Mexico is famous for spectacular fiestas that embody its heart and soul. An expression of the cult of the saint, patron saint fiestas are the centerpiece of Mexican popular religion and of great importance to the lives and cultures of people and communities. These fiestas have their own language, objects, belief systems, and practices. They link Mexico's past and present, its indigenous and European populations, and its local and global relations.
This work provides a comprehensive study of two intimately linked patron saint fiestas in the state of Guanajuato, near San Miguel de Allende—the fiesta of the village of Cruz del Palmar and that of the town of San Luis de la Paz. These two fiestas are related to one another in very special ways involving both religious practices and their respective pre-Hispanic origins.
A mixture of secular and sacred, patron saint fiestas are multi-day affairs that include many events, ritual specialists, and performers, with the participation of the entire community. Fiestas take place in order to honor the saints, and they are the occasion for religious ceremonies, processions, musical performances, dances, and dance dramas. They feature spectacular costumes, enormous puppets, masked and cross-dressed individuals, dazzling fireworks, rodeos, food stands, competitions, and public dances. By encompassing all of these events and performances, this work displays the essence of Mexico, a lens through which this country's complex history, religion, ethnic mix, traditions, and magic can be viewed.
From the first centuries of Christianity, believers turned to the perfection modeled by saints for inspiration, and a tradition of recounting saints’ Lives flourished. The Latin narratives followed specific forms, dramatizing a virgin’s heroic resolve or a martyr’s unwavering faith under torture.
In early medieval England, saints’ Lives were eagerly received and translated into the vernacular. The stories collected here by unknown authors are preserved in manuscripts dating from the eleventh and twelfth centuries. They include locally venerated saints like the abbess Seaxburh, as well as universally familiar ones like Nicholas and Michael the Archangel, and are set everywhere from Antioch to Rome, from India to Ephesus. These Lives also explore such topics as the obligations of rulers, marriage and gender roles, private and public devotion, the environment, education, and the sweep of human history. This volume presents new Old English editions and modern English translations of twenty-two unattributed saints’ Lives.
Bandits, Captives, Heroines, and Saints investigates cultural icons of the late nineteenth century from Mexico’s largely unstudied northwest borderlands, present-day Sonora, Baja California, and western Chihuahua. Robert McKee Irwin looks at popular figures such as Joaquín Murrieta, the gold rush social bandit; Lola Casanova, the anti-Malinche, whose marriage to a Seri Indian symbolized a forbidden form of mestizaje; and la Santa de Cabora, a young faith healer who inspired armed insurgencies and was exiled to Arizona.
Cultural icons such as Murrieta, Lola Casanova, and la Santa de Cabora are products of intercultural dialogue, Irwin reveals, and their characterizations are unstable. They remain relevant for generations because there is no consensus regarding their meanings, and they are weapons in struggles of representation in the borderlands. The figures studied here are especially malleable, he argues, because they are marginalized from the mainstream of historiography.
A timely analysis, Bandits, Captives, Heroines, and Saints challenges current paradigms of border studies and presents a rich understanding of the ways in which cultural icons influence people’s minds and lives.
Robert McKee Irwin is associate professor of Spanish at the University of California, Davis, and the author of Mexican Masculinities (Minnesota, 2003).
For any individual donor or foundation giving money to a faith-based organization, this guide is indispensable. Equipping the Saints offers sage advice on recognizing the qualities of good leaders, effective programs, and the methods of evaluating outcomes. Based on hundreds of interviews with donors and civic leaders, this guide provides a candid look at the unique strengths and weaknesses of these groups. Equipping the Saints is packed with useful tools like a donor's interest inventory, a checklist for making a site visit, tips on reading nonprofit financial statements, and hands-on recommendations for making grants that are both effective and prudent.
"An excellent guide for philanthropists seeking to unleash the power of faith in healing troubled souls and transforming troubled neighborhoods." —Adam Meyerson, president, Philanthropy Roundtable
"Most donors quickly learn how all that glitters is not gold. Some go on to learn how all that is gold does not glitter. In this book Barbara Elliott provides the lessons in discernment and the tools for evaluation that donors need. Take advantage of her understanding by making it your own." —Marvin Olasky, ditor of World magazine, author of Compassionate Conservatism and The Tragedy of American Compassion
"Any donor with even a hint of interest in exploring investments in the work of faith-based organizations (FBOs) needs this book. It is packed with practical information about how to understand and assess FBOs. Its numerous examples of real-life donors making real-life differences through partnerships with faith-inspired community healers ought to stimulate much creative brainstorming among philanthropists." —Dr. Amy L. Sherman, senior fellow and director, Faith in Communities Initiative of the Foundation for American Renewal
"From the perspective of a local foundation giving to faith-based ministries, we have found Barbara Elliott's work to be inspiring, practical and instructive to us as we think through our priorities and principles for funding decisions…I have extraordinary respect for Barbara's scope of understanding, ability to communicate with passion and reason, and her deep understanding of a very complex field. She gives all of us—ministries and funders—genuine hope and invaluable insight." —Fred Smith, president, The Gathering
Most of us are content to see ourselves as ordinary people—unique in ways, talented in others, but still among the ranks of ordinary mortals. Andrew Flescher probes our contented state by asking important questions: How should "ordinary" people respond when others need our help, whether the situation is a crisis, or something less? Do we have a responsibility, an obligation, to go that extra mile, to act above and beyond the call of duty? Or should we leave the braver responses to those who are somehow different than we are: better somehow, "heroes," or "saints?"
Traditional approaches to ethics have suggested there is a sharp distinction between ordinary people and those called heroes and saints; between duties and acts of supererogation (going beyond the expected). Flescher seeks to undo these standard dichotomies by looking at the lives and actions of certain historical figures—Holocaust rescuers, Martin Luther King, Jr., Dorothy Day, among others—who appear to be extraordinary but were, in fact, ordinary people. Heroes, Saints, and Ordinary Morality shifts the way we regard ourselves in relationship to those we admire from afar—it asks us not only to admire, but to emulate as well—further, it challenges us to actively seek the acquisition of virtue as seen in the lives of heroes and saints, to learn from them, a dynamic aspect of ethical behavior that goes beyond the mere avoidance of wrongdoing.
Andrew Flescher sets a stage where we need to think and act, calling us to lead lives of self-examination—even if that should sometimes provoke discomfort. He asks that we strive to emulate those we admire and therefore allow ourselves to grow morally, and spiritually. It is then that the individual develops a deeper altruistic sense of self—a state that allows us to respond as the heroes of our own lives, and therefore in the lives of others, when times and circumstance demand that of us.
Celebrities and popular icons are increasingly ubiquitous figures of a 21st century postmodern world. Some, in death, blur age-old distinctions of sanctification and trespass on sacred ground long held exclusively by religious saints. An emerging continuum is transforming that sacred arena and raising a number of important issues, including the nature of the relationships between the worshipped and the worshipful and the types of institutions that sustain them.
The Making of Saints: Contesting Sacred Ground investigates a number of religious leaders, healers, folk saints, and popular icons in seeking to identify their commonalities and discover how they speak to the same inner yearnings of human beings for gods and heroes. Issues of social relations, love, emotion, charisma, power, and sanctification are addressed by the contributors. Analyses of hagiographies, biographies, media, control of space, pilgrimage, and acts of devotion provide the bases for the authors' explorations of these issues. Among the sanctified included for analysis are the folk saints El Nino Fidencio and Teresa Urrea; the charismatic rabbis Baba Sali, Baba Baruch, and Ifargan; King Chulalongkorn of Thailand; two political figures, Evita Peron and Che Guevara; and three celebrities: James Dean, Elvis Presley, and Japanese rock star HIDE.
The contributors challenge notions of what is sacred and who may be sanctified, and argue that a broadening of views is needed to accommodate and appreciate emerging contemporary realities.
The colonial encounter between France and Morocco took place not only in the political realm but also in the realm of medicine. Because the body politic and the physical body are intimately linked, French efforts to colonize Morocco took place in and through the body. Starting from this original premise, Medicine and the Saints traces a history of colonial embodiment in Morocco through a series of medical encounters between the Islamic sultanate of Morocco and the Republic of France from 1877 to 1956.
Drawing on a wealth of primary sources in both French and Arabic, Ellen Amster investigates the positivist ambitions of French colonial doctors, sociologists, philologists, and historians; the social history of the encounters and transformations occasioned by French medical interventions; and the ways in which Moroccan nationalists ultimately appropriated a French model of modernity to invent the independent nation-state. Each chapter of the book addresses a different problem in the history of medicine: international espionage and a doctor’s murder; disease and revolt in Moroccan cities; a battle for authority between doctors and Muslim midwives; and the search for national identity in the welfare state. This research reveals how Moroccans ingested and digested French science and used it to create a nationalist movement and Islamist politics, and to understand disease and health. In the colonial encounter, the Muslim body became a seat of subjectivity, the place from which individuals contested and redefined the political.
Revised and updated edition of the perennial Georgetown University Press classic, Saints of the Liturgical Year, this beautiful and comfortably sized guide is compact, but brimming with information. This edition includes over 260 brief biographies, including 33 new entries, as well as a glossary of terms to help explain the theology of the Roman Catholic Church. Based on the General Roman Calendar, presently in use in the Roman Catholic Church, it also includes the feasts, Saints, and Blesseds from the Liturgical Calendar of the Society of Jesus—known as the Jesuits—as officially observed within the Society of Jesus.
Offering inspiration and encouragement, Saints and Feasts of the Liturgical Year functions as an aid in introducing the faithful to the day's feast or to the saint whose memorial is being celebrated. As a gift, for personal or group study, and helpful for introducing parishioners to the history of the church, this book can also be used as a source of ideas for all pastors.
A compelling history of the 1846 Mormon expulsion from Illinois that exemplifies the limits of American democracy and religious tolerance.
When members of the Church of Jesus Christ of Latter-day Saints (known as Mormons) settled in Illinois in 1839, they had been persecuted for their beliefs from Ohio to Missouri. Illinoisans viewed themselves as religiously tolerant egalitarians and initially welcomed the Mormons to their state. However, non-Mormon locals who valued competitive individualism perceived the saints‘ western Illinois settlement, Nauvoo, as a theocracy with too much political power. Amid escalating tensions in 1844, anti-Mormon vigilantes assassinated church founder Joseph Smith and his brother Hyrum. Two years later, the state expelled the saints. Illinois rejected the Mormons not for their religion, but rather for their effort to create a self-governing state in Nauvoo.
Mormons put the essential aspirations of American liberal democracy to the test in Illinois. The saints’ inward group focus and their decision to live together in Nauvoo highlight the challenges strong group consciousness and attachment pose to democratic governance. The Saints and the State narrates this tragic story as an epic failure of governance and shows how the conflicting demands of fairness to the Mormons and accountability to Illinois’s majority became incompatible.
While the modern world has largely dismissed the figure of the saint as a throwback, we remain fascinated by excess, marginality, transgression, and porous subjectivity—categories that define the saint. In this collection, Françoise Meltzer and Jas Elsner bring together top scholars from across the humanities to reconsider our denial of saintliness and examine how modernity returns to the lure of saintly grace, energy, and charisma.
The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction — as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons. Fierce and intimate, this poet’s meditative transformations engage with South Asian experiences of addiction, domestic violence, and mental illness, refusing to ignore narratives treated as unspeakable and overlooked by the English canon. Mapping the collision of abuse, psychosis, and rage, Pinto sees beyond them, buoyed by an inscrutable but abiding faith in the holiness of life itself, in a cold God nevertheless capable of gentleness. Once, “desire was an arrow, but now desire / is the field.” Pinto presides over this expanse, deciding, “I have three choices: to drift through life / anesthetized, to soften. . .” In that unspoken “or,” the merciful lacuna of that ellipsis, reside the lyrical mystery and medicine that feed this astonishing collection and strengthen resolve, both ours and the speaker’s: “The lake looks frozen, but it is not.”
The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction — as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons. Fierce and intimate, this poet’s meditative transformations engage with South Asian experiences of addiction, domestic violence, and mental illness, refusing to ignore narratives treated as unspeakable and overlooked by the English canon. Mapping the collision of abuse, psychosis, and rage, Pinto sees beyond them, buoyed by an inscrutable but abiding faith in the holiness of life itself, in a cold God nevertheless capable of gentleness. Once, “desire was an arrow, but now desire / is the field.” Pinto presides over this expanse, deciding, “I have three choices: to drift through life / anesthetized, to soften. . .” In that unspoken “or,” the merciful lacuna of that ellipsis, reside the lyrical mystery and medicine that feed this astonishing collection and strengthen resolve, both ours and the speaker’s: “The lake looks frozen, but it is not.”
Saints of Ninth- and Tenth-Century Greece collects funeral orations, encomia, and narrative hagiography. Together, these works illuminate one of the most obscure periods of Greek history—when holy men played central roles as the Byzantine administration reimposed control on southern and central Greece in the wake of Avar, Slavic, and Arab attacks and the collapse of the late Roman Empire. The bishops of the region provided much-needed leadership and institutional stability, while ascetics established hermitages and faced invaders. The Lives gathered here include accounts of Peter of Argos, which offers insight into episcopal authority in medieval Greece, and Theodore of Kythera, an important source for the history of piracy in the Aegean Sea.
This volume, which illustrates the literary variety of saints’ Lives, presents Byzantine Greek texts written by locals in the provinces and translated here into English for the first time.
A surprising exploration of the relationship between these two twentieth-century thinkers
The transgressive writing of Georges Bataille (1897-1962) and the rigorous ethical philosophy of social activist and Christian mystic Simone Weil (1909-1943) seem to belong to different worlds. Yet in the political ferment of 1930s Paris, Bataille and Weil were intellectual adversaries who exerted a powerful fascination on each other. Saints of the Impossible provides the first in-depth comparison of Bataille’s and Weil’s thought, showing how an exploration of their relationship reveals new facets of the achievements of two of the twentieth century’s leading intellectual figures, and raises far-reaching questions about literary practice, politics, and religion.
Considering the seeming antithesis between Weil’s heroic political engagement and Bataille’s antipolitical aestheticism, Saints of the Impossible brings out the insufficiently recognized performative dimension of Weil’s politics, while revealing the political reach of Bataille’s mystical writings. As it opens a new perspective on both Weil and Bataille, the book also points to a new way of understanding the uses and abuses of sacred power and the performative in an era of philosophical disorientation, social chaos, and war.READERS
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