python: South African Storytellers and Resistance is the first in-depth study of oral tradition as a means of survival.

In open insurrections and other subversive activities Africans resisted the daily humiliations of colonial rule, but perhaps the most effective and least apparent expression of subversion was through indigenous storytelling and poetic traditions. Harold Scheub has collected the stories and poetry of the Xhosa, Zulu, Swati, and Ndebele peoples to present a fascinating analysis of how the apparently harmless tellers of tales and creators of poetry acted as front-line soldiers.

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front cover of Unmasking the African Dictator
Unmasking the African Dictator
Essays on Postcolonial African Literature
Gichingiri Ndigirigi
University of Tennessee Press, 2014
In Africa, the development of “dictatorship fiction” as a vehicle for depicting the authoritarian state arose more slowly than in other parts of the world. The dictator novel emerged earlier in Latin America, as the region’s anticolonial disengagement preceded that of Africa. Thus, the Latin American variant of this literary genre has been extensively studied, but until now there has been no comparable exploration of the fictional and dramatic representations of tyrannical regimes in Africa. In Unmasking the African Dictator, Gĩchingiri Ndĩgĩrĩgĩ redresses that imbalance with a collection of essays that fully examine the figure of the “Big Man” in African arts.
            This volume features twelve articles from both established and emerging scholars who undertake representative readings of the African despot in fiction, drama, films, and music. Arranged chronologically, these essays cover postcolonial realities in a wide range of countries: Mali, Cote d’Ivoire, Senegal, the Congo, Nigeria, the Central African Republic, Somalia, Kenya, and Uganda. Included here are a variety of voices that illuminate the different aspects of dictator fiction in Africa and in the process enrich our understanding of the continent’s literature, politics, and culture.
            This work features a foreword by formerly exiled Kenyan novelist, poet, and critic Ngũgĩ wa Thiong’o. Ndĩgĩrĩgĩ’s own extended introduction reviews the overarching themes found in the collection and summarizes each of the artistic works being examined while placing the individual essays in context. A pioneering study, Unmasking the African Dictator examines the works of several major authors of dictator fictions like Achebe, Ngugi, Farah, and Tamsi, among others. It is an ideal resource for both undergraduate and graduate courses on African literature, culture, and politics.
 
Gĩchingiri Ndĩgĩrĩgĩ is an associate professor of English at the University of Tennessee. He is the author of Ngũgĩ wa Thiongʼo’s Drama and the Kamĩrĩĩthũ Popular Theater Experiment.
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