A SCHOLARLY BOOK REPOSITORY
In this volume, some of the dominant scholars in the field chronicle and analyze Native American activism of the 1960s and 1970s. Much of what is included here began as a special issue of the American Indian Culture and Research Journal; the introduction has been extensively modified and one chapter deleted. Importantly, the new first chapter provides extended background and historical analysis of the Alcatraz takeover and discusses its place in contemporary Indian activism.
Contributors include: Karren Baird-Olson, LaNada Boyer, Edward D. Castillo, Duane Champagne, Ward Churchill, Vine Deloria, Jr., Tim Findley, Jack D. Forbes, Adam (Nordwall) Fortunate Eagle, Lenny Foster, John Garvey, George P. Horse Capture, Troy Johnson, Luis S. Kemnitzer, Woody Kipp, Joane Nagel, Robert A. Rundstrom, Steve Talbot
Bill Giles oversaw one of the greatest eras of winning that the Philadelphia Phillies ever enjoyed. In Bill Giles and Baseball, John Lord chronicles Giles' remarkable career--which includes 44 years with the Phillies--to provide an insider's view of the business of the sport, which takes place off the field.
Based on extensive interviews, Bill Giles and Baseball spans Giles' life from his childhood growing up in the game to the tumultuous years he spent as the president and managing partner of the Phillies. Purchasing the team in 1981, when baseball experienced its first serious labor stoppages, Giles also watched baseball add franchises, grapple with franchise fees, realign the leagues, and restructure baseball's postseason. Yet Giles, the public face of the Phillies championship teams of 1980, 1983, and 1993, is best remembered for his critical role in creating innovative TV deals, and leading the efforts to build the Phillies' beautiful new ballpark.
A book about the business of baseball as seen through the eyes of one of the architects of the game, Bill Giles and Baseball captures the spectacle of the sport through fascinating behind-the-scenes stories of our national pastime.
Earning a PhD in Chemistry in 1958, Dr. Schaefer’s career skyrocketed through the ranks of academia moving from junior faculty to university president in a mere decade. As President, he led the University of Arizona through a transformational period of growth and is credited with securing the university’s status as a top-tier research institution.
A Chance to Make a Difference recounts poignant, eye-opening, and often humorous stories from childhood to presidency, revealing the characteristics of an inspiring university leader.
Now, after fifty years as a renowned cultural historian, Franklin offers a set of hard-learned lessons about modern American history. Crash Course is essential reading for anyone who wonders how America ended up where it is today: with a deeply divided and disillusioned populace, led by a dysfunctional government, and mired in unwinnable wars. It also finds startling parallels between America’s foreign military exploits and the equally brutal tactics used on the home front to crush organized labor, antiwar, and civil rights movements.
More than just a memoir or a history book, Crash Course gives readers a unique firsthand look at the building of the American empire and the damage it has wrought. Shocking and gripping as any thriller, it exposes the endless deception of the American public, and reveals from inside how and why many millions of Americans have been struggling for decades against our own government in a fight for peace and justice.
“Do your chores without complaining. Show up on time. Do every job well. Always try to do better. Never stop learning. Next year will be better. Care for others, especially those who have less than you. Accept those who are different from you. Love the land.”
In this paperback edition of a beloved Jerry Apps classic, the rural historian captures the heart and soul of life in rural America. Inspired by his mother’s farm account books—in which she meticulously recorded every farm purchase—Jerry chronicles life on a small farm during and after World War II. Featuring a new introduction exclusive to this 2nd edition, Every Farm Tells a Story reminds us that, while our family farms are shrinking in number, the values learned there remain deeply woven in our cultural heritage.
Essayist Catharine Savage Brosman explores the relationship of human beings to their environment, traveling from American deserts to dense European urban settings. Whether sipping wine in a Parisian café, partying with the jet set in Aspen, or contemplating the arid desert West that she loves, Brosman inhabits these settings, and many others, with a sense of adventure and discovery. To read these essays is to enjoy the company of a lively, thoughtful, original mind. Brosman’s "higher ground" is that place we all seek, where we can find and express our own best selves.
Stefanelli was trained to be a scavenger by his uncles in the 1940s and 50s at a time when rampant discrimination prevented Italian immigrants and their families from pursuing any other career. From there, he became a ‘boss scavenger’, married a garbage man’s daughter, and climbed the ranks of the Sunset Scavenger Company where he eventually took part in a corporate shakeup that made him the company’s president at only 31 years old. As one of the men at the helm of this booming industry, he became the chief advocate for increasingly innovative recycling and waste management practices in the Bay Area, and a foremost leader of environmentally-conscious business in the world.
Stefanelli’s lively memoir will enlighten readers to the waste management business, an industry that was once considered the lowest rung on the social ladder, but will also show his unparalleled capacity for transformation and vision.
After the siege ended at Wounded Knee, the real battle had yet to be fought. The 1973 standoff in South Dakota between Oglala Lakota Indians and federal lawmen led to the criminal prosecution of American Indian Movement leaders Dennis Banks and Russell Means. The ten-month trial had all the earmarks of a political tribunal; with the defense led by William Kunstler and the prosecution backed by the Nixon administration, it became a media battle for public opinion.
This first book-length study of the Wounded Knee trials demonstrates the impact that legal institutions and the media have on political dissent. It also shows how the dissenters as defendants can influence these institutions and the surrounding political and cultural climate. AIM and its attorneys successfully turned the courtroom into a political forum on the history of U.S.-Indian relations but were often frustrated in telling their story by the need to observe legal procedures--and by the media's stereotyping them as Indian warriors or sixties militants. John Sayer draws on court records, news reports, and interviews with participants to show how the defense, and ultimately the prosecution, had to respond continually to legal constraints, media coverage, and political events taking place outside the courtroom.
Although Banks and Means and most of the other protesters were acquitted, Sayer notes that the confinement of AIM protests to the courtroom robbed the movement of considerable momentum. Ghost Dancing the Law shows how legal proceedings can effectively quell dissent and represents both a critical chapter in the struggle of Native Americans and an important milestone at the crossroads of law and politics.
Beatrice Ojakangas, the oldest of ten children, came by it naturally—the cooking but also the pluck and perseverance that she's served up with her renowned Scandinavian dishes over the years. In the wake of the Moose Lake fires and famine of 1918, Ojakangas tells us in this delightful memoir-cum-cookbook, her grandfather sent for a Finnish mail-order bride—and got one who’d trained as a chef.
Ojakangas’s stories, are, unsurprisingly, steeped in food lore: tales of cardamom and rye, baking salt cake at the age of five on a wood-burning stove, growing up on venison, making egg rolls for Chun King, and sending off a Pillsbury Bake Off–winning recipe without ever making it. And from here, how those early roots flourished through hard work and dedication to a successful (but never easy) career in food writing and a much wider world, from working for pizza roll king Jeno Paulucci to researching food traditions in Finland and appearing with Julia Child and Martha Stewart—all without ever leaving behind the lessons learned on the farm. As she says, “first you have to start with good ingredients and a good idea.”
Chock-full of recipes, anecdotes, and a kind humor that bring to vivid life the Finnish culture of northern Minnesota as well as the wider culinary world, Homemade delivers the savory and the sweet in equal measures and casts a warm light on a rich slice of the country’s cooking heritage.
The Black Arts Movement (1965–76) consisted of artists across the United States deeply concerned with the relationship between politics and the black aesthetic. In Search of Our Warrior Mothers examines the ways in which black women playwrights in the movement advanced feminist and womanist perspectives from within black nationalist discourses. La Donna L. Forsgren recuperates the careers, artistic theories, and dramatic contributions of four leading playwrights: Martie Evans-Charles, J.e. Franklin, Sonia Sanchez, and Barbara Ann Teer. Using original interviews, production recordings, playbills, and unpublished manuscripts, she investigates how these women, despite operating within a context that equated the collective well-being of black people with black male agency, created works that validated black women's aspirations for autonomy and explored women's roles in the struggle for black liberation.
In Search of Our Warrior Mothers demonstrates the powerful contributions of women to the creation, interpretation, and dissemination of black aesthetic theory, thus opening an interdisciplinary conversation at the intersections of theater, performance, feminist, and African American studies and identifying and critiquing the gaps and silences within these fields.
In an age when many of the major environmental policies established over the past four decades are under siege, Michael McCloskey reminds us of better days. . .days when conservation initiatives were seen not as political lightning rods, but as opportunities to cope with disturbing threats to the quality of our environment.
In 1961, a young let's-get-it-done McCloskey was hired as the Sierra Club's first field representative for the Northwest. From there, for nearly forty years, he rose to guide the oldest and most powerful environmental organization in the world. He helped to pave the way for the original Wilderness Act in 1964, and as the club's conservation director worked to see it implemented. He successfully lobbied for the creation of new national parks and wilderness areas, the North Cascades and Redwood National Park among them. As executive director, he was present at the creation of Earthday in 1970, directed lobbying for the enactment of over one hundred environmental laws, and watched Sierra Club membership rise from about 70,000 to more than 500,000. In the nineties, he led the Sierra Club in mounting fights against attempts to undercut EPA regulations and against trade agreements that curtailed environmental programs.
His tenure was no walk in the park or smooth glide across a placid mountain lake. The large and very public Sierra Club was fraught with brush fires, seismic tremors, and pitched battles, both within and without. He survived the ouster of his mentor, the charismatic but controversial David Brower, succeeding him as the second executive director in the club's history, and put the Sierra Club back on firm financial footing. Under less than ideal political circumstances, McCloskey helped to keep the environmental agenda moving steadily forward, even in the face of Ronald Reagan's virulently pro-development Interior Secretary James Watt (whom he was instrumental in expelling from office).
In the Thick of It describes not only McCloskey's life as an environmental activist; it reveals the inner workings and politics of one of the nation's most influential environmental nonprofit organizations during an era of ground-breaking environmental legislation. In addition to sharing the details of battles exhilaratingly won and disappointingly lost on the environmental front, he demonstrates how it is indeed possible to turn idealism and hope into practical action that can make an impact at the national level. With this book McCloskey offers not only invaluable insight into the past, but also inspiration to carry into the future.
A Farm Boy’s Polio Memoir
Jerry Apps
“Families throughout the United States lived in fear of polio throughout the late 1940s and early 1950s, and now the disease had come to our farm. I can still remember that short winter day and the chilly night when I first showed symptoms. My life would never be the same.”
—from the Introduction
Polio was epidemic in the United States starting in 1916. By the 1930s, quarantines and school closings were becoming common, as isolation was one of the only ways to fight the disease. The Sauk vaccine was not available until 1955; in that year, Wisconsin’s Fox River valley had more polio cases per capita than anywhere in the United States. In his most personal book, Jerry Apps, who contracted polio at age twelve, reveals how the disease affected him physically and emotionally, profoundly influencing his education, military service, and family life and setting him on the path to becoming a professional writer.
A hardworking farm kid who loved playing softball, young Jerry Apps would have to make many adjustments and meet many challenges after that winter night he was stricken with a debilitating, sometimes fatal illness. In Limping through Life he explores the ways his world changed after polio and pays tribute to those family members, teachers, and friends who helped him along the way.
The seventeen essays gathered in this volume take the measure of Vizenor’s achievement. Among the contributors are leading Native American writers Louis Owens, Arnold Krupat, Elaine A. Jahner, and Barry O’Connell.
From his first experiences going fishing with his pa as a boy, Jerry Apps was hooked. Eighty-some years later, Apps reflects on a lifetime of fishing and the memories and lessons hauled in along the way. As he recounts the simple pleasures of casting a line from shore on a warm summer evening or reeling in a lunker on opening day of trout season, he reminds us of the values fishing can teach people of all ages: persistence, resourcefulness, and the importance of caring for our natural world.
Along with his best-loved fish tales, Apps includes fishing photos from the family album and favorite angling locales, lingo, bait, and gear. He draws on interviews with fellow fishermen and -women, his own journal entries recorded over decades, and his popular newspaper column Outdoor Notebook. And, since it’s a tradition among fishing folks to pass along tales told by others, he shares stories that have come his way from extended family and friends—some of them funny, some poignant, many embellished, and all of them keepers. Humorous pen-and-ink illustrations made by artist Sid Boyum to commemorate the annual fishing season opener add charm to this delightful volume.
In Lunkers, Keepers, and Ones that Got Away, Apps captures the exciting, heartwarming, and nostalgia-inducing experiences that fishing brings to avid and casual anglers alike.
Garry Wills is the polymathic public intellectual bemoaned as missing from American letters. A professor emeritus at Northwestern University, he has built upon his early studies in classics and patristics, while bringing his considerable intellect to bear on American culture, politics, and religion, notably through provocative articles and books on wars, past and present presidents, and the Catholic Church Wills has distinguished himself in the crowded field of Civil War history; fearlessly taken on the legacies of Richard Nixon and Ronald Reagan, among other presidents; and offered a critical voice in many fraught ethical discussions, especially in the areas of war and peace.
Nation and World, Church and God gathers original critical reflections by leading writers and scholars on Garry Wills’s life work. Organized around the themes of “Classics,” “Civil War,” “War and Peace,” and “Theology, Church, and the Arts,” the book reflects the cultural acumen, fine-grained political analysis, ethical candor, and theological wisdom of one of America’s most prolific writers.
In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject.
In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts.
McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
An American reporter of Russian heritage assigned to Soviet-era Moscow might seem to have an edge on his colleagues, but when he’s falsely accused of spying, any advantage quickly evaporates. . . . .
As a young UPI correspondent in Moscow during the early 1960s, Nicholas Daniloff hoped to jump-start his career in his father’s homeland, but he soon learned that the Cold War had its own rules of engagement. In this riveting memoir, he describes the reality of journalism behind the Iron Curtain: how Western reporters banded together to thwart Soviet propagandists, how their “official sources” were almost always controlled by the KGB—and how those sources would sometimes try to turn newsmen into collaborators.
Leaving Moscow for Washington in 1965, Daniloff honed his skills at the State Department, then returned to Moscow in 1981 to find a more open society. But when the FBI nabbed a Soviet agent in 1986, Daniloff was arrested in retaliation and thrown into prison as a spy—an incident that threatened to undo the Reykjavik summit until top aides to Reagan and Gorbachev worked out a solution.
In addition to recounting a career in the thick of international intrigue, Of Spies and Spokesmen is brimming with inside information about historic events. Daniloff tells how the news media played a crucial role in resolving the Cuban Missile Crisis, recalls the emotional impact of the JFK assassination on Soviet leadership, and describes the behind-the-scenes struggles that catapulted Mikhail Gorbachev to power. He even shares facts not told to the public: how the SAC would warn Moscow that its submarines were too close to American shores, why the Soviets shot down the KAL airliner without visual identification, and how American reporters in Moscow sometimes did dangerous favors for our government that could easily have been mistaken for espionage.
Daniloff sheds light not only on prominent figures such as Nikita Khrushchev and Henry Kissinger but also on suspected spies Frederick Barghoorn, John Downey, and ABC correspondent Sam Jaffe—unfairly branded a Soviet agent by the FBI. In addition, he assesses the performance of Henry Shapiro, dean of American journalists in Moscow, whose forty years in the adversary’s capital often provoke questions about his role and reputation.
In describing how the Western press functioned in the old Soviet Union—and how it still functions in Washington today—Daniloff shows that the Soviet Russia he came to know was far more complex than the “evil empire” painted by Ronald Reagan: a web of propaganda and manipulation, to be sure, but also a place of hospitality and friendship. And with Russia still finding its way toward a new social and political order, he reminds us that seventy years of Communist rule left a deep impression on its national psyche. As readable as it is eye-opening, Of Spies and Spokesmenprovides a new look at that country’s heritage—and at the practice of journalism in times of crisis.
In July 1964, after a decade of intense media focus on civil rights protest in the Jim Crow South, a riot in Harlem abruptly shifted attention to the urban crisis embroiling America's northern cities. On the Corner revisits the volatile moment when African American intellectuals were thrust into the spotlight as indigenous interpreters of black urban life to white America, and examines how three figures--Kenneth B. Clark, Amiri Baraka, and Romare Bearden--wrestled with the opportunities and dilemmas their heightened public statures entailed. Daniel Matlin locates in the 1960s a new dynamic that has continued to shape African American intellectual practice to the present day, as black urban communities became the chief objects of black intellectuals' perceived social obligations.
Black scholars and artists offered sharply contrasting representations of black urban life and vied to establish their authority as indigenous interpreters. As a psychologist, Clark placed his faith in the ability of the social sciences to diagnose the damage caused by racism and poverty. Baraka sought to channel black fury and violence into essays, poems, and plays. Meanwhile, Bearden wished his collages to contest portrayals of black urban life as dominated by misery, anger, and dysfunction.
In time, each of these figures concluded that their role as interpreters for white America placed dangerous constraints on black intellectual practice. The condition of entry into the public sphere for African American intellectuals in the post-civil rights era has been confinement to what Clark called "the topic that is reserved for blacks."
“I never wanted to be a professor,” writes Jerry Apps in the introduction to Once a Professor. Yet a series of unexpected events and unplanned experiences put him on an unlikely path—and led to a thirty-eight-year career at the University of Wisconsin.
In this continuation of the Apps life story begun in his childhood memoir Limping through Life, Wisconsin’s celebrated rural storyteller shares stories from his years at the University of Wisconsin–Madison from 1957 to 1995, when he left the university to lecture and write fulltime. During those years Apps experienced the turmoil of protests and riots at the UW in the 1960s, the struggles of the tenure process and faculty governance, and the ever-present pressure to secure funding for academic research and programs.
Through it all, the award-winning writer honed a personal philosophy of education—one that values critical thinking, nontraditional teaching approaches, and hands-on experiences outside of the classroom. Colorful characters, personal photos, and journal entries from the era enrich this account of an unexpected campus career.
Hideko was ten years old when the atomic bomb devastated her home in Hiroshima. In this eloquent and moving narrative, Hideko recalls her life before the bomb, the explosion itself, and the influence of that trauma upon her subsequent life in Japan and the United States. Her years in America have given her unusual insights into the relationship between Japanese and American cultures and the impact of Hiroshima on our lives.
This new edition includes two expanded chapters and revisions throughout. A new epilogue brings the story up to date. This poignant story of courage and resilience remains deeply relevant today, offering a profoundly personal testament against the ongoing threat of nuclear warfare.
Kehoe argues that, due to anti-Semitism in 1930s America, Cohen could not speak for his legislation before Congress, and that Collier, an upper-class WASP, became the spokesman as well as the administrator. According to the author, historians of the Indian New Deal have not given due weight to Cohen’s work, nor have they recognized its foundation in his liberal secular Jewish culture. Both Felix and Lucy Cohen shared a belief in the moral duty of mitzvah, creating a commitment to the “true and the just” that was rooted in their Jewish intellectual and moral heritage, and their Social Democrat principles.
A Passion for the True and Just takes a fresh look at the Indian New Deal and the radical reversal of US Indian policies it caused, moving from ethnocide to retention of Indian homelands. Shifting attention to the Jewish tradition of moral obligation that served as a foundation for Felix and Lucy Kramer Cohen (and her professor Franz Boas), the book discusses Cohen’s landmark contributions to the principle of sovereignty that so significantly influenced American legal philosophy.
“As I think back to the days of my childhood, the frost-covered windows in my bedroom, the frigid walks to the country school, the excitement of a blizzard, and a hundred other memories, I realize that these experiences left an indelible mark on me and made me who I am today.”—From the Introduction
Jerry Apps recalls winters growing up on a farm in central Wisconsin during the latter years of the Depression and through World War II. Before electricity came to this part of Waushara County, farmers milked cows by hand with the light of a kerosene lantern, woodstoves heated the drafty farm homes, and “making wood” was a major part of every winter’s work. The children in Jerry’s rural community walked to a country school that was heated with a woodstove and had no indoor plumbing. Wisconsin winters then were a time of reflection, of planning for next year, and of families drawing together. Jerry describes how winter influenced farm families and suggests that those of us who grow up with harsh northern winters are profoundly affected in ways we often are not aware.
Raúl R. Salinas is regarded as one of today's most important Chicano poets and human rights activists, but his passage to this place of distinction took him through four of the most brutal prisons in the country. His singular journey from individual alienation to rage to political resistance reflected the social movements occurring inside and outside of prison, making his story both personal and universal.
This groundbreaking collection of Salinas' journalism and personal correspondence from his years of incarceration and following his release provides a unique perspective into his spiritual, intellectual, and political metamorphosis. The book also offers an insider's view of the prison rebellion movement and its relation to the civil rights and anti-war movements of the 1960s and 1970s. The numerous letters between Salinas and his family, friends, and potential allies illustrate his burgeoning political awareness of the cause and conditions of his and his comrades' incarceration and their link to the larger political and historical web of social relations between dominant and subaltern groups. These collected pieces, as well as two interviews with Salinas—one conducted upon his release from prison in 1972, the second more than two decades later—reveal to readers the transformation of Salinas from a street hipster to a man seeking to be a part of something larger than himself. Louis Mendoza has painstakingly compiled a body of work that is autobiographical, politically insurgent, and representative.
Klopotek describes the varied effects of the recognition process on the social and political structures, community cohesion, cultural revitalization projects, identity, and economic health of each tribe. He emphasizes that recognition policy is not the only racial project affecting Louisiana tribes. For the Tunica-Biloxis, the Jena Band of Choctaws, and the Clifton-Choctaws, discourses around blackness and whiteness have shaped the boundaries of Indian identity in ways that have only begun to be explored. Klopotek urges scholars and officials from the Bureau of Indian Affairs (BIA) to acknowledge the multiple discourses and viewpoints influencing tribal identities. At the same time, he puts tribal recognition in broader perspective. Indigenous struggles began long before the BIA existed, and they will continue long after it renders any particular recognition decision.
While engaging a wide spectrum of Native American writing, Teuton focuses on three of the most canonized and, he contends, most misread novels of the era—N. Scott Momaday’s House Made of Dawn (1968), James Welch’s Winter in the Blood (1974), and Leslie Marmon Silko’s Ceremony (1977). Through his readings, he demonstrates the utility of tribal realism as an interpretive framework to explain social transformations in Indian Country during the Red Power era and today. Such transformations, Teuton maintains, were forged through a process of political awakening that grew from Indians’ rethought experience with tribal lands and oral traditions, the body and imprisonment, in literature and in life.
Over the twentieth century, American Indians fought for their right to be both American and Indian. In an illuminating book, Paul C. Rosier traces how Indians defined democracy, citizenship, and patriotism in both domestic and international contexts.
Battles over the place of Indians in the fabric of American life took place on reservations, in wartime service, in cold war rhetoric, and in the courtroom. The Society of American Indians, founded in 1911, asserted that America needed Indian cultural and spiritual values. In World War II, Indians fought for their ancestral homelands and for the United States. The domestic struggle of Indian nations to defend their cultures intersected with the international cold war stand against termination—the attempt by the federal government to end the reservation system. Native Americans seized on the ideals of freedom and self-determination to convince the government to preserve reservations as places of cultural strength. Red Power activists in the 1960s and 1970s drew on Third World independence movements to assert an ethnic nationalism that erupted in a series of protests—in Iroquois country, in the Pacific Northwest, during the occupation of Alcatraz Island, and at Wounded Knee.
Believing in an empire of liberty for all, Native Americans pressed the United States to honor its obligations at home and abroad. Like African Americans, twentieth-century Native Americans served as a visible symbol of an America searching for rights and justice. American history is incomplete without their story.
Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin’s individual works form a series of calls and responses with each other.
Muyumba connects their writings on jazz to the philosophical tradition of pragmatism, particularly its support for more freedom for individuals and more democratic societies. He examines the way they responded to and elaborated on that lineage, showing how they significantly broadened it by addressing the African American experience, especially its aesthetics. Ultimately, Muyumba contends, the trio enacted pragmatist principles by effectively communicating the social and political benefits of African Americans fully entering society, thereby compelling America to move closer to its democratic ideals.
June 12, 1952—only a local sportswriter showed up at the Eau Claire airport to greet a newly signed eighteen-year-old shortstop from Alabama toting a cardboard suitcase. "I was scared as hell," said Henry Aaron, recalling his arrival as the new recruit on the city’s Class C minor league baseball team.
Forty-two years later, as Aaron approached the stadium where the Eau Claire Bears once played, an estimated five thousand people surrounded a newly raised bronze statue of a young "Hank" Aaron at bat. "I had goosebumps," he said later. "A lot of things happened to me in my twenty-three years as a ballplayer, but nothing touched me more than that day in Eau Claire." For the people of Eau Claire, Aaron’s summer two years before his Major League debut with the Milwaukee Braves symbolizes a magical time, when baseball fans in a small city in northern Wisconsin could live a part of the dream.
Izrael Zachariah Deutsch was born on March 15, 1934, in Komjata, Czechoslovakia. The second youngest child, Izrael lived a bucolic existence with nine brothers and sisters on a farm, differing from them only in that he was deaf. When he was six, his mother took him to Budapest, Hungary, and enrolled him in a Jewish school for deaf children, where he thrived. Soon, however, the Nazi regime in Germany and the Arrow Cross fascists in Hungary destroyed Izrael’s world forever.
Izrael realized that by being both Jewish and deaf, he faced a double threat of being exported to the gas chambers in Poland. But at every lethal junction, he found a way to survive, first by buying and reselling pastries for extra money that later saved his life in the Budapest ghetto. Still, Izrael was close to death from starvation when he was liberated by Russian soldiers on January 18, 1945.
Izrael survived the war only to learn that his parents and two brothers had been murdered by the Nazis. The rest of his brothers and sisters scattered to distant parts of the world. Forced to remain in Budapest, Izrael finished school and became an accomplished machinist. He avoided any part in the Hungarian uprising in 1956 so that he could secure a visa to leave for Sweden. From Sweden he traveled throughout Europe and Israel, using an amazing network of Holocaust survivors, relatives, and deaf friends to ease his journey. He finally settled in Los Angeles, where he married a deaf Jewish woman he had met years before. Along the way, he changed his name from Izrael Deutsch to Harry Dunai.
Taking It to the Streets compares the performance methodologies, theories, and practices of the two groups, highlighting their cross-cultural commonalties, and providing insights into the complex genre of social protest performance and its interchange with its audience. It examines the ways in which ritual can be seen to operate within the productions of El Teatro and the BRT, uniting audience and performers in subversive, celebratory protest by transforming spectators into active participants within the theater walls --and into revolutionary activists outside. During this critical historical period, these performances not only encouraged community empowerment, but they inculcated a spirit of collective faith and revolutionary optimism. Elam's critical reexamination and recontextualization of the ideologies and practices of El Teatro and the BRT aid in our understanding of contemporary manipulations of identity politics, as well as current strategies for racial representation and cultural resistance.
"A major contribution to our understanding of how social protest came to be so strong and how Black and Chicano theatre contributed to the synergy of those times." --Janelle Reinelt, University of California, Davis
Harry J. Elam, Jr., is Associate Professor of Drama and Director of the Committee on Black Performing Arts, Stanford University.
In this fresh approach to Wendell Berry's entire literary canon, Janet Goodrich argues that Berry writes primarily as an autobiographer and as such belongs to the tradition of autobiography. Goodrich maintains that whether Berry is writing poetry, fiction, or prose, he is imagining and re- imagining his own life from multiple perspectives—temporal as well as imaginative.
Through the different vocations that compose his being, Berry imaginatively shapes his experience into literary artifice. Goodrich identifies five of these vocations—the autobiographer, the poet, the farmer, the prophet, and the neighbor—and traces them in the body of Berry's work where they are consistently identifiable in the authorial voice and obvious to the imagination in fictive characterizations. Berry's writings express these "personae" as they develop, and it is this complexity of perspective that helps to make Berry vital to such a range of readers as he writes and rewrites his experience.
Goodrich's book is organized thematically into five chapters, each examining one of Berry's imaginative voices. Within each chapter, she has proceeded chronologically through Berry's work in order to trace the development in each point of view. By acknowledging the relationships between these different themes and patterns of language in the texts, Goodrich avoids reducing Berry as she helps the reader appreciate the richness with which he writes his life into art.
Whereas others have categorized Berry according to just one of his many facets, The Unforeseen Self in the Works of Wendell Berry takes account of his work in all its complexity, providing a coherent critical context and method of study. Reconciling the sometimes contradictory labels pinned on Berry, this vital study of his poems, stories, and essays from 1957 to 2000 offers an enriching and much needed new perspective for Berry's growing, diverse readership.
Informed in general by current thinking in environmental theory and specifically by the work of cultural geographer Yi-Fu Tuan, The West Side of Any Mountain participates in and furthers this scholarly attention by offering an overarching theoretical framework with which to approach the field.
One area that contemporary theorists have found problematic is the dualistic civilization/wilderness binary that focuses on the divisions between culture and nature, thereby increasing the modern sense of alienation. Tuan’s place-space framework offers a succinct vocabulary for describing the attitudes of ecological poets and other nature writers in a way that avoids setting up an adversarial relationship between place and space. Scott Bryson describes the Tuanian framework and employs it to offer fresh readings of the work of four major ecopoets: Wendell Berry, Joy Harjo, Mary Oliver, and W. S. Merwin.
The West Side of Any Mountain will be of great interest to scholars and teachers working in the field of contemporary nature poetry. It is recommended for nature-writing courses as well as classes dealing with 20th-century poetry, contemporary literary criticism, and environmental theory.
Combining his signature lively storytelling and careful observations of nature, Apps draws on a lifetime of experiences, from his earliest years growing up on a central Wisconsin farm to his current ventures as gardener, tree farmer, and steward of wetlands, prairies, and endangered Karner blue butterflies. He also takes inspiration from the writings of Aldo Leopold, Annie Dillard, Henry David Thoreau, Sigurd Olson, Ralph Waldo Emerson, John Muir, Barbara Kingsolver, Wendell Berry, Richard Louv, and Rachel Carson. With these eloquent essays, Jerry Apps reminds us to slow down, turn off technology, and allow our senses to reconnect us to the natural world. For it is there, he writes, that “I am able to return to a feeling I had when I was a child, a feeling of having room to stretch my arms without interfering with another person, a feeling of being a small part of something much larger than I was, and I marvel at the idea.”
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