front cover of Govan Mbeki
Govan Mbeki
Colin Bundy
Ohio University Press, 2012

Govan Mbeki (1910–2001) was a core leader of the African National Congress, the Communist Party, and the armed wing of the ANC during the struggle against apartheid. Known as a hard-liner, Mbeki was a prolific writer and combined in a rare way the attributes of intellectual and activist, political theorist and practitioner. Sentenced to life in prison in 1964 along with Nelson Mandela and others, he was sent to the notorious Robben Island prison, where he continued to write even as tension grew between himself, Mandela, and other leaders over the future of the national liberation movement. As one of the greatest leaders of the antiapartheid movement, and the father of Thabo Mbeki, president of South Africa from 1999 to 2008, the elder Mbeki holds a unique position in South African politics and history.

This biography by noted historian Colin Bundy goes beyond the narrative details of his long life: it analyzes his thinking, expressed in his writings over fifty years. Bundy helps establish what is distinctive about Mbeki: as African nationalist and as committed Marxist—and more than any other leader of the liberation movement—he sought to link theory and practice, ideas and action.

Drawing on exclusive interviews Bundy did with Mbeki, careful analysis of his writings, and the range of scholarship about his life, this biography is personal, reflective, thoroughly researched, and eminently readable.

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front cover of The Yorkshire Tea Ceremony
The Yorkshire Tea Ceremony
W. A. Ismay and His Collection of British Studio Pottery
Helen Walsh
Paul Holberton Publishing, 2021
The remarkable collection of the UK’s most prolific collector of postwar British studio pottery.

In the latter half of the twentieth century, “professional Yorkshireman” W. A. Ismay (1910–2001) amassed over 3,600 pieces by more than 500 potters. Surrounded by his family of pots, he lived in a tiny terraced house in Wakefield, Yorkshire, and left his collection and its associated archive to the city of York upon his death. This eclectic group of works contains objects created by many of the most significant potters working in the United Kingdom, including Lucie Rie, Hans Coper, Bernard Leach, and Michael Cardew, as well as lesser-known makers. 

With new academic research into this little-studied collection and archive, Yorkshire Tea Ceremony explores Ismay’s journey as a collector and offers fresh perspectives on a marginalized area of British Modernism. Tracing the collection’s journey from private to public ownership illuminates issues surrounding the acquisition and reveals the transformative effect it has had on both curatorial practice and the ambition of regional public institutions. The W. A. Ismay Collection offers a well-documented example of the valuable contribution collectors can make to the British studio ceramics movement.

Published to coincide with the twentieth anniversary of the collection’s move from private to public ownership, this volume accompanies an exhibition at York Art Gallery’s Centre of Ceramic Art (CoCA).
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