For the Ankave of Papua New Guinea, men, unlike women, do not reach adulthood and become fathers simply by growing up and reproducing. What fathers—and by extension, men—actually are is a result of a series of relational transformations, operated in and by rituals in which men and women both perform complementary actions in separate spaces. Acting for Others is a tour de force in Melanesian ethnography, gender studies, and theories of ritual. Based on years of fieldwork conducted by the author and her husband and co-ethnographer, this book’s “double view” of the Ankave ritual cycle—from women in the village and from the men in the forest—is novel, provocative, and one of the most incisive analyses of the emergence of ideas of gender in Papua New Guinea since Marilyn Strathern’s The Gender of the Gift.
At the heart of Pascale Bonnemère’s argument is the idea that it is possible for genders to act for and upon one another, and to do so almost paradoxically, by limiting action through the obeying of taboos and other restrictions. With this first English translation by acclaimed French translator Nora Scott, accompanied by a foreword from Marilyn Strathern, Acting for Others brings the Ankave ritual world to new theoretical life, challenging how we think about mutual action, mutual being, and mutual life.

Alcohol in Ancient Mexico reconstructs the variety and extent of distillation traditions in the ancient cultures of Mexico, describing in detail the various plants and processes used to make such beverages, their prevalence, and their significance for local culture.

The art of distillation arrived in Mexico with the Spaniards in the sixteenth century. However, well before that time, native skills and available resources had contributed to a well-developed tradition of intoxicating beverages, many of which are still produced and consumed.

In the 1930’s Henry Bruman visited various Mexican and Central American Indian tribes to reconstruct the variety and extent of these ancient traditions. He discerned five distinct areas defined by the culturally most significant beverages, all superimposed over the great mescal wine region. Within these five areas he noted wine made from cactus, cactus fruit, cornstalks, and mesquite pods; beer from sprouted maize; and fermented sap from pulque agaves.

Outside the mescal region he observed widespread consumption in the Yucatan of a wine made from fermented honey and balché bark, plus lesser-known beverages in other regions. He also observed the frequent inclusion in the fermentation process of alkaloid-bearing ingredients such as peyote and tobacco, plants whose roots or bark contain saponins—which act as cardiac poisons—and even poisons from certain toads.

Alcohol in Ancient Mexico also considers the relative absence of alcoholic drink in the southwestern United States, the introduction of sills following the Spanish conquest, and possible sources for the introduction of coconut wine.

Previously unpublished, the research presented here retains its relevance today, and the photographs offer a fascinating glimpse at a traditional world that has now almost vanished.

Ancestral Connections unlocks the inner meaning of Australian Aboriginal bark painting. Drawing on more than ten years of fieldwork among the Yolngu—an Aboriginal people of Northeast Arnhem Land—and applying both anthropological and art historical methods, Howard Morphy explores systematically the graphic representation of traditional knowledge in Yolngu art. He also charts the role that art has played in Aboriginal society both present and past.

The rich symbolism of Yolngu art links the Yolngu directly with the "Dreaming," the time of world-creation that continues as the spiritual dimension of the present. Morphy shows how a complex dialectic of "inside" and "outside" interpretations of painting structures the system of knowledge in Yolngu society, and how European interest in this art has caused certain changes in the conditions of its production. The "inside" significance of the art, however, has not changed; it retains its dual ability to represent and to constitute relationships between things.

Ancestral Connections is a major contribution to the anthropology of art. A subtle commentary on the colonial encounter in northern Australia, the book demonstrates how the Yolngu have used their art—against all odds—as an instrument of cultural survival and as a component of the economic and political transformation of their society.

Ancient Zapotec Religion is the first comprehensive study of Zapotec religion as it existed in the southern Mexican state of Oaxaca on the eve of the Spanish Conquest. Author Michael Lind brings a new perspective, focusing not on underlying theological principles but on the material and spatial expressions of religious practice.

Using sixteenth- and seventeenth-century Spanish colonial documents and archaeological findings related to the time period leading up to the Spanish Conquest, he presents new information on deities, ancestor worship and sacred bundles, the Zapotec cosmos, the priesthood, religious ceremonies and rituals, the nature of temples, the distinctive features of the sacred and solar calendars, and the religious significance of the murals of Mitla—the most sacred and holy center. He also shows how Zapotec religion served to integrate Zapotec city-state structure throughout the valley of Oaxaca, neighboring mountain regions, and the Isthmus of Tehuantepec.

Ancient Zapotec Religion is the first in-depth and interdisciplinary book on the Zapotecs and their religious practices and will be of great interest to archaeologists, epigraphers, historians, and specialists in Native American, Latin American, and religious studies. 

Anthropomorphizing the Cosmos explores the sociocultural significance of more than three hundred Middle Preclassic Maya figurines uncovered at the site of Nixtun-Ch'ich' on Lake Petén Itzá in northern Guatemala. In this careful, holistic, and detailed analysis of the Petén lakes figurines—hand-modeled, terracotta anthropomorphic fragments, animal figures, and musical instruments such as whistles and ocarinas—Prudence M. Rice engages with a broad swath of theory and comparative data on Maya ritual practice.
 
Presenting original data, Anthropomorphizing the Cosmos offers insight into the synchronous appearance of fired-clay figurines with the emergence of societal complexity in and beyond Mesoamerica. Rice situates these Preclassic Maya figurines in the broader context of Mesoamerican human figural representation, identifies possible connections between anthropomorphic figurine heads and the origins of calendrics and other writing in Mesoamerica, and examines the role of anthropomorphic figurines and zoomorphic musical instruments in Preclassic Maya ritual. The volume shows how community rituals involving the figurines helped to mitigate the uncertainties of societal transitions, including the beginnings of settled agricultural life, the emergence of social differentiation and inequalities, and the centralization of political power and decision-making in the Petén lowlands.
 
Literature on Maya ritual, cosmology, and specialized artifacts has traditionally focused on the Classic period, with little research centering on the very beginnings of Maya sociopolitical organization and ideological beliefs in the Middle Preclassic. Anthropomorphizing the Cosmos is a welcome contribution to the understanding of the earliest Maya and will be significant to Mayanists and Mesoamericanists as well as nonspecialists with interest in these early figurines

The richness and the range of Native American spirituality has long been
noted, but it has never been examined so thoroughly, nor with such an
eye for the amazing interconnectedness of Indian tribal ceremonies and
practices, as in An Archaeology of the Soul. In this monumental
work, destined to become a classic in its field, Robert Hall traces the
genetic and historical relationships of the tribes of the Midwest and
Plains--including roots that extend back as far as 3,000 years.
Looking beyond regional barriers, An Archaeology of the Soul offers new depths of insight into American Indian ethnography. Hall uncovers the lineage and kinship shared by Native North Americans through the perspectives of history, archaeology, archaeoastronomy, biological anthropology, linguistics, and mythology. The wholeness and panoramic complexity of American Indian belief has never been so fully explored--or more deeply understood.
 

The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today.

In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital.

Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.

Ancient sources and modern scholars have often represented the Athenian festival of Adonis as a marginal and faintly ridiculous private women’s ritual. Seeds were planted each year in pots and, once sprouted, carried to the rooftops, where women lamented the death of Aphrodite’s youthful consort Adonis. Laurialan Reitzammer resourcefully examines a wide array of surviving evidence about the Adonia, arguing for its symbolic importance in fifth- and fourth-century Athenian culture as an occasion for gendered commentary on mainstream Athenian practices.
            Reitzammer uncovers correlations of the Adonia to Athenian wedding rituals and civic funeral oration and provides illuminating evidence that the festival was a significant cultural template for such diverse works as Aristophanes’ drama Lysistrata and Plato’s dialogue Phaedrus. Her fresh approach is a timely contribution to studies of the ways gender and sexuality intersect with religion and ritual in ancient Greece.

A result of four years of cooperative research between the University of Colorado and the Templo Mayor Project of Mexico’s National Institute of Anthropology and History, Aztec Ceremonial Landscapes (formerly available as To Change Place) offers new interpretive models from the fields of archaeoastronomy, history of religion, anthropology, art history, and archaeology. Included are contributions by such noted experts as Eduardo Matos Moctezuma, Davíd Carrasco, Alfredo López Austin, Doris Heyden, Richard F. Townsend, Anthony Aveni, Henry B. Nicholson, Elizabeth Boone, Felipe Solis, and Johanna Broda, with a new introduction by William Fash.