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Fernan Mendez Pinto
Comedia Famosa en dos Partes
Antonio Enriquez Gomez
Harvard University Press, 1974
The editors of this volume, who have perfected the basic text and corrected printing and metrical defects, emphasize the play’s debt to the Portuguese adventurer Fernão Mendes Pinto whose prose epic (the Peregrinaçam) on the Portuguese presence in South, East, and Insular Asia inspired the Spanish work. Their introductory studies explain the play’s understandable yet false attribution to Lope de Vega and prove authorship by Antonio Enríquez Gómez, peninsular exile and ultimate victim of the Spanish Inquisition.
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The Kurbskii-Groznyi Apocrypha
the 17th-Century Genesis of the "Correspondence" Attributed to Prince A. M. Kurbskii and Tsar Ivan IV
Edward L. Keenan
Harvard University Press, 1971

For centuries the exchange of letters between Ivan the Terrible (1530-1584) and Prince Kurbskii, Muscovy's first notable defector, has been considered an authentic and important source for sixteenth-century Russian history. The Ivan portrayed in these letters has dominated posterity's perception of him and his time. But the provenance of the "Correspondence" has never been properly established.

Edward L. Keenan draws on all the tools of source study and literary criticism to demonstrate that the "Correspondence" is a forgery, and in fact was composed some decades later in the seventeenth century. He concentrates on the first letter of Kurbskii, which is the earliest of the letters as well as a source for the later ones, and concludes that it was written between 1623 and 1625 by Semen Ivanovich Shakhovskoi--a conclusion that will necessitate the re-evaluation of sixteenth-century Russian history as it has previously been written by scholars throughout the world.

Keenan discusses at length the implications of his discovery and sketches directions for future study, which will include a reconstruction of our conception of sixteenth- and seventeenth-century political thought, of Ivan's personality--indeed of the nature of his reign--and of the evolution of Muscovite state ideology.

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front cover of The Travels of Mendes Pinto
The Travels of Mendes Pinto
Fernão Mendes Pinto
University of Chicago Press, 1989
This text, ostensibly the autobiography of Portugese explorer Fernão Mendes Pinto, came second only to Marco Polo's work in exciting Europe's imagination of the Orient. Chronicling adventures from Ethiopia to Japan, Travels covers twenty years of Mendes Pinto's odyssey as a soldier, a merchant, a diplomat, a slave, a pirate, and a missionary, and continues to overwhelm questions about its source with the sheer enjoyment of its narrative.

"[T]here is plenty here for the modern reader. . . . The vivid descriptions of swashbuckling military campaigns and exotic locations make this a great adventure story. . . . Mendes Pinto may have been a sensitive eyewitness, or a great liar, or a brilliant satirist, but he was certainly more than a simple storyteller."—Stuart Schwartz, The New York Times
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