World War II brought an end to many aspects of American college life, and the exciting years that followed were marked by activity and growth, and sometimes by dissension and disorder. Nevertheless, this postwar quarter century can be considered, according to one of those deeply involved, “the most creative period in the history of higher education in the United States.”

Nathan M. Pusey is well qualified to speak of this period since, as President of Lawrence College from 1944 to 1953 and of Harvard University from 1953 to 1971, he participated in many of the decisions that transformed American universities. In this book he deals with such crucial changes in university education as its increasing availability to a far greater percentage of an enlarged population; the broadening of undergraduate curricula; and the burgeoning of graduate degree programs and research activity. He also shows how universities supplanted colleges as trendsetting institutions and how as the United States had to assume increased international responsibilities, some of them became the world's strongest agents for intellectual advance. Throughout, his book is enriched and enlivened by his own participation and belief in the institutions he describes.

The twenty-five years after the Second World War were a lively and fertile period for the American novel and an era of momentous transformation in American society. Taking his title from the Kafka parable about the leopards who kept racing into the courtyard of the temple, disrupting the sacrifice, until they were made part of the ritual, Morris Dickstein shows how a daring band of outsiders reshaped the American novel and went on to dominate American fiction for the rest of the century.

In fluid prose, offering a social as well as a literary history, Dickstein provides a wide-ranging and frank reassessment of more than twenty key figures—including Jewish writers like Norman Mailer, Saul Bellow, and Philip Roth; African-Americans such as Ralph Ellison and James Baldwin; colorful emigrés like Vladimir Nabokov; and avatars of a new youth culture, including J. D. Salinger and Jack Kerouac.

Disputing the received wisdom about the culture of the Cold War, Dickstein shows why artists turned inward after the war and demonstrates how the writing of the 1960s emerged from the cultural ferment of the preceding decades, including road novels, avant-garde painting, bebop, film, psychoanalysis, and social changes that continue to affect us today.