The tradition of agape, or unconditional love, is not exclusive to any religion. It is a primary underlying principle found in religions worldwide. The concept of altruistic love challenges the spiritual person to "love your enemies" or to "love without thought of return." It is a love that flows out to others through compassion, kindness, tenderness, and charitable giving.
Buddhists have a path of compassion, where caring for others becomes the motivating force behind existence. Hindus have a branch of yoga, the heart-centered path, that leads to enlightenment through an overwhelming love for God that takes the form of loving all humanity. Eastern religions, such as Taoism and Confucianism, see transcendent love as essential to true wisdom.
Love is a universal theme of love found in all religious traditions, Buddhist, Christian, Islam, or others. As we realize that all religions have this spiritual principle of love at their core, we can develop a sense of shared humanity. The religious tradition of agape love examined in this book will inspire those who are learning to grow in compassion and love for all people.
The authors show that the “age of beloveds” was not just an Ottoman, eastern European, or Islamic phenomenon. It extended into western Europe as well, pervading the cultures of Venice, Florence, Rome, and London during the same period. Andrews and Kalpakli contend that in an age dominated by absolute rulers and troubled by war, cultural change, and religious upheaval, the attachments of dependent courtiers and the longings of anxious commoners aroused an intense interest in love and the beloved. The Age of Beloveds reveals new commonalities in the cultural history of two worlds long seen as radically different.
This anthology brings together, for the first time, leading essays and book chapters from theologians, philosophers, and scientists on their research on ethics, altruism, and love. Because the general consensus today is that scholarship in moral theory requires empirical research, the arguments of the leading scholars presented in this book will be fundamental to those examining issues in love, ethics, religion, and science.
The first half of The Altruism Reader offers essential selections from religious texts, leading contemporary scholars, and cutting-edge ethicists. Buddhism, Christianity, Hinduism, Islam, and Judaism are represented. Among the highly respected writers are Thomas Aquinas, the Dalai Lama, Thich Nhat Hanh, John Polkinghorne, Stephen Pope, Louis Fischer, Amira Shamma Abdin, Katharine Doob Sakenfeld, and Daniel Day Williams.
The book’s second half features primary readings on love and altruism from the sciences. Here the focus is on anthropology, psychology, sociology, biology, and neurology, with material written by Daniel C. Batson, David Sloan Wilson, Robert Wright, Stephen G. Post, Robert Axelrod, Richard Dawkins, Holmes Rolston III, and other renowned scientists and philosophers.
“Virtually all people act—and often talk—as if they have some clue about love. We speak about loving food, falling in love, loving God, feeling loved, and loving a type of music. We say that love hurts, love waits, love stinks, and love means never having to say you’re sorry. We use the word and its derivatives in a wide variety of ways . . . . My definition of love is this: To love is to act intentionally, in sympathetic response to others (including God), to promote well-being.” —Thomas Jay Oord
Compelled by the emperor Nero to commit suicide at age 25 after writing uncomplimentary poems, Latin poet Lucan nevertheless left behind a significant body of work, including the Bellum Civile (Civil War). Sometimes also called the Pharsalia, this epic describes the war between Julius Caesar and Pompey.Author Giulio Celotto provides an interpretation of this civil war based on the examination of an aspect completely neglected by previous scholarship: Lucan’s literary adaptation of the cosmological dialectic of Love and Strife.
According to a reading that has found favor over the last three decades, the poem is an unconventional epic that does not conform to Aristotelian norms: Lucan composes a poem characterized by fragmentation and disorder, lacking a conventional teleology, and whose narrative flow is constantly delayed. Celotto’s study challenges this interpretation by illustrating how Lucan invokes imagery of cosmic dissolution, but without altogether obliterating epic norms. The poem transforms them from within, condemning the establishment of the Principate and the Julio-Claudian dynasty.
The ancient Greeks commonly resorted to magic spells to attract and keep lovers--as numerous allusions in Greek literature and recently discovered "voodoo dolls," magical papyri, gemstones, and curse tablets attest. Surveying and analyzing these various texts and artifacts, Christopher Faraone reveals that gender is the crucial factor in understanding love spells. There are, he argues, two distinct types of love magic: the curselike charms used primarily by men to torture unwilling women with fiery and maddening passion until they surrender sexually; and the binding spells and debilitating potions generally used by women to sedate angry or philandering husbands and make them more affectionate.
Faraone's lucid analysis of these spells also yields a number of insights about the construction of gender in antiquity, for example, the "femininity" of socially inferior males and the "maleness" of autonomous prostitutes. Most significantly, his findings challenge the widespread modern view that all Greek men considered women to be naturally lascivious. Faraone reveals the existence of an alternate male understanding of the female as "naturally" moderate and chaste, who uses love magic to pacify and control the "naturally" angry and passionate male. This fascinating study of magical practices and their implications for perceptions of male and female sexuality offers an unusual look at ancient Greek religion and society.
Seductive verse.
Ovid (Publius Ovidius Naso, 43 BC–AD 17), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars amatoria, and was banished because of this work and some other reason unknown to us, and dwelt in the cold and primitive town of Tomis on the Black Sea. He continued writing poetry, a kindly man, leading a temperate life. He died in exile.
Ovid’s main surviving works are the Metamorphoses, a source of inspiration to artists and poets including Chaucer and Shakespeare; the Fasti, a poetic treatment of the Roman year of which Ovid finished only half; the Amores, love poems; the Ars amatoria, not moral but clever and in parts beautiful; Heroides, fictitious love letters by legendary women to absent husbands; and the dismal works written in exile: the Tristia, appeals to persons including his wife and also the emperor; and similar Epistulae ex Ponto. Poetry came naturally to Ovid, who at his best is lively, graphic and lucid.
The Loeb Classical Library edition of Ovid is in six volumes.
Despite the growing interest in atomic culture and history, the body of relevant scholarship is relatively sparse. Atomic Culture opens new doors into the field by providing a substantive, engaging, and historically based consideration of the topic that will appeal to students and scholars of the Atomic Age as well as general readers.
Contributors include Michael A. Amundson, Mick Broderick, Peter Goin, John Hunner, Ferenc M. Szasz, A. Costandina Titus, Peter C. van Wyck, and Scott C. Zeman.
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