A Descriptive Bibliography of the Works of Emanuel Swedenborg (1688-1772) is a reference work that no publisher, library or academic of Swedenborg should be without. Editors and proofreaders will be grateful to be able to look up publishing and bibliographic details of Swedenborg editions spanning over 300 years without having to make trips to various libraries, or trawls through their respective catalogues (not one of which matches Norman Ryder’s Bibliography for the comprehensive detail of its records). For academics, meanwhile, Ryder’s new Bibliography will be useful in providing contexts and overviews of the compositional and publishing history for each of Swedenborg’s individual texts. And for ‘professional’ Swedenborgians, academics and all other interested readers of Swedenborg alike, the Bibliography contains a wealth of useful and fascinating information, revealing, beneath the astonishing depth of its data, the stories and trends behind the reception of Swedenborg’s works across the globe.
 
Volume Two of the Bibliography contains:
 
·       ‘Section C: Bibliographic Descriptions, 1743-1755’
 
Also included in the volume are an introduction; lists of abbreviations; and a glossary of bibliographical terms.

A Descriptive Bibliography of the Works of Emanuel Swedenborg (1688-1772) is a reference work that no publisher, library or academic of Swedenborg should be without. Editors and proofreaders will be grateful to be able to look up publishing and bibliographic details of Swedenborg editions spanning over 300 years without having to make trips to various libraries, or trawls through their respective catalogues (not one of which matches Norman Ryder’s Bibliography for the comprehensive detail of its records). For academics, meanwhile, Ryder’s new Bibliography will be useful in providing contexts and overviews of the compositional and publishing history for each of Swedenborg’s individual texts. And for ‘professional’ Swedenborgians, academics and all other interested readers of Swedenborg alike, the Bibliography contains a wealth of useful and fascinating information, revealing, beneath the astonishing depth of its data, the stories and trends behind the reception of Swedenborg’s works across the globe.
 
Volume One of the Bibliography contains:
 
·       ‘Section A: Swedenborg’s Literary Corpus, 1700-1771’ (an overview and summary listing of Swedenborg’s entire literary output)
·       ‘Section B: Bibliographies of Swedenborg’s Works’ (details of all previous bibliographies of Swedenborg)
·       ‘Section C: Bibliographical Descriptions, 1700-1742’ (each of Swedenborg’s works written or published during this time period is treated to an introduction concerning its compositional history, followed by detailed bibliographical entries for the manuscripts, first editions, and all subsequent editions and translations of the work known to have appeared, including extracts, accompanied by lists of libraries and institutions known to possess copies of the editions in question)
 
Also included in the volume are a general introduction; lists of abbreviations; and a glossary of bibliographical terms.

Interwoven with Emanuel Swedenborg’s commentary on the Bible is his system of correspondences, which describes the relationship between the spiritual and the physical worlds in symbolic terms. For Swedenborg, specific people, places, animals, and objects represented spiritual principles or ideas—for example, light corresponds to truth, and darkness to ignorance. Using this system, he interpreted the Bible in a radically new way, using it to illuminate the path to spiritual growth.

First compiled in the decades following Swedenborg’s death, the Dictionary of Correspondences has been continually revised and reprinted for over two hundred years. It provides an essential reference to Swedenborg’s complex thought that can be used by students, scholars, and the curious alike.

The legacy of the Enlightenment philosopher, scientist, and mystic Emanuel Swedenborg (1688-1772) permeated widely throughout nineteenth-century literature, art, and social reform movements. In Distant Voices: Sketches of a Swedenborgian World View, John S. Haller takes us from the mid-nineteenth-century worlds of Henry James Sr., Ralph Waldo Emerson, and Charles Fourier through to the 1960s era of counterculture shaped by D. T. Suzuki. Each chapter can be read as a self-contained essay: biographical and critical appraisals (and reappraisals) in which the subjects are linked together by their use of Swedenborg, their interest in Eastern culture, and their desire for the betterment of society. The complete list of essays includes Henry James Sr., Ralph Waldo Emerson, Charles Fourier, Albert Brisbane, Thomas Lake Harris, J. J. G. Wilkinson, James Tyler Kent, Charles Bonney, The World's Parliament of Religions, Paul Carus, Herman Vetterling, Ralph Waldo Trine, and D. T. Suzuki.

Divine Love and Wisdom has been called the most profound work of the Enlightenment scientist and seer Emanuel Swedenborg. It demonstrates how God’s love, wisdom, and humanity are reflected in creation and in ourselves, and suggests that the act of Creation is not a mystery of the past, but a miracle ongoing in every instant of the present. Like a blueprint of things unseen, Divine Love and Wisdom makes visible the hidden design of the universe, as well as the qualities of its Architect. Its vivid depiction of the spiritual mechanism of the world has impressed thinkers such as William Blake, Samuel Taylor Coleridge, Ralph Waldo Emerson, and Henry James, Sr.

The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.

This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe edition.

Divine Love and Wisdom has been called the most profound work of the Enlightenment scientist and seer Emanuel Swedenborg. It demonstrates how God’s love, wisdom, and humanity are reflected in creation and in ourselves, and suggests that the act of Creation is not a mystery of the past, but a miracle ongoing in every instant of the present. Like a blueprint of things unseen, Divine Love and Wisdom makes visible the hidden design of the universe, as well as the qualities of its Architect. Its vivid depiction of the spiritual mechanism of the world has impressed thinkers such as William Blake, Samuel Taylor Coleridge, Ralph Waldo Emerson, and Henry James, Sr.

The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.

This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe edition.