A SCHOLARLY BOOK REPOSITORY
Buero-Vallejo's emblematic first play, Story of a Stairway (1949), chronicling decades in the lives of struggling Madrid families, catapulted the young author into prominence. Appearing here for the first time in English, Before Dawn (1953) is a whodunit and the riveting odyssey of one woman 's search for truth that recalls Greek tragedy. The Basement Window (1967), an Orwellian science-fiction experiment, portrays the moral climate of the late twentieth century as judged by ethically enlightened researchers of a distant future. In the first English translation of the author's poignantly relevant final play, Mission to the Deserted Village (1999), a wartime attempt to save an El Greco painting raises questions about how much of its own treasure a culture will destroy to keep it out of enemy hands.
Readers who know Buero-Vallejo's plays will celebrate O'Connor 's sparkling translations. Those who haven't yet read Buero-Vallejo will find a very moving introduction in this collection.
In the Soviet Union, as in the West, Marina Tsvetaeva (1892-4941) is acknowledged to be one of the great Russian poets of the century, along with Mandelstam, Pasternak and Akhmatova. Overnight sensation and oft-times pariah, Tsvetaeva was a poet of extraordinary intensity whose work continues to be discovered by new readers. Yet, while she is considered to be one of the major influences on modern Soviet poetry, few know of her consummate gifts as a writer of prose. These select essays, most of which have never been available in translation before, display the dazzlingly original prose style and the powerful, dialogic voice of a poet who would like to make art’s mystery accessible without diminishing it.
The essays provide incomparable insight on poetry, the poetic process, and what it means to be a poet. The volume offers, among many fascinating topics, a celebration of the poetry of Pasternak and reflections on the lives and works of other Russian poets, such as Mandelstam, Mayakovsky, and Zhukovsky. Included in this richly diverse collection are the essays “The Poet on the Critic,” which earned Tsvetaeva the enmity of many, Art in the Light of Conscience, a spirited defense of poetry, and The Poet and Time, seen by many scholars as providing the key to understanding Tsvetaeva’s work. The immense power and originality of Tsvetaeva’s language captured by Angela Livingstone’s superb translation of the essays along with twelve of Tsvetaeva’s poems on related themes, is testimony to why the Tsvetaevan revival in the Soviet Union and interest in the West continue to gain momentum as the centenary of her birth approaches. The volume is made complete by the addition of an elegant introduction by the translator, a chronology of Tsvetaeva’s life, and an index of contemporary poets and writers mentioned in the essays.
“Good poetry is always better than prose,” Tsvetaeva wrote. Prose as good as hers, however, is rare and few have done as much as she to explore the processes of creation and the feelings of the exceptionally creative person in the ordinary world.
An unflinching examination of the moral and professional dilemmas faced by physicians who took part in the Manhattan Project.
After his father died, James L. Nolan, Jr., took possession of a box of private family materials. To his surprise, the small secret archive contained a treasure trove of information about his grandfather’s role as a doctor in the Manhattan Project. Dr. Nolan, it turned out, had been a significant figure. A talented ob-gyn radiologist, he cared for the scientists on the project, organized safety and evacuation plans for the Trinity test at Alamogordo, escorted the “Little Boy” bomb from Los Alamos to the Pacific Islands, and was one of the first Americans to enter the irradiated ruins of Hiroshima and Nagasaki.
Participation on the project challenged Dr. Nolan’s instincts as a healer. He and his medical colleagues were often conflicted, torn between their duty and desire to win the war and their oaths to protect life. Atomic Doctors follows these physicians as they sought to maximize the health and safety of those exposed to nuclear radiation, all the while serving leaders determined to minimize delays and maintain secrecy. Called upon both to guard against the harmful effects of radiation and to downplay its hazards, doctors struggled with the ethics of ending the deadliest of all wars using the most lethal of all weapons. Their work became a very human drama of ideals, co-optation, and complicity.
A vital and vivid account of a largely unknown chapter in atomic history, Atomic Doctors is a profound meditation on the moral dilemmas that ordinary people face in extraordinary times.
To this careful and sensitive English-language translation of The Bad Conscience, translator Andrew Kelley has added a substantial introduction situating the work in historical and intellectual context. Notes throughout indicate differences between this and earlier editions. A thought-provoking critique of standard conceptions of moral philosophy, The Bad Conscience restores this work by an important philosopher who has only recently begun to receive his due from the English-speaking world.
Hobbes's Leviathan, Hegel's Phenomenology of Spirit, and Heidegger's Being and Time dramatize conscience's relation to language and knowledge, morality and duty, and ontology. Feldman investigates how, within these works, conscience is described as binding upon us while at the same time asking how texts themselves may be read as binding.
Bold Conscience chronicles the shifting conception of conscience in early modern England, as it evolved from a faculty of restraint—what Shakespeare labels “coward conscience”—to one of bold and forthright self-assertion. The concept of conscience played an important role in post-Reformation England, from clerical leaders to laymen, not least because of its central place in determining loyalties during the English Civil War and the regicide of King Charles I. Yet the most complex and lasting perspectives on conscience emerged from deliberately literary voices—William Shakespeare, John Donne, and John Milton.
Joshua Held argues that literary texts by these authors transform the idea of conscience as a private, shameful state to one of boldness fit for navigating both royal power and common dissent in the public realm. Held tracks the increasing political power of conscience from Shakespeare’s Hamlet and Henry VIII to Donne’s court sermons and Milton’s Areopagitica, showing finally that in Paradise Lost, Milton roots boldness in the inner paradise of a pure, common conscience.
Applying a fine-grain analysis to literary England from about 1601 to 1667, this study also looks back to the 1520s, to Luther’s theological foundations of the concept, and forward to 1689, to Locke’s transformation of the idea alongside the term “consciousness.” Ultimately, Held’s study shows how conscience emerges at once as a bulwark against absolute sovereignty and as a stronghold of personal certainty.
A Call to Conscience offers the first comprehensive history of the anti–Contra War campaign and its Nicaragua connections. Roger Peace places this eight-year campaign in the context of previous American interventions in Latin America, the Cold War, and other grassroots oppositional movements. Based on interviews with American and Nicaraguan citizens and leaders, archival records of activist organizations, and official government documents, this book reveals activist motivations, analyzes the organizational dynamics of the anti–Contra War campaign, and contrasts perceptions of the campaign in Managua and Washington.
Peace shows how a variety of civic groups and networks—religious, leftist, peace, veteran, labor, women's rights—worked together in a decentralized campaign that involved extensive transnational cooperation.
In this biography of that most elusive human element, Martin van Creveld explores conscience throughout history, ranging across numerous subjects, from human rights to health to the environment. Along the way he considers the evolution of conscience in its myriad, occasionally strange, and ever-surprising permutations. He examines the Old Testament, which—erroneously, it turns out—is normally seen as the fountainhead from which the Western idea of conscience has sprung. Next, he takes us to meet Antigone, the first person on record to explicitly speak of conscience. We then visit with the philosophers Zeno, Cicero and Seneca; with Christian thinkers such as Paul, Augustine, Aquinas, and, above all, Martin Luther; as well as modern intellectual giants such as Machiavelli, Rousseau, Kant, Hegel, Nietzsche, and Freud. Individual chapters are devoted to Japan, China, and even the Nazis, as well as the most recent discoveries in robotics and neuroscience and how they have contributed to the ways we think about our own morality. Ultimately, van Creveld shows that conscience remains as elusive as ever, a continuously mysterious voice that guides how we think about right and wrong.
Lowell Bennion was founding director of the LDS Institute of Religion and professor of sociology at the University of Utah. He established multiple community service entities. Sterling McMurrin was distinguished professor of philosophy and history, dean of the graduate school, and former commissioner of education under JFK. He dismissed dogma and doctrine as barriers to a search for moral and spiritual understanding. Obert Tanner, also of the university’s Philosophy Department, excelled in teaching and business and became especially well known for philanthropy. The lives and work of these three men reveal the tensions between faith and reason, conscience and obedience. Their stories speak to us today because their concerns remain our concerns: racial justice, women’s equality, gay rights, and the meaning of integrity and conscience.
Kaplan simulates the response to a long visit to the new Holocaust museum in Washington, D.C., which, crucially for Kaplan, is sited in direct view of the Jefferson and Lincoln monuments, powerful symbols of humanist democracy. He insists the Holocaust be viewed not only in terms of personal ethics but modern political ethics as well: for Kaplan the affirmative legacy of the Holocaust is its focus on the dangers of nationalism, racism, and all forms of separatist group identities. It challenges the historicism, cults of power, and scientistic politics of modernity. And it challenges the moral passivity and relativism of mass politics in Western and Eastern societies.
The opening of the Holocaust museum has sparked a debate that reflects a larger debate over the Holocaust's "meaning," its translatability for ordinary understanding. Some deny any possible response except that of overwhelming grief and horror. For others, the "lesson" of the Holocaust implies, in the words of Robert Nozick, that "mankind has fallen. . . . Humanity has lost its claim to continue." The moral life and political institutions will remain endlessly tormented by the Holocaust. That, Kaplan tells us, is the ultimate content of its "meaning," and is what makes the discussion of "meaning" much more than a mourner's symposium.
The Museum itself, according to Kaplan, has become an impressive memorial to the principle of humanism, instructing the collective memory of this democracy and that of nations everywhere which aspire to civil existence. Out of its awful darkness the Holocaust throws the light of conscience for those capable of receiving it.
In 1933, Durr moved to Washington to work as a lawyer for the Reconstruction Finance Corporation, a creation of Roosevelt’s new Democratic administration, becoming a dedicated New Dealer in the process. He was then appointed by President Franklin D. Roosevelt to the Federal Communications Commission (FCC), a politically sensitive position as FDR sought to counter the increasing power and concentration of broadcasters, many of whom were opponents of the New Deal. Durr resigned from the FCC in 1948 and after brief employment with the National Farmers Union in Colorado, the Durrs eventually returned to Montgomery, Alabama in the hope of returning to a more prosperous, less controversial life.
Durr continued to practice in Montgomery as counsel for black citizens whose rights had been violated and ultimately, in December, 1955, when police arrested Rosa Parks for refusing to give her bus seat to a white man he stepped in and lent his extensive legal prowess to her case and the continuing quest for civil rights. Closing his firm in 1964 Durr began to lecture in the United States and abroad. He died at his grandfather's farm in 1975
The Conscience of the Court celebrates the work of Justice William J. Brennan Jr., who served on the United States Supreme Court for thirty-four years (1956–1990).
Stephen L. Sepinuck and Mary Pat Treuthart introduce and present selected judicial opinions written by Justice Brennan on issues involving personal freedom, civil liberties, and equality. Brennan is ranked by many as the best writer ever to have served on the Supreme Court, and his written opinions depict real people, often in desperate, emotional situations. Remarkable for their clarity of analysis, for their eloquence, and for their forcefulness and persuasiveness, his opinions demonstrate that judicial thought need not be a proprietary enclave of lawyers or the intellectual elite.
The extended excerpts selected by Sepinuck and Treuthart highlight Brennan's approach to judicial decision making. Concerned always with how each decision would actually affect people's lives, Brennan possessed a rare quality of empathy. In Brennan, the editors note, "people and groups who lacked influence in society—Communists and flag burners, children and foreigners, criminal defendants and racial minorities"—found a champion they could count on "to listen to their causes and judge them unmoved by the passions of the politically powerful."
In their introduction to each opinion, the editors provide background facts, discuss how the excerpted opinion transformed the law or otherwise fit into the realm of constitutional jurisprudence, and delve into Justice Brennan's judicial philosophy, his method of constitutional interpretation, and the language he used.
In 1982, a century after the laying of the cornerstone of its first building, the University of Texas was ranked by the New York Times among the best in the nation. No one had more to do with that extraordinary achievement than Harry Huntt Ransom. From 1935 to his death in 1976, he served the University in positions ranging from instructor in English to chancellor of The University of Texas System. In the fifties, sixties, and seventies, he held a succession of administrative posts requiring him to face a myriad of perplexing problems. Among the critical issues calling for analysis and decision in those years were the post-Sputnik pressure for greater emphasis on science and technology, the student revolts during the 1960s, and the defection of growing numbers of university faculty to industry and government.
Harry Huntt Ransom did not merely respond to the problems of the times. He had his own large ambitions for the University of Texas, in particular the improvement of student programs, the development of a vigorous faculty, and—the achievement for which he is best remembered—the building of a world-renowned library.
He was concerned with the role of the university in society, what the university should do and do well, and what it should not do. Always he viewed these matters in broad perspective, and his approach to them was far-sighted and deeply philosophical.
As dean, vice-president, president, and chancellor, Ransom wrote and spoke often on these and other important subjects. Aside from the books that he wrote and edited, he left a prodigious amount of material, some of which had been published in various journals and some of which had been delivered as lectures and addresses and never made available in printed form.
For the last twenty-five years of Ransom's life his wife, Hazel, was his closest companion and confidant. At the urging of Harry's friends, colleagues, and admirers, she undertook the task of sifting through her late husband's papers in an effort to organize and preserve some of the important contributions he had made to the thought and planning that were so instrumental in shaping the University of Texas and higher education in general. In these essays we see the force of reasoning and grace of style for which Ransom was so widely admired. It was he who reminded us that books last longer than buildings. This is a book of lasting importance that Harry Ransom himself might have given us had he lived longer.
Laurie Lee Hall’s growing-up years were defined by the conflict between her physical condition as a boy and her inherent identity as a girl. Unable to explain or resolve her gender dysphoria, she committed to living her adult life as a male. She joined the Church of Jesus Christ of Latter-day Saints, eventually becoming chief architect of its temples and an ecclesiastical leader. In her church and community, rigid adherence to gender roles is not only the norm, but the defining issue of a faith that doctrinally declares one’s gender as an “eternal identity.” Against this traditional backdrop, Hall finally received spiritual confirmation and personally accepted that she was transgender and always had been. In this remarkable memoir, Laurie Lee details how she risked everything to live true to her long-suppressed gender identity.
Through the power of lived experience, Laurie Lee’s story affirms the reality of gender identity and the strength and joy of self-acceptance.
In 1989, The National Museum of the American Indian Act (NMAIA) was successfully passed after a long and intense struggle. One year later, the Native American Graves Protection and Repatriation Act (NAGPRA) followed. These federal repatriation statutes—arguably some of the most important laws in the history of anthropology, museology, and American Indian rights—enabled Native Americans to reclaim human remains, funerary objects, sacred objects, and objects of cultural patrimony.
Twenty years later, the controversy instigated by the creation of NMAIA and NAGPRA continues to simmer. In the Smaller Scope of Conscience is a thoughtful and detailed study of the ins and outs of the four-year process behind these laws. It is a singular contribution to the history of these issues, with the potential to help mediate the ongoing debate by encouraging all sides to retrace the steps of the legislators responsible for the acts.
Few works are as detailed as McKeown’s account, which looks into bills that came prior to NMAIA and NAGPRA and combs the legislative history for relevant reports and correspondence. Testimonies, documents, and interviews from the primary players of this legislative process are cited to offer insights into the drafting and political processes that shaped NMAIA and NAGPRA.
Above all else, this landmark work distinguishes itself from earlier legislative histories with the quality of its analysis. Invested and yet evenhanded in his narrative, McKeown ensures that this journey through history—through the strategies and struggles of different actors to effect change through federal legislation—is not only accurate but eminently intriguing.
The story of Czech theatre in the twentieth century involves generations of mesmerizing players and memorable productions. Beyond these artistic considerations, however, lies a larger story: a theatre that has resonated with the intense concerns of its audiences acquires a significance and a force beyond anything created by striking individual talents or random stage hits. Amid the variety of performances during the past hundred years, that basic and provocative reality has been repeatedly demonstrated, as Jarka Burian reveals in his extraordinary history of the dramatic world of Czech theatre.
Following a brief historical background, Burian provides a chronological series of perspectives and observations on the evolving nature of Czech theatre productions during this century in relation to their similarly evolving social and political contexts. Once Czechoslovak independence was achieved in 1918, a repeated interplay of theatre with political realities became the norm, sometimes stifling the creative urge but often producing even greater artistry. When playwright Václav Havel became president in 1990, this was but the latest and most celebrated example of the vital engagement between stage and society that has been a repeated condition of Czech theatre for the past two hundred years. In Jarka Burian's skillful hands, Modern Czech Theatre becomes an extremely important touchstone for understanding the history of modern theatre within western culture.
Sorabji examines an impressive breadth of topics: the longing for different kinds of freedom of conscience, the proper limits of freedom itself, protests at conscience’s being ‘terrorized,’ dilemmas of conscience, the value of conscience to human beings, its secularization, its reliability, and ways to improve it. These historical issues are alive today, with fresh concerns about topics such as conscientious objection, the force of conscience, or the balance between freedoms of conscience, religion, and speech. The result is a stunningly comprehensive look at a central component of our moral understanding.
Based on decades of research, A Privilege of Intellect is D. A. Drennen’s portrait of the English cardinal John Henry Newman (1801–90), whose conversion to the Roman Catholic Church in 1845 significantly boosted the presence of the Catholic Church in England and caused many Anglicans to follow his example. Newman—who will be beatified this fall—devoted his life both to the Church and to the university, demonstrating that religious faith and intellectual pursuits could exist in harmony. Drennen’s biography combines theology with psychology and philosophy and will appeal to anyone interested in the history of the Church of England and the Roman Catholic Church.
The Catholic Church’s claims to spiritual and temporal authority rest on Jesus’ promise in the gospels to give Peter the keys to the kingdom of heaven. In the sixteenth century, leaders of the German Reformation sought a fundamental transformation of this “power of the keys” as part of their efforts to rid Church and society of alleged clerical abuses. Central to this transformation was a thoroughgoing reform of private confession.
Unlike other Protestants, Lutherans chose not to abolish private confession but to change it to suit their theological convictions and social needs. In a fascinating examination of this new religious practice, Ronald Rittgers traces the development of Lutheran private confession, demonstrating how it consistently balanced competing concerns for spiritual freedom and moral discipline. The reformation of private confession was part of a much larger reformation of the power of the keys that had profound implications for the use of religious authority in sixteenth-century Germany.
As the first full-length study of the role of Lutheran private confession in the German Reformation, this book is a welcome contribution to early modern European and religious history.
“The strength of Empire,” wrote Ben Jonson, “is in religion.” In Reforming Empire, Christopher Hodgkins takes Jonson’s dictum as his point of departure, showing how for more than four centuries the Protestant imagination gave the British Empire its main paradigms for dominion and also, ironically, its chief languages of anti-imperial dissent. From Edmund Spenser’s Faerie Queene to Rudyard Kipling’s “The Man Who Would Be King,” English literature about empire has turned with strange constancy to themes of worship and idolatry, atrocity and deliverance, slavery and service, conversion, prophecy, apostasy, and doom.
Focusing on the work of the Protestant imagination from the Renaissance origins of English overseas colonization through the modern end of England’s colonial enterprise, Hodgkins organizes his study around three kinds of religious binding—unification, subjugation, and self-restraint. He shows how early modern Protestants like Hakluyt and Spenser reformed the Arthurian chronicles and claimed to inherit Rome’s empire from the Caesars: how Ralegh and later Cromwell imagined a counterconquest of Spanish America, and how Milton’s Satan came to resemble Cortés; how Drake and the fictional Crusoe established their status as worthy colonial masters by refusing to be worshiped as gods; and how seventeenth-century preachers, poets, and colonists moved haltingly toward a racist metaphysics—as Virginia began by celebrating the mixed marriage of Pocahontas but soon imposed the draconian separation of the Color Line.
Yet Hodgkins reveals that Tudor-Stuart times also saw the revival of Augustinian anti-expansionism and the genesis of Protestant imperial guilt. From the start, British Protestant colonialism contained its own opposite: a religion of self-restraint. Though this conscience often was co-opted or conscripted to legitimize conquests and pacify the conquered, it frequently found memorable and even fierce literary expression in writers such as Shakespeare, Daniel, Herbert, Swift, Johnson, Burke, Blake, Austen, Browning, Tennyson, Conrad, Forster, and finally the anti-Protestant Waugh. Written in a lively and accessible style, Reforming Empire will be of interest to all scholars and students of English literature.
Jocelyn Maclure and Charles Taylor provide a clearly reasoned, articulate account of secularism how it may offer the only path to religious and philosophical freedom.
Secularism: the definition of this word is as practical and urgent as income inequalities or the paths to sustainable development. In this wide-ranging analysis, Jocelyn Maclure and Charles Taylor provide a clearly reasoned, articulate account of the two main principles of secularism—equal respect, and freedom of conscience—and its two operative modes—separation of Church (or mosque or temple) and State, and State neutrality vis-à-vis religions. But more crucially, they make the powerful argument that in our ever more religiously diverse, politically interconnected world, secularism, properly understood, may offer the only path to religious and philosophical freedom.
Secularism and Freedom of Conscience grew out of a very real problem—Quebec’s need for guidelines to balance the equal respect due to all citizens with the right to religious freedom. But the authors go further, rethinking secularism in light of other critical issues of our time. The relationship between religious beliefs and deeply-held secular convictions, the scope of the free exercise of religion, and the place of religion in the public sphere are aspects of the larger challenge Maclure and Taylor address: how to manage moral and religious diversity in a free society. Secularism, they show, is essential to any liberal democracy in which citizens adhere to a plurality of conceptions of what gives meaning and direction to human life. The working model the authors construct in this nuanced account is capacious enough to accommodate difference and freedom of conscience, while holding out hope for a world in which diversity no longer divides us.
A profound exploration of the external influences that shape human consciousness, from healing rituals to digital devices
In this voyage through thousands of years of psychosomatic healing, distinguished anthropologist and sociologist Roger Bartra examines the placebo effect as a key to our understanding of human consciousness. Shamans and Robots demonstrates how biology and technology become intertwined within human culture by using the various histories of ritual and symbolic healing to speculate about future developments in artificial intelligence.
Charting the extensive history of the placebo effect through medieval healing, shamanism, and early psychoanalytic practices, Bartra posits that consciousness is not simply the province of the mind but something equally shaped by external systems and objects. He finds evidence of this “exocerebrum”—the extension of our brains outside the body—in the shamanistic concept of the placebo, in which external objects heal our bodies, and in modern technical devices like prostheses or robots, whose development of a mechanical consciousness would have to mimic, and in turn elucidate, the processes involved in the creation of consciousness in humans. Through this radical concept, he analyzes digital media’s relationship to the functions of the human brain and probes the possibility of artificial consciousness.
Both a look at the human body’s potential to restore itself and a profound reflection on the curative power of symbolic structures, Shamans and Robots explores how our technologies increasingly serve as extensions of our cognitive selves.
Praised by his admirers as "one of those rare heroic figures out of Plutarch" and as "an intrepid Don Quixote," Brazilian lawyer Heráclito Fontoura Sobral Pinto (1893-1991) was the most consistently forceful opponent of dictator Getúlio Vargas. Through legal cases, activism in Catholic and lawyers' associations, newspaper polemics, and a voluminous correspondence, Sobral Pinto fought for democracy, morality, and justice, particularly for the downtrodden.
This book is the first of a projected two-volume biography of Sobral Pinto. Drawing on Sobral's vast correspondence, which was not previously available to researchers, John W. F. Dulles confirms that Sobral Pinto was a true reformer, who had no equal in demonstrating courage and vehemence when facing judges, tribunals, and men in power. He traces the leading role that Sobral played in opposing the Vargas regime from 1930 to 1945 and sheds light on the personalities and activities of powerful figures in the National Security Tribunal, the police, the censorship bureau, and the Catholic Church.
In addition to the many details that this volume adds to Brazilian history, it illuminates the character of a man who sacrificed professional advancement and emolument in the interest of fighting for justice and charity. Thus, it will be important reading not only for students of Brazilian history, but also for a wider audience dedicated to the crusade for human rights and political freedom and the reformers who carry on that struggle.
Like the Bouthilliers, the Colberts, the Fouquets, and the Letelliers, the Arnauld family rose to prominence at the end of the sixteenth century by attaching themselves to the king. Their power and influence depended upon absolute loyalty and obedience to the sovereign whose own power they sought to enhance. Dictates of conscience, however, brought all that to an end and put them in conflict with both king and pope. As a result of the religious conversion of Angélique Arnauld early in the seventeenth century, the family eventually adopted a set of religious principles that appeared Calvinist to some ecclesiastical authorities. These "Jansenist" principles were condemned by the papacy and Louis XIV.
The travails of conscience experienced by the Arnauld family, and the resulting religious schism that separated different branches, divided husbands from wives and parents from children. However, neither the historic achievements of individual family members nor the differences of opinion between them could obscure the sense of family solidarity.
The dramatic appeal of this book is underscored by a tumultuous period in French history which coincides with and punctuates the Arnauld family's struggle with the world. We see how this extraordinary family reacted to momentous political and religious developments, as well as the ways in which individual members, by means of their own convictions, helped shape the history of their time.
Edward Engelberg argues that Conscience and Consciousness have slowly drifted apart from their once nearly identical meanings: inward knowledge of oneself. This process of separation, he shows, reached a critical point in the late eighteenth and nineteenth centuries, the age of "dualisms."
Tracing the evolution of the severance of Conscience from Consciousness, he demonstrates from a wide range of examples in literature and philosophy how such a division shaped the attitudes of important writers and thinkers. The study opens with the Romantics and closes with Kafka, Hesse, and Camus. It includes analyses of Hegel, Dostoevsky, James, Conrad, and Freud and brings together for comparison such pairings as Poe and Mann, Goethe and Wordsworth, Arnold and Nietzsche.
Engelberg concludes that the cleavage of Conscience from Consciousness is untenable. To dispossess Conscience, he asserts, man would also need to dispossess a full awareness, a full Consciousness; and a full Consciousness inevitably leads back to Conscience.
While most philosophers who write about punishment ask, "Why may we punish the guilty?" Jacob Adler asks, "To what extent does a guilty person have a duty to submit to punishment?" He maintains that if we are to justify any system of punishment by the state, we must explain why persons guilty of an offense are morally bound to submit to punitive treatment, or to undertake it on their own. Using Rawls's theory of social contract as a framework, the author presents what he calls the rectification theory of punishment.
After examining punishment from two points of view—that of the punisher and that of the offender who is to be punished—Adler proposes the Paradigm of the Conscientious Punishee: a repentant wrongdoer who views punishment as not necessarily unpleasant, but as something it is morally incumbent upon one to undertake. The author argues that this paradigm must play a central role in the theory of punishment. Citing community service projects and penances for sin (as required by some religions), Adler argues that punishment need not involve pain or any other disvalue. Instead he defines it in terms of its justificatiory connection with wrongdoing: punishment is that which is justified by the prior commission of an offense and generally not justified without the prior commission of an offense.
The rectification theory applies particularly to offenses involving basic liberties. It is based on the assumption that each person is guaranteed the right to an inviolable sphere of liberty. Someone who commits an offense has expanded his or her sphere by arrogating excess liberties. In order to maintain the equality on which this theory rests, an equivalent body of liberties must be given up. In discussing applications of the theory, Adler demonstrates that active service (as punishment) is more effective in safeguarding important rights and interests and maintaining the social contract than is afflictive punishment.
Armed with an open mind and a sense of humor, Fellner takes readers on an expedition into the muscle and soul of the coffee company. She finds a corporation filled with contradictions: between employee-friendly processes and anti-union practices; between an internationalist vision and a longing for global dominance; between community individuality and cultural hegemony. On a daily basis Starbucks walks a fine line. It must be profitable enough to please Wall Street and principled enough to please social justice advocates. Although observers might argue that the company has done well at achieving a balance, Starbucks's leaders run the risk of satisfying neither constituency and must constantly justify themselves to both.
Through the voices of Central American coffee farmers, officers at corporate headquarters, independent café owners, unionists, baristas, traders, global justice activists, and consumers, Fellner explores the forces that affect Starbucks's worth and worthiness. Along the way, she subjects her own unabashedly progressive perspective to scrutiny and emerges with a compelling and unexpected look at Starbucks, the global economy, our economic convictions, and the values behind our morning cup of joe.
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