The Irish-Catholic Sisters accomplished tremendously successful work in founding charitable organizations in New York City from the Irish famine through the early twentieth century. Maureen Fitzgerald argues that their championing of the rights of the poor—especially poor women—resulted in an explosion of state-supported services and programs.
Parting from Protestant belief in meager and means-tested aid, Irish Catholic nuns argued for an approach based on compassion for the poor. Fitzgerald positions the nuns' activism as resistance to Protestantism's cultural hegemony. As she shows, Roman Catholic nuns offered strong and unequivocal moral leadership in condemning those who punished the poor for their poverty and unmarried women for sexual transgression. Fitzgerald also delves into the nuns' own communities, from the class-based hierarchies within the convents to the political power they wielded within the city. That power, amplified by an alliance with the local Irish Catholic political machine, allowed the women to expand public charities in the city on an unprecedented scale.
As digital communication has become dominant, commentators have declared that handwriting is a thing of the past, a relic of an earlier age. This volume of original essays makes it clear that anxiety around handwriting has existed for centuries and explores writing practices from a variety of interdisciplinary fields, including manuscript studies, Native American studies, media history, African American studies, book history, bibliography, textual studies, and archive theory.
By examining how a culturally diverse set of people grappled with handwriting in their own time and weathered shifting relationships to it, Handwriting in Early America uncovers perspectives that are multiethnic and multiracial, transatlantic and hemispheric, colonial and Indigenous, multilingual and illiterate. Essays describe a future of handwriting as envisioned by practitioners, teachers, and even government officials of this time, revealing the tension between the anxiety of loss and the need to allow for variations going forward.
Contributors include James Berkey, Blake Bronson-Bartlett, John J. Garcia, Christopher Hager, Desirée Henderson, Frank Kelderman, Michelle Levy, Lisa Maruca, Christen Mucher, Alan Niles, Seth Perlow, Carla L. Peterson, Sarah Robbins, Patricia Jane Roylance, Karen Sánchez-Eppler, and Danielle Skeehan.
Three intertwined stories that reveal the challenges faced by the US Navy in its evolution between the Civil War and the First World War
Hard Aground brings together three intertwined stories documenting the US Navy’s strategic and matériel evolution from the end of Civil War through the First World War. These incidents had lasting consequences for how the navy would modernize itself throughout the rest of the twentieth century.
The first story focuses on the reconstruction of the US Navy following the swift and near-total dismantling of the Union Navy infrastructure after the Civil War. This reconstruction began with barely enough time for the navy’s campaigns in the Spanish-American War, and for its role in the First World War. Jampoler argues that the federal government discovered that the fleet requested by the navy, and paid for by Congress, was the wrong fleet. Focus was on battleships and cruisers rather than destroyers and other small combat vessels needed to hunt submarines and serve as convoy escorts.
The second story relates the short, tragic life of the USS Tennessee (later renamed Memphis), one of the steel-hulled ships of the new Armored Cruiser Squadron that was a centerpiece of the navy’s modernization effort. The USS Tennessee was ordered on two unusual missions in the early months of the First World War, long before the United States formally entered the war. These little-known missions and the ship's shocking destruction in a storm surge in the Caribbean serve as the centerpiece of the story. Threaded through the narrative are biographical sketches of the principal players in the drama that unfolded following the ship’s demise, including two of Tennessee’s commanding officers: Vice Admiral Sims, who commanded the US Navy squadrons deployed to Europe in support of the Royal Navy; Rear Admiral William Caperton, who commanded the Caribbean squadron before the Memphis (formerly the Tennessee) was lost; Charles Pond, squadron commander during the wreck; and the American ambassador to the Ottoman court, President Wilson’s enthusiastic supporter, Henry Morgenthau.
Jampoler rounds out this fascinating account with the story of how the USS Tennessee’s destruction prompted fierce deliberations about the US Navy’s operations and chains of command for the remainder of the First World War and the high-level political wrangling inside the Department of the Navy immediately after the war, as civilian appointees and senior officers wrestled to reshape the department in their image.
Commonly translated as the “Jewish Enlightenment,” the Haskalah propelled Jews into modern life. Olga Litvak argues that the idea of a Jewish modernity, championed by adherents of this movement, did not originate in Western Europe’s age of reason. Litvak contends that the Haskalah spearheaded a Jewish religious revival, better understood against the background of Eastern European Romanticism.
Based on imaginative and historically grounded readings of primary sources, Litvak presents a compelling case for rethinking the relationship between the Haskalah and the experience of political and social emancipation. Most importantly, she challenges the prevailing view that the Haskalah provided the philosophical mainspring for Jewish liberalism.
In Litvak’s ambitious interpretation, nineteenth-century Eastern European intellectuals emerge as the authors of a Jewish Romantic revolution. Fueled by contradictory longings both for community and for personal freedom, the poets and scholars associated with the Haskalah questioned the moral costs of civic equality and the achievement of middle-class status. In the nineteenth century, their conservative approach to culture as the cure for the spiritual ills of the modern individual provided a powerful argument for the development of Jewish nationalism. Today, their ideas are equally resonant in contemporary debates about the ramifications of secularization for the future of Judaism.
In “Hatching Ruin,” Charles H. Gold provides a complete description of Samuel L. Clemens’s business relationships with Charles L. Webster and James W. Paige during the 1880s. Gold analyzes how these relationships affected Clemens as a person and an artist, most notably in A Connecticut Yankee in King Arthur’s Court.
At his death, Nathaniel Hawthorne (1804–1864) was universally acknowledged in America and England as "the Great Romancer." Novels such as The Scarlet Letter and The House of the Seven Gables and stories published in such collections as Twice-Told Tales continue to capture the minds and imaginations of readers and critics to this day. Harder to capture, however, were the character and personality of the man himself. So few of the essays that appeared in the two years after his death offered new insights into his life, art, and reputation that Hawthorne seemed fated to premature obscurity or, at least, permanent misrepresentation. This first collection of personal reminiscences by those who knew Hawthorne intimately or knew about him through reliable secondary sources rescues him from these confusions and provides the real human history behind the successful writer.
Remembrances from Elizabeth Peabody, Sophia Hawthorne, Oliver Wendell Holmes, Ralph Waldo Emerson, Bronson Alcott, Rebecca Harding Davis, and twenty others printed in Hawthorne in His Own Time follow him from his childhood in Salem, through his years of initial literary obscurity, his days in the Boston and Salem Custom Houses, his service as U.S. Consul to Liverpool and Manchester and his life in the Anglo-American communities at Rome and Florence, to his late years as the "Great Romancer."
In their enlightening introduction, editors Ronald Bosco and Jillmarie Murphy assess the postmortem building of Hawthorne's reputation as well as his relationship to the prominent Transcendentalists, spiritualists, Swedenborgians, and other personalities of his time. By clarifying the sentimental associations between Hawthorne's writings and his actual personality and moving away from the critical review to the personal narrative, these artful and perceptive reminiscences tell the private and public story of a remarkable life.
Health obsessed the Victorians. The quest for health guided Victorian living habits, shaped educational goals, and sanctioned a mania for athletic sports. As both metaphor and ideal, it influenced psychology, religion, moral philosophy; it affected the writing of history as well as the criticism of literature. Here is a wide-ranging and ably written exploration of this fascinating aspect of Victorian ideas.
Bruce Haley looks at developments in personal and public health, and at theories about the relation between medical and psychological disorders. He examines influential conceptions of the healthy man: Carlyle's healthy hero, Spencer's biologically perfect man, Newman's gentleman-Christian, Kingsley's muscular Christian. He describes the development of sports and physical training in nineteenth-century England and their importance in schools and universities. He traces the concept of healthy body and healthy mind in boy's fiction (such as Torn Brown's School Days), self-help literature, and the widely read novels of George Eliot, Wilkie Collins, George Meredith, and Charles Kingsley. All these strands of social history, literature, and philosophy are woven together into a seamless whole.
J. McHenry Jones’s Hearts of Gold is a gripping tale of post-Civil War battles against racism and systemic injustice. Originally published in 1896, this novel reveals an African American community of individuals dedicated to education, journalism, fraternal organizations, and tireless work serving the needs of those abandoned by the political process of the white world. Jones challenges conventional wisdom by addressing a range of subjects—from interracial relationships to forced labor in coal mines—that virtually no other novelist of the time was willing to approach. With the addition of an introduction and appendix, this new edition reveals the difficult foundations upon which African Americans built a platform to address injustice; generate opportunities; and play a prominent role in American social, economic, and political life.
The image of the female caregiver holding a midnight vigil at the bedside of a sick relative is so firmly rooted in our collective imagination we might assume that such caregiving would have attracted the scrutiny of numerous historians. As Emily Abel demonstrates in this groundbreaking study of caregiving in America across class and ethnic divides and over the course of ninety years, this has hardly been the case.
While caring for sick and disabled family members was commonplace for women in nineteenth- and early-twentieth-century America, that caregiving, the caregivers' experience of it, and the medical profession's reaction to it took diverse and sometimes unexpected forms. A complex series of historical changes, Abel shows, has profoundly altered the content and cultural meaning of care. Hearts of Wisdom is an immersion into that "world of care." Drawing on antebellum slave narratives, white farm women's diaries, and public health records, Abel puts together a multifaceted picture of what caregiving meant to American women--and what it cost them--from the pre-Civil War years to the brink of America's entry into the Second World War. She shows that caregiving offered women an arena in which experience could be parlayed into expertise, while at the same time the revolution in bacteriology and the transformation of the formal health care system were weakening women's claim to that expertise.
Contributors: David Aubin, Charlotte Bigg, Guy Boistel, Theresa Levitt, Massimo Mazzotti, Ole Molvig, Simon Schaffer, Martina Schiavon , H. Otto Sibum, Richard Staley, John Tresch, Simon Werrett, Sven Widmalm
The rejection by Anglo-Saxon philosophers of much "continental philosophy" (from Hegel on down) is largely based on the perceived failure of continental thinkers to grapple with the tough questions of epistemology in general and skepticism in particular. Forster demonstrates that Hegel did not in fact ignore epistemology, but on the contrary he fought a tireless and subtle campaign to defeat the threat of skepticism. Forster's work should dispel once and for all the view that Hegel was naive or careless in epistemological matters.
Forster begins by discussing Hegel's critical interpretation of the skeptical tradition, in particular his convincingly argued case for the superiority of ancient over modern skepticism. He goes on to show that the difficulties characteristic of ancient skepticism play a crucial and fascinating role in Hegel's philosophy of history. Hegel sees in the emergence of these difficulties an explanation of why the harmonious unified Greek culture collapsed and was replaced by the division and alienation characteristic of subsequent western culture. Finally, Forster examines the elaborate and ingenious system of defenses erected by Hegel to protect his philosophical thought against skeptical difficulties, as the core of a somewhat broader epistemological project. Along the way, Forster makes much that has hither to remained obscure in Hegel's texts intelligible for the first time. This book should cause a re-evaluation of Hegel, and German Idealism generally, and contribute to a re-evaluation of the skeptical tradition in philosophy.
Hegel and the Freedom of Moderns persuasively argues that the tug of war between “conservative” and “liberal” interpretations of Hegel has obscured and distorted the most important aspects of his political thought. Losurdo unravels this misleading dualism and provides an illuminating discussion of the relation between Hegel’s political philosophy and the thinking of Karl Marx and Friedrich Engels. He also discusses Hegel’s ideas in relation to the pertinent writings of other major figures of modern political philosophy such as Jean-Jacques Rousseau, John Locke, Edmund Burke, John Stuart Mill, Jeremy Bentham, Karl Popper, Norberto Bobbio, and Friedrich Hayek.
Henry Ware Lawton’s nearly four decades as a professional soldier in the U.S. Army tie his story closely to that of America in the nineteenth century, from the Civil War to the settlement of the West, to the experiment with empire. Lawton served the country nearly uninterrupted from the day he enlisted at age 18—soon after Lincoln’s first call for volunteers to fight in the Civil War, where he earned a Medal of Honor—to his death at age 56, a major general in the Philippine War. In between, he fought in the Spanish-American War and the Indian Wars; during that time he rose to national prominence as the man who captured Geronimo.
"Convincingly argues for the importance of these middle years to understanding American science and vividly illustrates the effect of the Civil War on science. . . . Ravenel, a geographically isolated planter with a college degree but no scientific training, managed to serve as one of America's leading mycologists, despite continual financial and medical problems and the disruption of the Civil War. This lively account of his life and work is at once inspiring and tragic."
Journal of the History of Biology
"A thoroughly enjoyable biography of one of the important American naturalists, botanists, and mycologists of the 1800s. . . . Truly an outstanding contribution to the history of American science."
—Brittonia
Mary Ashley Townsend was a novelist, newspaper columnist, and poet laureate of New Orleans who made several trips to Mexico with her daughter Cora during the last two decades of the 19th century. She collected her impressions of many aspects of life in that country—flora, fauna, architecture, people at work and play, fashion, society, food—and wrote about them during a time when few women engaged in solo travel, much less the pursuit of travel writing. Her collected work was still in progress when she died in a train accident in 1901, and was never published.
Tracing the Victorian crisis over the representation of working-class women to the 1842 Parliamentary bluebook on mines, with its controversial images of women at work, Hidden Hands argues that the female industrial worker became even more dangerous to represent than the prostitute or the male radical because she exposed crucial contradictions between the class and gender ideologies of the period and its economic realities.
Drawing on the recent work of feminist historians, Patricia Johnson lays the groundwork for a reinterpretation of Victorian social-problem fiction that highlights its treatment of issues that particularly affected working-class women: sexual harassment; the interconnections between domestic ideology and domestic violence; their relationships to male-dominated working-class movements such as Luddism, Chartism, and unionism; and their troubled connection to middle-class feminism.
Uncovering a series of images in Victorian fiction ranging from hot-tempered servants and sexually harassed factory girls to working-class homemakers pictured as beaten dogs, Hidden Hands demonstrates that representations of working-class women, however marginalized or incoherent, reveal the very contradictions they are constructed to hide and that the dynamics of these representations have broad implications both for other groups, such as middle-class women, and for the emergence of working-class women as writers themselves.
Victor Brombert is an unrivaled interpreter of French literature; and the writers he considers in this latest book are ones with whom he has a long acqualntance. These essays--eleven of them appearing in English for the first time and some totally new--give us an acute analysis of the major figures of the nineteenth century and a splendid lesson in criticism.
Brombert shows how a text works--its structure and narrative devices, and the symbolic function of characters, episodes, words--and he highlights the distinctive postures and styles of each writer. He gives us a sense of the hidden inner text as well as the techniques writers have devised to lead their readers to the discovery of what is hidden. With wonderful subtlety he unravels the reader's participatory response, whether it be Hugo reading Shakespeare, Sartre reading Hugo, Stendhal reading Rousseau, T. S. Eliot misreading Baudelaire, or Baudelaire, Balzac, and Flaubert reading their own sensibilities. This book is a sterling example of the finest kind of literary criticism--wise, intelligent, responsive, sympathetic--that reveals central aspects of the creative process and returns the reader joyfully to the texts themselves.
High Country Summers considers the emergence of the “summer home” in Colorado’s Rocky Mountains as both an architectural and a cultural phenomenon. It offers a welcome new perspective on an often-overlooked dwelling and lifestyle. Writing with affection and insight, Melanie Shellenbarger shows that Colorado’s early summer homes were not only enjoyed by the privileged and wealthy but crossed boundaries of class, race, and gender. They offered their inhabitants recreational and leisure experiences as well as opportunities for individual re-invention—and they helped shape both the cultural landscapes of the American West and our ideas about it.
Shellenbarger focuses on four areas along the Front Range: Rocky Mountain National Park and its easterly gateway town, Estes Park; “recreation residences” in lands managed by the US Forest Service; Lincoln Hills, one of only a few African-American summer home resorts in the United States; and the foothills west of Denver that drew Front Range urbanites, including Denver’s social elite. From cottages to manor houses, the summer dwellings she examines were home to governors and government clerks; extended families and single women; business magnates and Methodist ministers; African-American building contractors and innkeepers; shop owners and tradespeople. By returning annually, Shellenbarger shows, they created communities characterized by distinctive forms of kinship.
High Country Summers goes beyond history and architecture to examine the importance of these early summer homes as meaningful sanctuaries in the lives of their owners and residents. These homes, which embody both the dwelling (the house itself) and dwelling (the act of summering there), resonate across time and place, harkening back to ancient villas and forward to the present day.
A bold retelling of the origins of contemporary Hinduism, and an argument against the long-established notion of religious reform.
By the early eighteenth century, the Mughal Empire was in decline, and the East India Company was making inroads into the subcontinent. A century later Christian missionaries, Hindu teachers, Muslim saints, and Sikh rebels formed the colorful religious fabric of colonial India. Focusing on two early nineteenth-century Hindu communities, the Brahmo Samaj and the Swaminarayan Sampraday, and their charismatic figureheads—the “cosmopolitan” Rammohun Roy and the “parochial” Swami Narayan—Brian Hatcher explores how urban and rural people thought about faith, ritual, and gods. Along the way he sketches a radical new view of the origins of contemporary Hinduism and overturns the idea of religious reform.
Hinduism Before Reform challenges the rigid structure of revelation-schism-reform-sect prevalent in much history of religion. Reform, in particular, plays an important role in how we think about influential Hindu movements and religious history at large. Through the lens of reform, one doctrine is inevitably backward-looking while another represents modernity. From this comparison flows a host of simplistic conclusions. Instead of presuming a clear dichotomy between backward and modern, Hatcher is interested in how religious authority is acquired and projected.
Hinduism Before Reform asks how religious history would look if we eschewed the obfuscating binary of progress and tradition. There is another way to conceptualize the origins and significance of these two Hindu movements, one that does not trap them within the teleology of a predetermined modernity.
Just as mass-market magazines and cheap books have played important roles in the creation of an American identity, those skilled craftsmen (and women) whose careers are the subjects of Ronald Weber’s narrative profoundly influenced the outlook and strategies of the high-culture writers who are generally the focus of literary studies.
Hired Pens, a history of the writing profession in the United States, recognizes the place of independent writers who wrote for their livelihood from the 1830s and 1840s, with the first appearance of a broad-based print culture, to the 1960s.
Many realist authors began on this American Grub Street. Jack London turned out hackwork for any paying market he could find, while Scott Fitzgerald’s stories in slick magazines in the 1920s and early ’30s established his name as a writer.
From Edgar Allen Poe’s earliest forays into writing for pay to Sylvia Plath’s attempts to produce fiction for mass-circulation journals, Hired Pens documents without agenda the evolution of professional writing in all its permutations—travel accounts, sport, popular biography and history, genre and series fiction—and the culture it fed.
Wendy Lesser counters the reigning belief that male artists inevitably misrepresent women. She builds this daring case compellingly through inquiry into many unexpected and delightfully germane subjects—Marilyn Monroe’s walk, for instance, or dwarf manicurist Miss Mowcher in David Copperfield, or the shoulder blades of Degas’s bathers. Placing such particulars within the framework of Plato’s myth of the divided beings and psychoanalytic concepts of narcissism, Lesser sets out before us an art that responds to and even attempts to overcome division.
By following a developmental, rather than historical, sequence, the book uncovers startling correspondences and fresh insights. It begins by considering Dickens, Lawrence, Harold Brodkey, Peter Handke, and John Berger on the subject of mothers; turns to Degas and the Victorian novelist George Gissing to examine the figure of woman alone, and then to Henry James and Alfred Hitchcock for their perspectives on the battle between the sexes; and then looks at the poetry of Randall Jarrell, the fashion photographs of Cecil Beaton, and the range of artworks inspired by Marilyn Monroe to investigate the central idea of woman as the artist's mirror and secret self.
A chapter on Barbara Stanwyck returns us to an essential premise—that art transcends gender boundaries, that the masculine and the feminine coexist within each individual psyche. The refreshingly open-minded approach of His Other Half finds its corollary in Lesser's lucid and accessible style. With great affection for her subject and her audience, Lesser writes in language that is opinionated yet free of cant. Her book avoids—as the best art avoids—prefabricated schemes and ideological presumptions. At once exploratory and definitive, original and erudite, His Other Half is critical inquiry at its finest.
Richly illustrated and concisely organized, this architectural guide provides an invaluable resource for those interested in the study, appreciation, and preservation of the state's architecture.
Robert Gamble outlines in detail the primary architectural currents and styles that have surfaced in Alabama over the years and defined thestate's built landscape. The structures and styles, all well-illustrated,range from folk houses and early settlement buildings to railway terminals,churches, libraries, municipal and university buildings, palatial private mansions, and modest homes. Structures from every period and every major stylistic era--Federal, Greek Revival, Gothic Revival, Italianate, Romanesque and Mission Revival, and the Richardsonian—are documented meticulously, along with examples of early--Modern buildings, including Alabama's only Frank Lloyd Wright structure and skyscrapers from the Chicago school.More than 200 photographs, supplemented by sketches, plans, and etchings, provide the general reader and the design professional with images of Alabama architecture in all its variety and range. Many illustrations offer rare views of buildings long since demolished. A substantial glossary of architectural terms and a thorough bibliography enhance this standard sure to be welcomed anew by any lover of old buildings, whether weekend rambler or serious student.
Historical Perspectives on Contemporary East Asiaaddresses provocative themes concerning the experience of particular nations and of East Asia as a whole. It explores the turbulent process of integrating Asian societies and political systems into a global order dominated by the West over the past two centuries.
The authors show that important changes were already underway before the western advance, which had their own internal logic and staying power. They describe how people in China, Japan, and Korea redefined and defended indigenous "traditions" even as they disagreed over what these traditions were and how to transform them. They make it clear that nationalism was a powerful motivating force in the modern development of these countries, but they stress that a wide variety of nationalisms emerged and collided in the dramatic history of modern Asia.
An exploration of Colombian maps in New Granada.
During the late Spanish colonial period, the Pacific Lowlands, also called the Greater Chocó, was famed for its rich placer deposits. Gold mined here was central to New Granada’s economy yet this Pacific frontier in today’s Colombia was considered the “periphery of the periphery.” Infamous for its fierce, unconquered Indigenous inhabitants and its brutal tropical climate, it was rarely visited by Spanish administrators, engineers, or topographers and seldom appeared in detail on printed maps of the period.
In this lavishly illustrated and meticulously researched volume, Juliet Wiersema uncovers little-known manuscript cartography and makes visible an unexamined corner of the Spanish empire. In concert with thousands of archival documents from Colombia, Spain, and the United States, she reveals how a "periphery" was imagined and projected, largely for political or economic reasons. Along the way, she unearths untold narratives about ephemeral settlements, African adaptation and autonomy, Indigenous strategies of resistance, and tenuous colonialisms on the margins of a beleaguered viceroyalty.
The History of American Homeopathy traces the rise of lay practitioners in shaping homeopathy as a healing system and its relationship to other forms of complementary and alternative medicine in an age when conventional biomedicine remains the dominant form. Representing the most current and up-to-date history of American homeopathy, readers will benefit from John S. Haller Jr.'s comprehensive explanation of complementary medicine within the American social, scientific, religious, and philosophic traditions.
From the colonial era to 1914, America was a debtor nation in international accounts—owing more to foreigners than foreigners owed to us. By 1914 it was the world’s largest debtor nation. Mira Wilkins provides the first complete history of foreign investment in the United States during that period. The book shows why the United States was attractive to foreign investors and traces the changing role of foreign capital in the nation’s development, covering both portfolio and direct investment. The immense new wave of foreign investment in the United States today, and our return to the status of a debtor nation—once again the world’s largest debtor nation—makes this strong exposition far more than just historically interesting.
Wilkins reviews foreign portfolio investments in government securities (federal, state, and local) and in corporate stocks and bonds, as well as foreign direct investments in land and real estate, manufacturing plants, and even such service-sector activities as accounting, insurance, banking, and mortgage lending. She finds that between 1776 and 1875, public-sector securities (principally federal and state securities) drew in the most long-term foreign investment, whereas from 1875 to 1914 the private sector was the main attraction. The construction of the American railroad system called on vast portfolio investments from abroad; there was also sizable direct investment in mining, cattle ranching, the oil industry, the chemical industry, flour production, and breweries, as well as the production of rayon, thread, and even submarines. In addition, there were foreign stakes in making automobile and electrical and nonelectrical machinery. America became the leading industrial country of the world at the very time when it was a debtor nation in world accounts.
Bounded by Sudan to the west and north, Kenya to the south, Somalia to the southeast, and Eritrea and Djibouti to the northeast, Ethiopia is a pivotal country in the geopolitics of the region. Yet it is important to understand this ancient and often splintered country in its own right.
In A History of Modern Ethiopia, Bahru Zewde, one of Ethiopia’s leading historians, provides a compact and comprehensive history of his country, particularly the last two centuries. Of importance to historians, political scientists, journalists, and Africanists alike, Bahru’s A History of Modern Ethiopia, now with additional material taking it up to the last decade, will be the preeminent overview of present-day Ethiopia.
The first comprehensive history of modern poetry in English from the 1890s to the 1920s, this book embraces an era of enormous creative variety—the formative period during which the Romantic traditions of the past were abandoned or transformed and a major new literature created. By the end of the period covered, Eliot’s The Waste Land, Lawrence’s Birds, Beasts and Flowers, Stevens’s Harmonium, and Pound’s Draft of XVI Cantos had been published, and the first post-Eliot generation of poets was beginning to emerge.
More than a hundred poets are treated in this volume, and many more are noticed in passing. David Perkins discusses each poet and type of poetry with keen critical appreciation. He traces opposed and evolving assumptions about poetry, and considers the effects on poetry of its changing audiences, of premises and procedures in literary criticism, of the publishing outlets poets could hope to use, and the interrelations of poetry with developments in the other arts—the novel, painting, film, music—as well as in social, political, and intellectual life. The poetry of the United States and that of the British Isles are seen in interplay rather than separately.
This book is an important contribution to the understanding of modern literature. At the same time, it throws new light on the cultural history of both America and Britain in the twentieth century.
There have been many books on early modernist poetry, not so many on its various sequels, and still fewer on the currents and cross-currents of poetry since World War II. Until now there has been no single comprehensive history of British and American poetry throughout the half century from the mid-1920s to the recent past. This David Perkins is uniquely equipped to provide; only a critic as well informed as he in the whole range of twentieth-century poetry could offer a lucid, coherent, and structured account of so diverse a body of work.
Perkins devotes major discussions to the later careers of the first Modernist poets, such as Eliot, Pound, Stevens, and Williams, and to their immediate followers in the United States, E. E. Cummings, Archibald MacLeish, and Hart Crane; to W. H. Auden, Dylan Thomas, and the period style of the 1930s; to the emergence of the New Criticism and of a poetry reflecting its tenets in William Empson, John Crowe Ransom, Allen Tate, John Berryman, and Robert Lowell, and to the reaction against this style; to postwar Great Britain from Philip Larkin and the “Movement” in the 1950s to Ted Hughes, Charles Tomlinson, and Geoffrey Hill; to the theory and style of “open form” in Charles Olson and Robert Duncan; to Allen Ginsberg and the Beat poetry of the 1960s; to the poetry of women’s experience in Sylvia Plath and Adrienne Rich; to the work of Black poets from Robert Hayden and Gwendolyn Brooks to Amiri Baraka; and to Elizabeth Bishop, W. S. Merwin, A. R. Ammons, John Ashbery, and James Merrill.
Perkins discusses some 160 poets, mentioning many others more briefly, and does not hesitate to explain, to criticize, to admire, to render judgments. He clarifies the complex interrelations of individuals, groups, and movements and the contexts in which the poets worked: not only the predecessors and contemporaries they responded to but the journals that published them, the expectations of the audience, changing premises about poetry, the writings of critics, developments in other arts, and the momentous events of political and social history. Readers seeking guidance through the maze of postwar poetry will find the second half of the book especially illuminating.
Originally published in 1907 and now reprinted for the first time, this is the only account published by a Union guerrilla in the border region of the central Ozarks, where political and civil violence lasted from the Civil War well into the 1880s.
There were probably many people who wanted to shoot Billy Monks. He was a Union patriot and skilled guerrilla fighter to some, but others called him a bushwhacker, a murderer, and a thief. His was a very personal combat: he commanded, rallied, arrested, killed, quarreled with, and sued people he knew. His life provides a striking example of the cliché that the war did not end in 1865, but continued fiercely on several fronts for another decade as partisan factions settled old scores and battled for local political control.
This memoir was Monks’s last salvo at his old foes, by turns self-defense and an uncompromising affirmation of the Radical Union cause in the Ozarks. The editors include a new biographical sketch of the author, fill in gaps in his narrative, identify all the people and places to which he refers, and offer a detailed index. Monks himself illustrated the volume with staged photographs of key events re-created by aged comrades who appear to have been just barely able to hoist the muskets they hold as props.
Henriette Geisberg Bruns was twenty-three when she arrived in 1836 at the isolated Westphalia Settlement in central Missouri with her husband, baby son, two brothers, and a maid. Jette, as she was known to her family and friends, had not come to America by inclination, but from duty. Her husband Bernhard, a physician, had fallen victim to the emigration fever sweeping Germany in the 1830s and was convinced that he could provide a better life for his family in the American Free States where land was plentiful, the soil was fertile, and taxes were low. Born into a large, prosperous, closely knit family, Jette had set out for the New World reluctantly; but once in Missouri, she was determined not to give up and go back home, as a neighboring family did.
Although she maintained her resolve, this collection of letters written to her family in Germany shows that her life in America was often beset by deprivation, disease, and loneliness. Jette had been persuaded to emigrate for the sake of her children’s future; however, of the ten born in central Missouri, five died in childhood, three within three weeks in September and October 1841.Despite the family responsibilities and the hardships she faced in Missouri, Jette maintained a lively interest in American political and social life. For fifteen years in Westphalia and almost fifty in Jefferson City and St. Louis, she observed and offered astute—if sometimes acerbic—commentary on the historic as well as the daily events of nineteenth-century life. Left destitute by the death of her husband, who had served as mayor of Jefferson City during the Civil War, she opened a boarding-house in her home across from the state capitol to support her own children and those of her brother. There the German radicals in state government gathered to argue and debate.This rare collection of personal family letters, combined with an autobiographical sketch Jette wrote after the Civil War, illuminates the experience of one immigrant woman in a land that was always foreign to her.
In Home Economics: Domestic Fraud in Victorian England, Rebecca Stern establishes fraud as a basic component of the Victorian popular imagination, key to its intimate, as well as corporate, systems of exchange. Although Victorian England is famous for revering the domestic realm as a sphere separate from the market and its concerns, actual households were hardly isolated havens of fiscal safety and innocence. Rather, the Victorian home was inevitably a marketplace, a site of purchase, exchange, and employment in which men and women hired or worked as servants, contracted marriages, managed children, and obtained furniture, clothing, food, and labor. Alongside the multiplication of joint-stock corporations and the rise of a credit-based economy, which dramatically increased fraud in the Victorian money market, the threat of swindling affected both actual household commerce and popular conceptions of ostensibly private, more emotive forms of exchange. Working with diverse primary material, including literature, legal cases, newspaper columns, illustrations, ballads, and pamphlets, Stern argues that the climate of fraud permeated Victorian popular ideologies about social transactions. Beyond providing a history of cases and categories of domestic deceit, Home Economics illustrates the diverse means by which Victorian culture engaged with, refuted, celebrated, represented, and consumed swindling in familial and other household relationships.
In this series of interlocking essays, which had their start as lectures inspired by the presidency of Barack Obama, Robert Burns Stepto sets canonical works of African American literature in conversation with Obama’s Dreams from My Father. The elegant readings that result shed surprising light on unexamined angles of works ranging from Frederick Douglass’s Narrative to W. E. B. Du Bois’s Souls of Black Folk to Toni Morrison’s Song of Solomon.
Stepto draws our attention to the concerns that recur in the books he takes up: how protagonists raise themselves, often without one or both parents; how black boys invent black manhood, often with no models before them; how protagonists seek and find a home elsewhere; and how they create personalities that can deal with the pain of abandonment. These are age-old themes in African American literature that, Stepto shows, gain a special poignancy and importance because our president has lived through these situations and circumstances and has written about them in a way that refreshes our understanding of the whole of African American literature.
Stepto amplifies these themes in four additional essays, which investigate Douglass’s correspondence with Harriet Beecher Stowe; Willard Savoy’s novel Alien Land and its interracial protagonist; the writer’s understanding of the reader in African American literature; and Stepto’s account of his own schoolhouse lessons, with their echoes of Douglass’ and Obama’s experiences.
When he settled in Mexican Texas in 1832 and began courting Anna Raguet, Sam Houston had been separated from his Tennessee wife Eliza Allen for three years, while having already married and divorced his Cherokee wife Tiana and at least two other Indian "wives" during the interval. Houston's political enemies derided these marital irregularities, but in fact Houston's legal and extralegal marriages hardly set him apart from many other Texas men at a time when illicit and unstable unions were common in the yet-to-be-formed Lone Star State.
In this book, Mark Carroll draws on legal and social history to trace the evolution of sexual, family, and racial-caste relations in the most turbulent polity on the southern frontier during the antebellum period (1823-1860). He finds that the marriages of settlers in Texas were typically born of economic necessity and that, with few white women available, Anglo men frequently partnered with Native American, Tejano, and black women. While identifying a multicultural array of gender roles that combined with law and frontier disorder to destabilize the marriages of homesteaders, he also reveals how harsh living conditions, land policies, and property rules prompted settling spouses to cooperate for survival and mutual economic gain. Of equal importance, he reveals how evolving Texas law reinforced the substantial autonomy of Anglo women and provided them material rewards, even as it ensured that cross-racial sexual relationships and their reproductive consequences comported with slavery and a regime that dispossessed and subordinated free blacks, Native Americans, and Tejanos.
The classic history of this emblematic moment in U.S. immigration.
In the late nineteenth century, thirty thousand Mormons from Norway, Sweden, Denmark, and Finland immigrated to Utah, dissatisfied with conditions in their homelands. As their countrymen were farming rich fields in other parts of the United States, Scandinavian Mormons were making their way to Salt Lake City. Homeward to Zion tracks this movement from northern Europe to the western desert, examining the Mormon recruiting efforts in Scandinavia as well as the arduous journey across the Great Plains. Mulder draws extensively from personal narratives of these immigrants to relate their pioneering experience and their role in the history of Scandinavian migration and of the settlement of the American West.
Few battles in world history provide a cleaner dividing line than Waterloo: before, there was Napoleon; after, there was the Pax Britannica. While Waterloo marked France’s defeat and Britain’s ascendance as an imperial power, the war was far from over for many soldiers and sailors, who were forced to contend with the lasting effects of battlefield trauma, the realities of an impossibly tight labor market, and growing social unrest. The Horrible Peace details a story of distress and discontent, of victory complicated by volcanism, and of the challenges facing Britain at the beginning of its victorious century.
Examining the process of demobilization and its consequences for British society, Evan Wilson draws on archival research and veterans’ memoirs to tell the story of this period through the experiences of veterans who struggled to reintegrate and soldiers and sailors who remained in service as Britain attempted to defend and expand the empire. Veterans were indeed central to Britain’s experience of peace, as they took to the streets to protest the government’s indifference to widespread unemployment and misery. The fighting did not stop at Waterloo.
During the later half of the nineteenth century, a majority of Brazilian women worked, most as domestic servants, either slave or free. House and Street re-creates the working and personal lives of these women, drawing on a wealth of documentation from archival, court, and church records.
Lauderdale Graham traces the intricate and ambivalent relations that existed between masters and servants. She shows how for servants the house could be a place of protection—as well as oppression—while the street could be dangerous—but also more autonomous. She integrates her discoveries with larger events taking place in Rio de Janeiro during the period, including the epidemics of the 1850s, the abolition of slavery, the demolition of slums, and major improvements in sanitation during the first decade of the 1900s.
Inspired by their Progressive Era faith in social science solutions to society’s problems, the residents of Hull-House collaborated on this work of sociology based on their experiences as residents of Chicago’s Near West Side. The contributors to this book believed that an enlightened citizenry could be mobilized for reform, and that by publishing maps with explicit information about the wages and conditions of the working poor in Chicago’s Nineteenth Ward they would educate the public and inspire reforms.
In addition to Jane Addams’s own prefatory note and paper on the role of social settlements in the labor movement, contributors provided detailed, real-world analyses of the Chicago Jewish ghetto, garment workers and the sweatshops, child labor, immigrant neighborhoods in the vicinity of Hull-House, and local charities. This edition also contains eight color reproductions of the original Hull-House neighborhood maps. The year 2006 marks the one hundred and eleventh anniversary of the publication of Hull-House Maps and Papers, and the volume remains a dramatic statement about the residents’ shared values as well as a major influence on subsequent social surveys.
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