As a boy growing up in rural Italy in the 1930s, Damìn is experiencing the first stirrings of adolescence when he accidentally sees his mother having sex with the local Fascist commandant. His pain, anger, and confusion are uncomfortably intertwined with a compulsion to watch them, which becomes an obsession.
 
Isolating himself from anyone who might help him understand what he’s feeling, he channels his fury into his javelin, getting better and better until he is a local champion. But his success is fleeting, as wholly confused and caught up in his own anger, he ends up betraying and humiliating his friends. The Javelin Thrower is the story of an erotic education turned tragic, poisoned by the darkness running through Mussolini’s Italy.
 

Jewish Portraits, Indian Frames offers a personal and social history of the author's foremothers -- Baghdadi Jews who lived most of their lives in the Jewish community in Calcutta. Jael Silliman begins with a portrait of Farha, her maternal great-greandmother, who dwelled almost entirely within the Baghdadi Jewish community no matter where she and her husband traveled on business (Calcutta, Rangoon, Singapore). Next is her maternal grandmother, Miriam (Mary), who was much more Anglicized than Farha and deeply influenced by British colonial practices. The third portrait, of Silliman's mother, Flower, reveals a woman in a double transition: her own and India's. Flower grew up in colonial India, witnessed India's struggle for independence, and lived her middle years in an independent India. The final sketch is of Silliman herself. Born in Calcutta in 1955 in the waning Jewish community, Silliman grew up in a cosmopolitan and Indian world, rather than a Baghdadi Jewish one. Silliman's own travels have taken her to the US, where, as a teacher and scholar, her primary identification is with the "South Asian intellectual and professional diaspora." These rich family portraits convey a sense of the singular roles women played in building and sustaining a complex diaspora in what Silliman calls "Jewish Asia" over the past 150 years. Her sketches of the everyday lives of her foremothers -- from the food they ate and the clothes they wore to the social and political relationships they forged -- bring to life a community and a culture, even as they disclose the unexpected and subtle complexities of the colonial encounter as experienced by Jewish women.

For nearly four decades, Maryse Condé, best known for her novels Segu and Windward Heights, has been at the forefront of French Caribbean literature. In this collection of essays and lectures, written over many years and in response to the challenges posed by a changing world, she reflects on the ideas and histories that have moved her. From the use of French as her literary language—despite its colonial history—to the agonies of the Middle Passage, at the horrors of African dictatorship, and the politically induced poverty of the Caribbean to migration under globalization, Condé casts her unflinching eye over the world which is her inheritance, her burden, and her future.

Even while paying homage to her intellectual and literary influences—including Frantz Fanon, Leopold Sedar Senghor, and Aimé Césaire—Condé establishes in these pages the singularity of her vision and the reason for the enormous admiration that her writing has garnered from readers and critics alike.