Despite their importance during the French Revolution, the Paris middle classes are little known. This book focuses on the family organization and the political role of the Paris commercial middle classes, using as a case study the Faubourg St. Marcel and particularly the parish of St. Médard.
David Garrioch argues that in the late seventeenth and early eighteenth centuries the commercial middle classes were steadfastly local in their family ties and outlook. He shows, too, that they took independent political action in defense of their local position. This gradually changed during the eighteenth century, and the Revolution greatly accelerated the process of integration, at the same time broadening the composition of what may now be termed the Parisian bourgeoisie.
Central to Garrioch's argument is the idea that family, politics, and power are intimately connected. He shows the centrality of kinship to local politics in the first half of the eighteenth century, and the way new family structures were related to changes in the nature of politics even before the Revolution. Among the many important issues considered are birth control, the role of women, the importance of lineage, the spatial limits of middle-class lives, and the language and secularization of politics.
During the War for Independence, Fort Ticonderoga’s guns, sited critically between Lakes Champlain and George, dominated north-south communications in upstate New York that were vital to both the British and American war efforts. In the public mind Ticonderoga was the “American Gibraltar” or the “Key to the Continent,” and patriots considered holding the fort essential to the success of the Revolutionary cause. Ticonderoga was a primary target in British Lieutenant General John Burgoyne’s 1777 campaign to crush American resistance in the north and end the rebellion in a decisive stroke. American efforts to defend the fort in June against overwhelming odds entailed political and military intrigue, bungling, heroism, and ultimately a narrow escape for the Continental and provincial forces under Major General Arthur St. Clair. The loss of Ticonderoga stunned patriot morale and ignited one of the greatest political firestorms of the war. But the fortunes of war turned. Two months later, the rebels mounted a sensational—if little known—counter-attack on Ticonderoga that had major implications for Burgoyne’s eventual defeat at Saratoga in October. Yet Saratoga brought no peace, and Ticonderoga would be central to additional military and political maneuverings—many of them known only to specialist historians—that would keep the region on edge until the end of the war in 1783.
Based on new archival research and taking advantage of the latest scholarship, Fort Ticonderoga, The Last Campaigns: The War in the North, 1777-1783 by distinguished historian Mark Edward Lender highlights the strategic importance of the fort as British, American, and regional forces (including those of an independent Vermont Republic) fought for control of the northern front at a critical point in the war. The book tells the Ticonderoga story in all of its complexity and drama, correcting misconceptions embedded in many previous accounts, and sheds vital new light on this key chapter in America’s struggle for independence.Frances Burney and Narrative Prior to Ideology works between Burney’s Journals and Letters and her fiction more thoroughly than any study of her in the past twenty-five years. By doing so, it offers significant reinterpretations of Burney’s four novels: Evelina, Cecilia, Camilla, and The Wanderer. It describes Burney’s eluding the major modern–isms through which critics have tried to read her: Feminism (with its “gendering” of beauty and reversal of gender roles); Capitalism and its Marxist critique (here the details of Burney’s housekeeping become important); Professionalism (as a response to status inconsistency and class conflict); and Ian Watt’s “Formal Realism” (Burney perhaps saved the novel from a sharp decline it suffered in the 1770s, even as she tried to distance herself from the genre).
Burney’s most successful writing appeared before the coining of “ideology.” But her standing “prior to ideology” is not a matter of chronological accident. Rather, she quietly but forcefully resisted shared explanations—domesticity as model for household management, debt as basis for family finance, professional status as a means to social confidence, the novel as the dominant literary genre—that became popular during her long and eventful life.
Frederic Jameson has described Paul de Man, “in private conversation,” claiming, “Marxism . . . has no way of understanding the eighteenth century.” Frances Burney and Narrative Prior to Ideology conjoins Burney’s “eighteenth-centuryness” with her modernity.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.READERS
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