BiblioVault - Books about Limits -

Abraham Lincoln’s Statesmanship and the Limits of Liberal Democracy

Jon D. Schaff

Southern Illinois University Press, 2019

This bold, groundbreaking study of American political development assesses the presidency of Abraham Lincoln through the lenses of governmental power, economic policy, expansion of executive power, and natural rights to show how Lincoln not only believed in the limitations of presidential power but also dedicated his presidency to restraining the scope and range of it.

Though Lincoln’s presidency is inextricably linked to the Civil War, and he is best known for his defense of the Union and executive wartime leadership, Lincoln believed that Congress should be at the helm of public policy making. Likewise, Lincoln may have embraced limited government in vague terms, but he strongly supported effective rule of law and distribution of income and wealth. Placing the Lincoln presidency within a deeper and more meaningful historical context, Abraham Lincoln’s Statesmanship and the Limits of Liberal Democracy highlights Lincoln’s significance in the development of American power institutions and social movement politics.

Using Lincoln’s prepresidential and presidential words and actions, this book argues that decent government demands a balance of competing goods and the strong statesmanship that Lincoln exemplified. Instead of relying too heavily on the will of the people and institutional solutions to help prevent tyranny, Jon D. Schaff proposes that American democracy would be better served by a moderate and prudential statesmanship such as Lincoln’s, which would help limit democratic excesses.

Schaff explains how Lincoln’s views on prudence, moderation, natural rights, and economics contain the notion of limits, then views Lincoln’s political and presidential leadership through the same lens. He compares Lincoln’s views on governmental powers with the defense of unlimited government by twentieth-century progressives and shows how Lincoln’s theory of labor anticipated twentieth-century distributist economic thought. Schaff’s unique exploration falls squarely between historians who consider Lincoln a protoprogressive and those who say his presidency was a harbinger of industrialized, corporatized America.

In analyzing Lincoln’s approach, Abraham Lincoln’s Statesmanship and the Limits of Liberal Democracy rejects the idea he was a revolutionary statesman and instead lifts up Lincoln’s own affinity for limited presidential power, making the case for a modest approach to presidential power today based on this understanding of Lincoln’s statesmanship. As a counterpoint to the contemporary landscape of bitter, uncivil politics, Schaff points to Lincoln’s statesmanship as a model for better ways of engaging in politics in a democracy.

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The Affect Lab

The History and Limits of Measuring Emotion

Grant Bollmer

University of Minnesota Press, 2023

Examines how our understanding of emotion is shaped by the devices we use to measure it

Since the late nineteenth century, psychologists have used technological forms of media to measure and analyze emotion. In The Affect Lab, Grant Bollmer examines the use of measurement tools such as electrical shocks, photography, video, and the electroencephalograph to argue that research on emotions has confused the physiology of emotion with the tools that define its inscription.

Bollmer shows that the psychological definitions of emotion have long been directly shaped by the physical qualities of the devices used in laboratory research. To investigate these devices, The Affect Lab examines four technologies related to the history of psychology in North America: spiritualist toys at Harvard University, serial photography in early American psychological laboratories, experiments on “psychopaths” performed with an instrument called an Offner Dynograph, and the development of the “electropsychometer,” or “E-Meter,” by Volney Mathison and L. Ron Hubbard.

Challenging the large body of humanities research surrounding affect theory, The Affect Lab identifies an understudied problem in formulations of affect: how affect is a construction inseparable from the techniques and devices used to identify and measure it. Ultimately, Bollmer offers a new critique of affect and affect theory, demonstrating how deferrals to psychology and neuroscience in contemporary theory and philosophy neglect the material of experimental, scientific research.

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After Queer Theory

The Limits of Sexual Politics

James Penney

Pluto Press, 2013

After Queer Theory makes the provocative claim that queer theory has run its course, made obsolete by the elaboration of its own logic within capitalism. James Penney argues that far from signalling the end of anti-homophobic criticism, however, the end of queer presents the occasion to rethink the relation between sexuality and politics.

Through a critical return to Marxism and psychoanalysis (Freud and Lacan), Penney insists that the way to implant sexuality in the field of political antagonism is paradoxically to abandon the exhausted premise of a politicised sexuality.

After Queer Theory argues that it is necessary to wrest sexuality from the dead end of identity politics, opening it up to a universal emancipatory struggle beyond the reach of capitalism's powers of commodification.

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American Immunity

War Crimes and the Limits of International Law

Patrick Hagopian

University of Massachusetts Press, 2013

In 1955 the Supreme Court ruled that veterans of the U.S. armed forces could not be court-martialed for overseas crimes that were not detected until after they had left military service. Territorial limitations placed such acts beyond the jurisdiction of civilian courts, and there was no other American court in which they could be adjudicated. As a result, a jurisdictional gap emerged that for decades exempted former troops from prosecution for war crimes. "This was not merely a theoretical possibility," Patrick Hagopian writes. Over a dozen former soldiers who participated in the My Lai massacre did in fact "get away with murder." Further court rulings expanded the gap to cover civilian employees and contractors that accompanied the armed forces.

In American Immunity, Hagopian places what he calls the "superpower exemption" in the context of a long-standing tension between international law and U.S. sovereignty. He shows that despite the U.S. role in promulgating universal standards of international law and forming institutions where those standards can be enforced, the United States has repeatedly refused to submit its own citizens and troops to the jurisdiction of international tribunals and failed to uphold international standards of justice in its own courts.

In 2000 Congress attempted to close the jurisdictional gap with passage of the Military Extraterritorial Jurisdiction Act. The effectiveness of that legislation is still in question, however, since it remains unclear how willing civilian American juries will be to convict veterans for conduct in foreign war zones.

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At the Limits of Cure

Bharat Jayram Venkat

Duke University Press, 2021

Can a history of cure be more than a history of how disease comes to an end? In 1950s Madras, an international team of researchers demonstrated that antibiotics were effective in treating tuberculosis. But just half a century later, reports out of Mumbai stoked fears about the spread of totally drug-resistant strains of the disease. Had the curable become incurable? Through an anthropological history of tuberculosis treatment in India, Bharat Jayram Venkat examines what it means to be cured, and what it means for a cure to come undone. At the Limits of Cure tells a story that stretches from the colonial period—a time of sanatoria, travel cures, and gold therapy—into a postcolonial present marked by antibiotic miracles and their failures. Venkat juxtaposes the unraveling of cure across a variety of sites: in idyllic hill stations and crowded prisons, aboard ships and on the battlefield, and through research trials and clinical encounters. If cure is frequently taken as an ending (of illness, treatment, and suffering more generally), Venkat provides a foundation for imagining cure otherwise in a world of fading antibiotic efficacy.

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At the Limits of Political Philosophy

From "Brilliant Errors" to Things of Uncommon Importance

James V. Schall

Catholic University of America Press, 1996

James V. Schall presents, in a convincing and articulate manner, the revelational contribution to political philosophy, particularly that which comes out of the Roman Catholic tradition.

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Avant-Garde Performance and the Limits of Criticism

Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement

Mike Sell

University of Michigan Press, 2005

Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. It develops three case studies: the Living Theatre's influential production of Jack Gelber's The Connection, which subverted the historical and political assumptions of the War on Drugs, utilized cutting-edge jazz both formally and thematically, and inspired a generation of artists and activists to rethink the nature of community and communication; the earliest American performance art, namely the Happenings and Fluxus events, which responded in astounding ways to the avaricious movements of Cold War capitalism; and the Black Arts Movement, which brought about practical and theoretical innovations that effectively evade the conceptual categories of Euro-American philosophy and historiography.

Mike Sell's study is groundbreaking in its consideration of the avant-garde in relationship to a crucial but rarely considered agent: the scholar and critic. The book examines the role of the scholar and critic in the cultural struggles of radical artists and activists and reveals how avant-garde performance identifies the very limits of critical consideration. The book also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and eventually finds its way onto the syllabi of college and university courses. Avant-Garde Performance and the Limits of Criticism is a timely and significant book that will become a standard reference for scholars in the fields of avant-garde literary criticism, theater history, critical theory, and performance studies.

"A provocative exploration of relations between the historical avant-garde and Cold War vanguard art and theatre. Sell's compelling historical and cultural narrative shows how the connections between the two exist at a very deep level of radical politics and aesthetics--an amazing concoction of rigorous scholarship, interdisciplinary learning, and progressive theorizing."
--Michael Vanden Heuvel, University of Wisconsin, Madison

"One of the most sophisticated, engaged, and engaging studies of the avant-garde in the United States that I've read-an important study that will raise the bar not only on scholarship of the Black Arts Movement, but on U.S. avant-gardism generally."
--James Smethurst, University of Massachusetts

A volume in the series Theater: Theory/Text/Performance. A list of recent titles in the series appears at the front of this volume.

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