In July 1909 twenty-one-year-old Elizabeth Corey left her Iowa farm to stake her claim to a South Dakota homestead. Over the next ten years, as she continued her schoolteaching career and carved out a home for herself in this inhospitable territory, she sent a steady stream of letters to her family back in Iowa. From the edge of modern America, Bess wrote long, gossipy accounts—"our own continuing adventure story," according to her brother Paul—of frontier life on the high plains west of the Missouri River. Irrepressible, independent-minded, and evidently fearless, the self-styled Bachelor Bess gives us a firsthand, almost daily account of her homesteading adventures. We can all stake a claim in her energetic letters.

In the late nineteenth century, Brown’s Park, a secluded valley astride the Utah-Colorado border, was a troubled land of deadly conflict among cattle barons, outlaws, rustlers, and small ranchers. Homesteader Elizabeth Bassett gained a tough reputation of her own, and her daughters followed suit, going on to become members of Butch Cassidy and the Wild Bunch’s inner circle. Ann—who counted Cassidy among her lovers—became known as “queen of the cattle rustlers.” Both sisters proved themselves shrewd businesswomen as they fended off hostile takeovers of the family ranch. Through the following decades, the sisters became the stuff of legend, women who embodied the West’s fearsome reputation, yet whose lived experiences were far more nuanced. Ann became a writer. Josie, whose cabin still stands at present-day Dinosaur National Monument, applied her pioneer ethics to a mechanized world and became renowned for her resourcefulness, steadfastness, and audacity.

For The Bassett Women, Grace McClure tracked down and untangled the legends of Brown’s Park, one of the way stations of the fabled “Outlaw Trail,” while creating an evenhanded and indelible portrait of the Bassetts. Based on interviews, written records, newspapers, and archives, The Bassett Women is one of the few credible accounts of early settlers on Colorado’s western slope, one of the last strongholds of the Old West.

Long out of print, Charlotte Perkins Gilman’s novel The Crux is an important early feminist work that brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.

Dana Seitler’s introduction provides historical context, revealing The Crux as an allegory for social and political anxieties—including the rampant insecurities over contagion and disease—in the United States at the beginning of the twentieth century. Seitler highlights the importance of The Crux to understandings of Gilman’s body of work specifically and early feminism more generally. She shows how the novel complicates critical history by illustrating the biological argument undergirding Gilman’s feminism. Indeed, The Crux demonstrates how popular conceptions of eugenic science were attractive to feminist authors and intellectuals because they suggested that ideologies of national progress and U.S. expansionism depended as much on women and motherhood as on masculine contest.

In the 1800s, American women were largely restricted to the private sphere. Most had no choice but to spend their lives in the home, marrying in their teens and living only as wives, mothers, and pillars of domesticity. Even as the women’s movement came along midcentury, it focused more on gaining legal and political rights for women than on expanding their career opportunities. So in that time period, in which the options and expectations for women’s professional lives were so limited, it is remarkable that three sisters born in the 1850s, the Owen daughters of Missouri, all achieved success and appreciation in their careers.

This book is about exile and transformation. It is primarily about Mary Hallock Foote, nineteenth-century artist and writer, easterner-turned-westerner, but it is a hybrid work - as well as being about Mary, it is about what it has been like for me, a twenty-first century American expatriate, Californian-turned-Londoner, to find common ground in the life of a nineteenth century woman.

Exciting and beautifully crafted, The Extraordinary Work of Ordinary Writing provides an entirely new way of viewing “ordinary writing,” the everyday writing we typically ignore or dismiss. It takes as its center the diary of Jennifer Sinor's great-great-great-aunt Annie Ray, a woman who homesteaded in the Dakotas in the late nineteenth century. Diaries such as this have long been ignored by scholars, who prefer instead to focus on diaries with literary features. Reading diaries through this lens gives privileged status to those that are coherently crafted and ignores the very diaries that define the form through their relentless inscription of dailiness.

Annie Ray’s diary is not literary. By considering her ordinary writing as a site of complex and strategic negotiations among the writer, the form of writing, and dominant cultural scripts, Sinor makes visible the extraordinary work of the ordinary writer and the sophistication of these texts. In providing a way to read diaries outside the limits and conventions of literature, she challenges our approaches to other texts as well. Furthermore, because ordinary writing is not crafted for aesthetic reception (in contrast to autobiography proper, memoirs, and literary diaries), it is a productive site for investigating how both writing and culture get made every day.

The book is truly original in its form: nontraditional, storied, creative. Sinor, an accomplished creative writer, includes her own memories as extended metaphors in partnership with critical texts along with excerpts from her aunt's diary. The Extraordinary Work of Ordinary Writing will be a fascinating text for students of creative writing as well as of women's studies and diaries.

The central issue Bush finds in these works is how their authors have dealt with the authority of Mormon Church leaders. As she puts it in her preface, "I use the phrase 'faithful transgression' to describe moments in the texts when each writer, explicitly or implicitly, commits herself in writing to trust her own ideas and authority over official religious authority while also conceiving of and depicting herself to be a 'faithful' member of the Church." Bush recognizes her book as her own act of faithful transgression. Writing it involved wrestling, she states, "with my own deeply ingrained religious beliefs and my equally compelling education in feminist theories that mean to liberate and empower women."

Faithful Transgressions examines a remarkable group of authors and their highly readable and entertaining books. In producing the first significant book-length study of Mormon women's autobiographical writing, Bush rides a wave of memoir publishing and academic interest in autobiography and other life narratives. As she elucidates these works in relation to the religious tradition that played a major role in shaping them, she not only positions them in relation to feminist theory and current work on women's life writings but ties them to the long literary tradition of spiritual autobiography.

 On a summer day in 1980 in Niederfeulen, Luxembourg, Suzanne Bunkers pored over parish records of her maternal ancestors, immigrants to the rural American Midwest in the mid 1800s. Suddenly, chance led her to the name Simmerl and to the missing piece in the genealogical puzzle that had brought her so far: Susanna Simmerl, Bunkers' paternal great-great-grandmother, who had given birth to an illegitimate daughter in 1856 before coming to America. Finding Susanna was the catalyst for Bunkers' intensely personal book, which blends history, memory, and imagination into a drama of two women's lives within their multigenerational family.

Klondike Women is a compelling collection of historical photographs and first-hand accounts of the adventures, challenges, and disappointments of women on the trails to the Klondike gold fields. In the midst of a depression near the turn of the twentieth century, these women dared to act on the American dream. As they journeyed through the Northwest wilderness, they explored and extended not only the physical frontiers of North America but also the social frontiers about the “women’s place.”

Challenging the myth that the only women who participated in gold rushes were prostitutes and gold-diggers of the euphemistic sort, Melanie Mayer shows us that Klondike women came from all walks of life—socialites to poor immigrants, single women, wives, widows, and children. They planned to make their money through many different undertakings including mining, business, entertainment, professional, and service enterprises. Their approaches to life were as varied as their roles—optimistic or skeptical; cautious or adventuresome; gregarious or self-contained; contemplative or active. There was no typical Klondike woman. Individually, their stories can be funny, hopeful, tragic, or poignant. Taken together, they give rich, complex images of the people, times, and places of the gold rush.

A visually exciting book, Klondike Women features over 150 photographs and illustrations. This volume should appeal not only to the general reader, but to those interested in history, women’s studies, and the Pacific Northwest as well.

Combining descriptive travel writing, autobiography, and the depth of the extended essay, Life in Prairie Land--back in print in this new edition--is a classic account of everyday life in early Illinois. Eliza Farnham, a New Yorker who would become one of the leading feminists of her time, describes the nearly five years she spent living in the prairie land of Tazewell County.
 
Life in Prairie Land is a complex portrait of the midwestern wilderness during the 1830s--beautiful and ugly, beneficent and threatening. Farnham's vivid recreation of her experiences on the Illinois frontier offers a realistic depiction of the harsh pioneer lifestyle as well as a romantic view of an Edenic landscape.
 
Life in Prairie Land includes descriptions of Farnham's encounters with early settlers and Native Americans, her eye-opening experiences with birth and death, the flora and fauna that surrounded her, and the developing towns she passed through in her travels. Farnham's years on the Illinois frontier showed her the possibilities of a less restrictive society and planted the seeds that would later grow into firmly held and eloquently expressed views on women's equality.
 

Ruth Farley is a stubbornly independent, free-spirited woman who homesteaded a piece of land at Glory Springs, deep in a beautiful, remote canyon in the Southern California Mojave Desert. At the end of the 1930s she is still there, raising her two children and struggling to preserve her solitude. But the world is intruding. Her Indian friend Martha has been arrested for a murder she didn’t commit, and Ruth must join the Yuiatei tribe in trying to free her. In this final volume of Susan Lang’s Ruth Farley trilogy, Ruth discovers the limits of her autonomy and struggles to make peace with her painful past. As the story comes to a dramatic conclusion and the world descends into the madness of another war, Ruth finally understands that she is inextricably part of the human community and that her hard-won independence will not be sacrificed if she accepts and cherishes the bonds of love and friendship. Ruth Farley is one of the most memorable characters in recent fiction, a perplexing, sometimes exasperating, and utterly sympathetic modern woman torn between her desire for freedom and her need for love, her determination to live life on her own terms and the pressures that society places on a single woman. In this trilogy of novels, Susan Lang has achieved her place among our best contemporary fiction writers.

Patty Session's 1847 Mormon Trail diary has been widely quoted and excerpted, but her complete diaries chronicling the first decades of Mormon settlement at Salt Lake City have never before been published. They provide a detailed record of early Mormon community life from Illinois to Utah through the eyes of Mormondom's most famous midwife. They also recount her important role in women's social networks and her contributions to community health and Utah's economy, to pioneer education and horticulture. Patty Sessions assisted at the births of humdreds of early Mormons and first-generation Utahns, meticulously recording the events. Shed had an active role in the founding of the Relief Society and health organizations. She spoke in tongues and administered spiritually as well as medically to the ill. Her diaries are a rich resource for early Mormon and Utah history.

Alaska has always attracted people from varied backgrounds. In A Place of Belonging, Phyllis Movius introduces us to five women who settled in Fairbanks between 1903 and 1923 and who typify the disparate population that has long enriched Alaska. The women’s daily lives and personal stories are woven together in these biographical portraits, drawn from the women’s letters, memoirs, personal papers, club records, their own oral histories and published writings. Enriched by many never-before-published historical photos, Movius’s research gives us a unique inroad into life on the frontier.

At the age of 27, Fannie Sedlacek left her Bohemian homestead in Nebraska to join the gold rush to the Klondike. From the Klondike to the Tanana, Fannie continued north, finally settling in Katishna near Mount McKinley. This woman, later known as Fannie Quigley, became a prospector who staked her own claims and a cook who ran a roadhouse. She hunted and trapped and thrived for nearly forty years in an environment that others found unbearable.

Her wilderness lifestyle inspired many of those who met her to record their impressions of this self-sufficient woman, who died in 1944. To many of the 700,000 annual visitors to Denali National Park she is a symbol of the enduring spirit of the original pioneers.

Searching for Fannie Quigley: A Wilderness Life in the Shadow of Mount McKinley goes beyond the mere biographical facts of this unique woman’s journey. It also tells historian Jane G. Haigh’s own story of tracking and tracing the many paths that Fannie Quigley’s intriguing life took. Uncovering remote clues, digging through archives, and listening to oral accounts from a wide array of sources, Haigh has fashioned this rich lode into a compelling narrative.

In Searching for Fannie Quigley, Haigh separates fact from fiction to reveal the true story of this highly mythologized pioneer woman.

In 1929, Ruth Farley, a fiercely independent woman, homesteads a tract of land in a beautiful canyon in the Southern California desert. Determined to live on her own terms and to be free of troubling human attachments, Ruth initially rejects the help of the miners and cowboys who are her neighbors and struggles to develop the homestead on her own. Gradually, however, Ruth learns that survival is a far more complicated and dangerous business, and the entrapments of love sweeter, and more binding, than she had ever imagined. Determined to take possession of her land, Ruth must first face the consequences of her own stubborness and sensuality, and of mindless and terrible violence, as well as a bitter fight to stay alive through a harrowing and isolated winter. Only then, her hard-won wisdom forged in unbearable grief and wrenching physical trials, can she truly become part of the land she loves so intensely. Ruth Farley is a character of exceptional complexity—a liberated woman in a time when most women were tied to the home; a joyously sexual woman in a culture where most women merely "did their duty" for the men in their lives; a contradictory, self-centered, alienated woman who ultimately learns the true nature of love and community. Glory Springs, the site of Ruth's homestead, is a place of wondrous natural beauty; it is also, as we follow Ruth's tenuous search for peace and wisdom, a place that we recognize, that we, too, seek within our hearts. Small Rocks Rising is a novel of stunning richness and beauty, of memorable characters and unforgettable insight into a woman's secret and passionate soul.

If Horatio Alger had imagined a female heroine in the same mold as one of the young male heroes in his rags-to-riches stories, she would have looked like Belinda Mulrooney. Smart, ambitious, competitive, and courageous, Belinda Mulrooney was destined through her legendary pioneering in the wilds of the Yukon basin to found towns and many businesses. She built two fortunes, supported her family, was an ally to other working women, and triumphed in what was considered a man's world.

In Staking Her Claim, Melanie Mayer and Robert N. DeArmond provide a faithful and comprehensive portrait of this unique character in North American frontier history. Their exhaustive research has resulted in a sweeping saga of determination and will, tempered by disaster and opportunity.

Like any good Horatio Alger hero, Belinda overcame the challenges that confronted her, including poverty, prejudice, a lack of schooling, and the early loss of parents. Her travels took her from her native Ireland as a young girl to a coal town in Pennsylvania to Chicago, San Francisco, and finally, in 1897, to the Yukon.

Staking Her Claim is a testament to the human spirit and to the idea of the frontier. It is a biography of a woman who made her own way in the world and in doing so left an indelible mark.

If Horatio Alger had imagined a female heroine in the same mold as one of the young male heroes in his rags-to-riches stories, she would have looked like Belinda Mulrooney. Smart, ambitious, competitive, and courageous, Belinda Mulrooney was destined through her legendary pioneering in the wilds of the Yukon basin to found towns and many businesses. She built two fortunes, supported her family, was an ally to other working women, and triumphed in what was considered a man's world.

In Staking Her Claim, Melanie Mayer and Robert N. DeArmond provide a faithful and comprehensive portrait of this unique character in North American frontier history. Their exhaustive research has resulted in a sweeping saga of determination and will, tempered by disaster and opportunity.

Like any good Horatio Alger hero, Belinda overcame the challenges that confronted her, including poverty, prejudice, a lack of schooling, and the early loss of parents. Her travels took her from her native Ireland as a young girl to a coal town in Pennsylvania to Chicago, San Francisco, and finally, in 1897, to the Yukon.

Staking Her Claim is a testament to the human spirit and to the idea of the frontier. It is a biography of a woman who made her own way in the world and in doing so left an indelible mark.

With the first headlines screaming “Gold! Gold! Gold!” in 1896, the Klondike Gold Rush was on—and it almost instantly became the stuff of legend. One of the key figures in the early discoveries that set off the gold rush was the Tagish wife of prospector George Carmack, Kate Carmack, whose fascinating story is told in full here for the first time.

In Wealth Woman, Deb Vanasse recounts Kate’s life from her early years on the frontier with George, through the history-making discovery of gold, and on to her subsequent fame, when she traveled alone down the West Coast through Washington and California, telling her story and fighting for her wealth, her family, and her reputation. Recovering the lost story of a true pioneer and a fiercely independent woman, Wealth Woman brings gold rush Alaska to life in all its drama and glory.

Volume 1, Life Writings of Frontier Women series, edited by Maureen Ursenbach Beecher

Mary Richard's journals and letters record a young woman's rare, but richly detailed view of life in the temporary Mormon pioneer communities in Iowa.

Woman in the Wilderness is a collection of letters written between 1832 and 1892 to and by an American woman, Harriet Wood Wheeler.
     Harriet's letters reveal her experiences with actors and institutions that played pivotal roles in the history of American women: the nascent literate female work force at the mills in Lowell, Massachusetts; the Ipswich Female Seminary, which was one of the first schools for women teachers; women's associations, especially in churches; and the close and enduring ties that characterized women's relationships in the late nineteenth century.
     Harriet's letters also provide an intimate view of the relationships between American Indians and Euro-Americans in the Great Lakes region, where she settled with her Christian missionary husband.

When Juliette Kinzie first visited Chicago in 1831, it was anything but a city. An outpost in the shadow of Fort Dearborn, it had no streets, no sidewalks, no schools, no river-spanning bridges. And with two hundred disconnected residents, it lacked any sense of community. In the decades that followed, not only did Juliette witness the city’s transition from Indian country to industrial center, but she was instrumental in its development.

Juliette is one of Chicago’s forgotten founders. Early Chicago is often presented as “a man’s city,” but women like Juliette worked to create an urban and urbane world, often within their own parlors. With The World of Juliette Kinzie, we finally get to experience the rise of Chicago from the view of one of its most important founding mothers.

Ann Durkin Keating, one of the foremost experts on nineteenth-century Chicago, offers a moving portrait of a trailblazing and complicated woman. Keating takes us to the corner of Cass and Michigan (now Wabash and Hubbard), Juliette’s home base. Through Juliette’s eyes, our understanding of early Chicago expands from a city of boosters and speculators to include the world that women created in and between households. We see the development of Chicago society, first inspired by cities in the East and later coming into its own midwestern ways. We also see the city become a community, as it developed its intertwined religious, social, educational, and cultural institutions. Keating draws on a wealth of sources, including hundreds of Juliette’s personal letters, allowing Juliette to tell much of her story in her own words.

Juliette’s death in 1870, just a year before the infamous fire, seemed almost prescient. She left her beloved Chicago right before the physical city as she knew it vanished in flames. But now her history lives on. The World of Juliette Kinzie offers a new perspective on Chicago’s past and is a fitting tribute to one of the first women historians in the United States.

Focusing on a series of autobiographical texts, published and private, well known and obscure, Writing the Pioneer Woman examines the writing of domestic life on the nineteenth-century North American frontier. In an attempt to determine the meanings found in the pioneer woman's everyday writings—from records of recipes to descriptions of washing floors—Janet Floyd explores domestic details in the autobiographical writing of British and Anglo-American female emigrants.

Floyd argues that the figure of the pioneer housewife has been a significant one within general cultural debates about the home and the domestic life of women, on both sides of the Atlantic. She looks at the varied ideological work performed by this figure over the last 150 years and at what the pioneer woman signifies and has signified in national cultural debates concerning womanhood and home.

The autobiographies under discussion are not only of homemaking but also of emigration. Equally, these texts are about the enterprise of emigration, with several of them written to advise prospective emigrants. Using the insights of diaspora and migration theory, Floyd shows that these writings portray a far subtler role for the pioneer woman than is suggested by previous scholars, who often see her either as participating directly in the overall domestication of colonial space or as being strictly marginal to that process.

Written in response to the highly critical discussion of the attitudes and activities of female "civilizers" within "New" Western history and postcolonial studies, Writing the Pioneer Woman will be a valuable addition to the burgeoning discussion of the literature of domesticity.

“Nowhere / on these parchment leaves do I find / myself, my likeness, my name, / not a whisper—Cynthia—not one / breath of me.”

For thirty years poet Jana Harris researched the diaries and letters of North American pioneer women. While the names and experiences of the authors varied, Harris found one story often connected them: their most powerful memories were of courtships and weddings. They dreamed of having a fine wedding while they spent their lives hauling water, scrubbing floors, and hoping for admirers. Many married men they hardly knew.

Based on primary research of nineteenth-century frontier women, Harris uses her compelling poetry to resurrect a forgotten history. She captures the hope, anxiety, anger, and despair of these women through a variety of characters and poetic strategies, while archival photographs give faces to the names and details to the settings. Harris’s meticulous research and stirring words give these pioneer women a renewed voice that proves the timelessness of the hopes and fears of love and marriage.