Chicano Studies is a comparatively new academic discipline. Unlike well-established fields of study that long ago codified their canons and curricula, the departments of Chicano Studies that exist today on U.S. college and university campuses are less than four decades old. In this edifying and frequently eye-opening book, a career member of the discipline examines its foundations and early years. Based on an extraordinary range of sources and cognizant of infighting and the importance of personalities, Chicano Studies is the first history of the discipline.
What are the assumptions, models, theories, and practices of the academic discipline now known as Chicano Studies? Like most scholars working in the field, Michael Soldatenko didn't know the answers to these questions even though he had been teaching for many years. Intensely curious, he set out to find the answers, and this book is the result of his labors. Here readers will discover how the discipline came into existence in the late 1960s and how it matured during the next fifteen years-from an often confrontational protest of dissatisfied Chicana/o college students into a univocal scholarly voice (or so it appears to outsiders).
Part intellectual history, part social criticism, and part personal meditation, Chicano Studies attempts to make sense of the collision (and occasional wreckage) of politics, culture, scholarship, ideology, and philosophy that created a new academic discipline. Along the way, it identifies a remarkable cast of scholars and administrators who added considerable zest to the drama.
“They join the greatest boldness in thought to the most obedient character.” So Madame de Stael described German intellectuals at the close of the 18th century, and her view of this schism between the intellectual and the political has stood virtually unchallenged for 200 years. This book lays to rest Madam de Stael's legacy, the myth of the apolitical German. In a narrative history of ideas that proceeds from his book The Fate of Reason, Frederick Beiser discusses how the French Revolution, with a rationalism and an irrationalism that altered the world, transformed and politicized German philosophy and its central concern: the authority and limits of reason. In Germany, three antithetical political traditions—liberalism, conservatism, and romanticism—developed in response to the cataclysmic events in France.
Enlightenment, Revolution, and Romanticism establishes the genesis and context of these traditions and illuminates their fundamental political ideas. Moving from such well-known figures as Kant, Fichte, Jacobi, Forster, and Moser, Beiser summarizes responses to the French Revolution by the major political thinkers of the period. He investigates the sources for their political theory before the 1790s and assesses the importance of politics for their thought in general. By concentrating on a single formative decade, Beiser aims to reveal the political values and purposes underlying German thought in the late 18th century and ultimately to clarify the place of practical reason in the German philosophical tradition.
First published in 1951, Genesis and Geology describes the background of social and theological ideas and the progress of scientific researches that, between them, produced the religious difficulties that afflicted the development of science in early industrial England. The book makes clear that the furor over On the Origin of Species was nothing new: earlier discoveries in science, particularly geology, had presented major challenges, not only to the literal interpretation of the Book of Genesis, but even more seriously to the traditional idea that Providence controls the order of nature with an eye to fulfilling divine purpose.
A new Foreword by Nicolaas Rupke places this book in the context of the last forty-five years of scholarship in the social history of evolutionary thought. Everyone interested in the history of modern science, in ideas, and in nineteenth-century England will want to read this book.
We seem to be abandoning the codes that told previous generations who they should love. But now that many of us are free to choose whoever we want, nothing is less certain. The proliferation of divorces and separations reveal a dynamic we would rather not see: others sometimes reject us as passionately as we are attracted to them.
Our desire makes us sick. The throes of rivalry are at the heart of our attraction to one another. This is the central thesis of Jean-Michel Oughourlian's The Genesis of Desire, where the war of the sexes is finally given a scientific explanation. The discovery of mirror neurons corroborates his ideas, clarifying the phenomena of empathy and the mechanisms of violent reciprocity.
How can a couple be saved when they have declared war on one another? By helping them realize that desire originates not in the self but in the other. There are strategies that can help, which Dr. Oughourlian has prescribed successfully to his patients. This work, alternating between case studies and more theoretical statements, convincingly defends the possibility that breakups need not be permanent.
The story of the blending of diverse cultures in a land rich in resources and beauty is an extraordinary one. In this account, the pioneer hunters, trappers, and traders who roamed the Ozark hills and the boatmen who traded on the Missouri and Mississippi Rivers take their place beside the small coterie of St. Louisans whose wealth and influence enabled them to dominate the region politically and economically. Especially appealing for many readers will be the attention Foley gives to common Missourians, to the status of women and blacks, and to Indian-white relations.
Frank Kermode has long held a distinctive place among modern critics. He brings to the study of literature a fine and fresh critical intelligence that is always richly suggestive, never modish. He offers here an inquiry—elegant in conception and style—into the art of interpretation. His subject quite simply is meanings; how they are revealed and how they are concealed.
Drawing on the venerable tradition of biblical interpretation, Mr. Kermode examines some enigmatic passages and episodes in the gospels. From his reading come ideas about what makes interpretation possible—and often impossible. He considers ways in which narratives acquire opacity, and he asks whether there are methods of distinguishing all possible meaning from a central meaning which gives the story its structure. He raises questions concerning the interpretation of single texts in relation to their context in a writer’s work and a tradition; considers the special interpretative problems of historical narration; and tries to relate the activities of the interpreter to interpretation more broadly conceived as a means of living in the world.
While discussing the gospels, Mr. Kermode touches upon such literary works as Kafka’s parables, Joyce’s Ulysses, Henry James’s novels, and Pynchon’s Crying of Lot 49. By showing the relationships between religious interpretation and literary criticism, he has enhanced both fields.
Research powers innovation and technoscientific advance, but it is due for a rethink, one consistent with its deeply holistic nature, requiring deeply human nurturing.
Research is a deeply human endeavor that must be nurtured to achieve its full potential. As with tending a garden, care must be taken to organize, plant, feed, and weed—and the manner in which this nurturing is done must be consistent with the nature of what is being nurtured.
In The Genesis of Technoscientific Revolutions, Venkatesh Narayanamurti and Jeffrey Tsao propose a new and holistic system, a rethinking of the nature and nurturing of research. They share lessons from their vast research experience in the physical sciences and engineering, as well as from perspectives drawn from the history and philosophy of science and technology, research policy and management, and the evolutionary biological, complexity, physical, and economic sciences.
Narayanamurti and Tsao argue that research is a recursive, reciprocal process at many levels: between science and technology; between questions and answer finding; and between the consolidation and challenging of conventional wisdom. These fundamental aspects of the nature of research should be reflected in how it is nurtured. To that end, Narayanamurti and Tsao propose aligning organization, funding, and governance with research; embracing a culture of holistic technoscientific exploration; and instructing people with care and accountability.
There is no doubt about Le Corbusier's dominating stature in twentieth century architecture. Here, for the first time, is a richly illustrated portrait of the way he worked out a design from inception to completion; it is an examination of the creative process that looks over the architect's shoulder, seeing his governing principles and typical strategies as well as his working habits and personality.
The book recounts the story of a building that for its creator had a special significance. The Carpenter Center for the Visual Arts at Harvard was one of his last buildings. Le Corbusier was aware that it would be his only one in the United States and thus his only chance to teach an object lesson in a country about which he had very strong feelings. William Curtis describes the Carpenter Center and traces, step by step, the development of its design. Eduard Sekler assesses the building's aesthetics, especially in relation to Le Corbusier's total oeuvre. Rudolph Arnheim and Barbara Norfleet contribute chapters that look at the Carpenter Center as an exercise in creativity and assess its psychological effect and its ability to meet the changing needs of its users.
Evolutionary theory ranks as one of the most powerful concepts of modern civilization. Its effects on our view of life have been wide and deep. One of the most world-shaking books ever published, Charles Darwin’s On the Origin of Species, first appeared in print over 130 years ago, and it touched off a debate that rages to this day.
Every modern evolutionist turns to Darwin’s work again and again. Current controversies in the life sciences very often have as their starting point some vagueness in Darwin’s writings or some question Darwin was unable to answer owing to the insufficient biological knowledge available during his time. Despite the intense study of Darwin’s life and work, however, many of us cannot explain his theories (he had several separate ones) and the evidence and reasoning behind them, nor do we appreciate the modifications of the Darwinian paradigm that have kept it viable throughout the twentieth century.
Who could elucidate the subtleties of Darwin’s thought and that of his contemporaries and intellectual heirs—A. R. Wallace, T. H. Huxley, August Weismann, Asa Gray—better than Ernst Mayr, a man considered by many to be the greatest evolutionist of the century? In this gem of historical scholarship, Mayr has achieved a remarkable distillation of Charles Darwin’s scientific thought and his enormous legacy to twentieth-century biology. Here we have an accessible account of the revolutionary ideas that Darwin thrust upon the world. Describing his treatise as “one long argument,” Darwin definitively refuted the belief in the divine creation of each individual species, establishing in its place the concept that all of life descended from a common ancestor. He proposed the idea that humans were not the special products of creation but evolved according to principles that operate everywhere else in the living world; he upset current notions of a perfectly designed, benign natural world and substituted in their place the concept of a struggle for survival; and he introduced probability, chance, and uniqueness into scientific discourse.
This is an important book for students, biologists, and general readers interested in the history of ideas—especially ideas that have radically altered our worldview. Here is a book by a grand master that spells out in simple terms the historical issues and presents the controversies in a manner that makes them understandable from a modern perspective.
Syncretistic exegesis.
The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.
The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.
The first major theological work of the Swedish scientist-turned-seer Emanuel Swedenborg, Secrets of Heaven is in one sense a traveler's account. It reveals the unseen realms that await beyond death--the light, the warmth, and harmony of the angelic heavens and the varied darkness of the multitudinous hells. But in addition, the work offers a detailed examination of Genesis and Exodus, providing a model for a new way to understand the entire Bible. Prized for both the simplicity of its explanation and the breadth and depth of its vision, Swedenborg's reading of Scripture discloses layer upon layer of inner meaning, all without undermining the power and import of the literal word.
This first of the multivolume work contains an introduction by Wouter J. Hanegraaff, professor of History of Hermetic Philosophy and Related Currents at the University of Amsterdam, and a reader's guide by Swedenborgian scholar William Ross Woofenden and New Century Edition Series Editor Jonathan S. Rose.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life. Introductions and annotations by eminent, international scholars place Swedenborg’s writings in their historical context and illuminate obscure references within the text, enabling readers to understand and trace Swedenborg’s influence as never before.
The first major theological work of the Swedish scientist-turned-seer Emanuel Swedenborg, Secrets of Heaven is in one sense a traveler's account. It reveals the unseen realms that await beyond death--the light, the warmth, and harmony of the angelic heavens and the varied darkness of the multitudinous hells. But in addition, the work offers a detailed examination of Genesis and Exodus, providing a model for a new way to understand the entire Bible. Prized for both the simplicity of its explanation and the breadth and depth of its vision, Swedenborg's reading of Scripture discloses layer upon layer of inner meaning, all without undermining the power and import of the literal word.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.
This portable edition of Secrets of Heaven vol. 1 includes the text of the New Century Edition without the introduction, annotations, and other supplementary of the deluxe hardcover and paperback editions.
Secrets of Heaven is Emanuel Swedenborg’s magnum opus, a fifteen-volume work that delves into the inner, spiritual meaning of the Bible. Starting from the first verse, Swedenborg goes through Genesis and Exodus verse by verse, sometimes word by word, uncovering the fascinating teachings behind the literal account. By doing careful comparison of passages and tracing individual images and motifs through the Bible, he demonstrates that it contains a profound, coherent, and unified inner meaning.
The second volume covers Genesis 9–15, beginning with God’s covenant with Noah following the Flood and then following the familiar story of the patriarch Abraham. In the process, Swedenborg discusses the concept of regeneration, or spiritual rebirth, and describes the way the people act before and after rebirth. He also talks about an epoch of human history that he calls the ancient church and the spiritual state of the people in that church. Interspersed with the biblical commentary are chapters on related topics such as the lives of angels in heaven, how distance and time work in the spiritual world, and the nature of hell.
Secrets of Heaven provides essential insight into Swedenborg’s theology and lays the groundwork for the rest of his writings. This new translation, part of the New Century Edition series, makes his insights into Scripture and his accounts of his spiritual experiences more accessible than ever before.
With authority and sensitivity Plotkin traces the close relationship between Hopkins’s poetry and the theories of language suggested in his Journals and expounded by Victorian philologists such as Max Müller and George Marsh.
Plotkin seeks to determine what changed Hopkins’s perception of language between the writing of such early poems as "The Habit of Perfection" and "Nondum" (1866) and his creation of The Wreck of the Deutschland (1875–76). Did the language of the ode, and of Hopkins’s mature poetry generally, arise as spontaneously as it appears to have done, or does it have a traceable genesis in the ways in which language as a whole was conceived and studied in mid-century England? In answer, Plotkin fixes the development of Hopkins’s singular poetic language in the philological context of his time.
If one is to understand Hopkins’s writings and poetic language in the context in which they developed rather than in the terms of a present-day theory of history or textuality, then that movement in all of its complexity must be considered. Hopkins "translates" into the language of poetry patterns and categories common to Victorian language study.
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