When southern women remove their gloves, they speak their minds. The ten timely and provocative essays in Taking Off the White Gloves represent the collective wisdom of some of the finest scholars on women's history in the American South. On the eve of the thirtieth anniversary of the Southern Association for Women Historians, this volume brings together some of the outstanding lectures delivered by distinguished members of the association over the past fifteen years.

Spanning four centuries of women's experiences in the South, the topics featured in Taking Off the White Gloves range from Native American sexuality and European conquest to woman suffrage in the South, from black women's protest history to the status of women in the historical profession at the end of the twentieth century.

Despite diverse subject matter, these rich essays share a number of important qualities. They take an integrative approach, combining literary analysis, social history, cultural interpretation, labor history, popular culture, and oral history. Embracing the distinctiveness of the southern past and women's experiences within that past, they also recognize the inextricability of critical categories such as sexuality and gender, race and gender, and women and work. Finally, these essays emphasize the authors' commitment to the belief that the personal is political; they reveal the subtle and not so subtle ways that women transform theory into practice.

Taking Off the White Gloves invites a new understanding of the complexities that surround the history of southern women across race, class, place, and time. A model of innovative and imaginative scholarly historical writing, this book provides fertile ground for young scholars and is sure to inspire new research. This thought- provoking volume has much to offer scholars and students, as well as the general reader.

Because of its strong agrarian roots, the South has typically been viewed as a region not favorably disposed to innovation and technology. Yet innovation was never absent from industrialization in this part of the United States. From the early nineteenth century onward, southerners were as eager as other Americans to embrace technology as a path to modernity.

This volume features seven essays that range widely across the region and its history, from the antebellum era to the present, to assess the role of innovations presumed lacking by most historians. Offering a challenging interpretation of industrialization in the South, these writings show that the benefits of innovations had to be carefully weighed against the costs to both industry and society.

The essays consider a wide range of innovative technologies. Some examine specific industries in subregions: steamboats in the lower Mississippi valley, textile manufacturing in Georgia and Arkansas, coal mining in Virginia, and sugar planting and processing in Louisiana. Others consider the role of technology in South Carolina textile mills around the turn of the twentieth century, the electrification of the Tennessee valley, and telemedicine in contemporary Arizona—marking the expansion of the region into the southwestern Sunbelt.

Together, these articles show that southerners set significant limitations on what technological innovations they were willing to adopt, particularly in a milieu where slaveholding agriculture had shaped the allocation of resources. They also reveal how scarcity of capital and continued reliance on agriculture influenced that allocation into the twentieth century, relieved eventually by federal spending during the Depression and its aftermath that sparked the Sunbelt South’s economic boom.

Technology, Innovation, and Southern Industrialization clearly demonstrates that the South’s embrace of technological innovation in the modern era doesn’t mark a radical change from the past but rather signals that such pursuits were always part of the region’s economy. It deflates the myth of southern agrarianism while expanding the scope of antebellum American industrialization beyond the Northeast and offers new insights into the relationship of southern economic history to the region’s society and politics.

Theodore Roosevelt was a man of wide interests, strong opinions, and intense ambition for both himself and his country. When he met Leonard Wood in 1897, he recognized a kindred spirit. Moreover, the two men shared a zeal for making the United States an imperial power that would challenge Great Britain as world leader. For the remainder of their lives, their careers would intertwine in ways that shaped the American nation.

When the Spanish American War came, both men seized the opportunity to promote the goals of American empire. Roosevelt resigned as assistant secretary of the navy in William McKinley’s administration to serve as a lieutenant colonel of the Rough Riders, a newly organized volunteer cavalry. Wood, then a captain in the medical corps and physician to McKinley, was promoted to colonel and given charge of the unit.

Roosevelt later took over command of the Rough Riders. In the Battle of San Juan Hill, he led it in a charge up Kettle Hill that would end in victory for the American troops and make their daring commander a household name, a war hero, and, eventually, president of the United States.

At the Treaty of Paris in 1898, Spain ceded Cuba, Puerto Rico, Guam, and the Philippines to the United States. The next year, Wood became military governor of Cuba. He remained in the post until 1902. By that time Roosevelt was president. One of the major accomplishments of his administration was reorganization of the War Department, which the war with Spain had proved disastrously outdated. In 1909, when William Howard Taft needed a strong army chief of staff to enforce the new rules, he appointed Leonard Wood.

Both Wood and Roosevelt were strong proponents of preparedness, and when war broke out in Europe in August 1914, Wood, retired as chief of staff and backed by Roosevelt, established the “Plattsburg camps,” a system of basic training camps. When America entered the Great War, the two men’s foresight was justified, but their earlier push for mobilization had angered Woodrow Wilson, and both were denied the command positions they sought in Europe.

Roosevelt died in 1919 while preparing for another presidential campaign. Wood made a run in his place but was never taken seriously as a candidate. He retired from the army and spent the last seven years of his life as civilian governor of the Philippines.

It was a quiet end for two men who had been giants of their time. While their modernization of the army is widely admired, they were not without their critics. Roosevelt and Wood saw themselves as bold leaders but were regarded by some as ruthless strivers. And while their shared ambitions for the United States were tempered by a strong sense of duty, they could, in their certainty and determination, trample those who stood in their path. Teddy Roosevelt and Leonard Wood: Partners in Command is a revealing and long overdue look at the dynamic partnership of this fascinating pair and will be welcomed by scholars and military history enthusiasts alike.

In Ten Is the Age of Darkness, Geta LeSeur explores how black authors of the United States and English- speaking Caribbean have taken a European literary tradition and adapted it to fit their own needs for self-expression. LeSeur begins by defining the structure and models of the European genre of the bildungsroman, then proceeds to show how the circumstances of colonialism, oppression, race, class, and gender make the maturing experiences of selected young black protagonists different from those of their white counterparts.

Examining the parallels and differences in attitudes toward childhood in the West Indies and the United States, as well as the writers' individual perspectives in each work of fiction, LeSeur reaches intriguing conclusions about family life, community participation in the nurturing of children, the timing and severity of the youngsters' confrontation of adult society, and the role played by race in the journey toward adulthood.

LeSeur's readings of African American novels provide new insights into the work of Langston Hughes, James Baldwin, Toni Morrison, Paule Marshall, and Richard Wright, among others. When read as examples of the bildungsroman rather than simply as chronicles of black experiences, these works reveal an even deeper significance and have a more powerful impact. LeSeur convincingly demonstrates that such African American novels as Baldwin's Go Tell It on the Mountain, Wright's Black Boy, and Morrison's The Bluest Eye concentrate to a large extent on protest, while such African West Indian works as George Lamming's In the Castle of My Skin, Austin Clarke's Amongst Thistles and Thorns, Jamaica Kincaid's Annie John, and Erna Brodber's Jane and Louisa Will Soon Come Home reflect a more naive, healthy re-creation of what childhood can and should be, despite economic and physical impoverishment. She also gives a special space within the genre to Paule Marshall's BrownGirl, Brownstones and Ntozake Shange's Betsey Brown and the importance of "woman time," "woman voice," and mothers.

While enlarging our understanding of both the similarities and the differences in the black experiences of the Carribean and American youngsters coming of age, Ten Is the Age of Darkness also suggests that children of color in similar spheres share many common experiences. LeSeur concludes that the bildungsromane by black writers provide uniquely revealing contributions to the Afro-World literary canon and point the way for others to examine literary pieces in Third World communities of color.

In this groundbreaking study, Joyce Hoffmann examines a critical twenty-five-year period in the work of one of the most influential journalists of the twentieth century. Theodore H. White was already a celebrated reporter when Jacqueline Kennedy summoned him for an exclusive interview in the aftermath of her husband's assassination. With her help, White would preserve what the First Lady claimed had been John F. Kennedy's vision of the New Frontier as an incarnation of that wistful, romantic kingdom--Camelot. Over the years, friends and advisers to Kennedy declared that they had never heard the president speak of Camelot. But White's article, which ran in Life magazine, created a myth that still endures in the popular consciousness.

That story was just one of many by Theodore White that had a lasting impact on the nation. As a correspondent for several of the country's most popular magazines, he covered the crucial events of the 1940s, '50s, and '60s. His best-selling book The Making of the President 1960 changed political reporting forever.

A gifted and likable man with a remarkable skill for ingratiating himself with others, White earned the confidence of key political, military, and diplomatic leaders. First in the Far East, later in Europe, and finally in Washington, D.C., he became a confidant and adviser rather than an adversary to the figures he covered for the news, following a pattern set by elite journalists. Even as he played the impartial reporter, White kept secrets in order to maintain access to his important sources, and he occasionally allowed his subjects, including John F. Kennedy and Nelson Rockefeller, to make changes in his work before publication.

Clinging to the illusion of objectivity, White--like other leading journalists in the postwar years--wrote about the world not as it was but as he believed it ought to be. Hoffmann relates the little-known episode in White's career when he intentionally obscured the truth about Chiang Kai-shek's corrupt and inept Nationalist government because he believed that undermining China's cause would be "a disservice to democracy."

No other book so thoroughly documents how a first-rank journalist can become a political insider and distort the news without losing the gloss of impartiality that is supposed to accompany the profession. Impressively researched, skillfully written, Theodore H. White and Journalism as Illusion is an unflinching look at a key figure in the history of American journalism and at the profession itself.

This first of two volumes of Voegelin's miscellaneous papers brings together crucial writings, published for the first time, from the early, formative period of this scholar's thought. The book begins with Voegelin's dissertation on sociological method, completed under the direction of Othmar Spann and Hans Kelsen at the University of Vienna in 1922. It reveals an intimate knowledge of the writings of Georg Simmel and a skillful use of insights gained from Edmund Husserl's Logical Investigations and Ideas.

The dissertation, and other smaller pieces written at this time, addresses problems that remained of great importance to Voegelin throughout his life: the relation of insight to language, the structure of the human being, and the human's spiritual center. They disclose both Voegelin's theoretical reference points during these early years, including the thought of Henri Bergson, Othmar Spann, Georg Simmel, and Edmund Husserl, as well the young scholar's remarkably independent approach to theoretical problems.

Moreover, this volume includes a work that is fundamental to an understanding of Voegelin's theoretical development: his extended study on the "theory of governance," written between 1930 and 1932. It follows the issues that confront political society to their roots in the soul and in the soul's relationship to the ground of being.

The Theory of Governance and Other Miscellaneous Papers presents a meditative-exegetic study of texts from Augustine, Descartes, and Husserl, early examples of the meditations that became central to Voegelin's later work. Other essays included in this volume such as "Theory of Law" and "Political Theory as Human Science" develop these theoretical insights and refine Voegelin's methodological tools. This volume will be of interest to all scholars of the work of Eric Voegelin and of the refoundation of political philosophy in the twentieth century in general.

Italy, from the toe to the Alps, was the scene of the longest, bloodiest, most frustrating, and least understood series of battles fought by the Western Allies during World War II.        Now, John S. D. Eisenhower offers a new look at the Italian campaign, emphasizing the Anzio offensive—an operation pushed by Winston Churchill that fell largely to American troops to carry out. It was visualized as an amphibious landing of two Allied divisions behind German lines that would force the Wehrmacht to evacuate all of Italy. But the Germans held on and, with the arrival of reinforcements, nearly wiped out the Allied troops pinned down at Anzio Beach.

            By portraying that struggle from the perspectives of both commanders and foot soldiers, this prominent military historian focuses on the experiences of the individuals who fought in the Italian campaign to reveal what the battle at Anzio was all about. But more than the account of one operation, They Fought at Anzio covers the entire Italian campaign, from the landings at Salerno to the capture of Rome.

Eisenhower brings a trained eye to reconstructing the difficult terrain of battle, approaching the Anzio campaign as a contest between opposing commands striving to anticipate and counter the opponent’s moves—not as a field exercise but as a deadly struggle for survival. He analyzes the command decisions that brought about the Anzio stalemate, interspersing his account with personal experiences of the men in the trenches, the nurses of the 56th Evacuation Hospital, and the young officers witnessing the horrors of war for the first time.

As a study in command, Eisenhower’s narrative gives new credit to generals Lucian Truscott and Fred Walker and assesses both the strengths and weaknesses of General Mark Clark, allowing us to grasp the situation as it appeared to those in command. He also offers compelling portraits of German commanders Field Marshal Albert Kesselring and General Frido von Senger und Etterlin.

            It has been said that Anzio was a soldier’s battle, remembered more for blood shed than for military objectives achieved. By focusing on the experiences of the soldiers who fought there and the decisions of commanders in perilous circumstances, They Fought at Anzio offers a new appreciation of the contributions of both and a new understanding of this unheralded theater of the war.

At the height of the cocaine-fueled 1980s, Carolyn Wilkins left a disastrous marriage in Seattle and, hoping to make it in the music business, moved with her four-year-old daughter to a gritty working-class town on the edge of Boston. They Raised Me Up is the story of her battle to succeed in the world of jam sessions and jazz clubs—a man’s world where women were seen as either sex objects or doormats. To survive, she had to find a way to pay the bills, overcome a crippling case of stage fright, fend off a series of unsuitable men, and most important, find a reliable babysitter.

Alternating with Carolyn’s story are the stories of her ancestors and mentors—five musically gifted women who struggled to realize their dreams at the turn of the twentieth century:

Philippa Schuyler, whose efforts to “pass” for white inspired Carolyn to embrace her own black identity despite her “damn near white” appearance and biracial child;

Marjory Jackson, the musician and single mother whose dark complexion and flamboyant lifestyle raised eyebrows among her contemporaries in the snobby, color-conscious world of the African American elite;

Lilly Pruett, the daughter of an illiterate sharecropper whose stunning beauty might have been her only ticket out of the “Jim Crow” South;

Ruth Lipscomb, the country girl who dreamed, against all odds, of becoming a concert pianist and realized her improbable ambition in 1941;

Alberta Sweeney, who survived a devastating personal tragedy by relying on the musical talent and spiritual stamina she had acquired growing up in a rough-and-tumble Kansas mining town.

They Raised Me Up interweaves memoir with family history to create an entertaining, informative, and engrossing read that will appeal to anyone with an interest in African American or women’s history or to readers simply looking for an intriguing story about music and family.

Thomas Merton (1915-1968) was a Roman Catholic priest, a Trappist monk, a social activist, and a poet. Author of the celebrated autobiography The Seven Storey Mountain, Merton has been described as the most important American religious writer of the past hundred years. One of the notable characteristics of Merton's writing, both in poetry and in prose, was his seamless intermingling of religious and Romantic elements, an intermingling that, because of his gifts as a writer and because of his enormous influence, has had the effect of making widespread a distinctive form of religious thought and expression. In Thomas Merton and the Inclusive Imagination, Ross Labrie reveals the breadth of Merton's intellectual reach by taking an original and systematic look at Merton's thought, which is generally regarded as eclectic and unsystematic.

What captured Merton's attention about Romanticism and mysticism and what held his attention virtually all his life was his consciousness of the ontological significance of unity and wholeness. Even though he was far from being a systematic thinker, Merton's writings form a coherent whole when considered from the point of view of his emphasis on unity and wholeness. Labrie skillfully examines Merton's letters, journals, and individual works to show the full expanse of his contribution. By using insights from the Romantic literary tradition and from the mystical tradition, the author is able to make sense of Merton's writings from all periods of his life. Although Labrie covers such sweeping topics as consciousness, self, being, nature, time, myth, culture, and individuation, remaining focused on Merton's specific, unique contributions in each area.

This thought-provoking work, which takes into account material from the recent full publication of Merton's journals and from his Columbia University notebooks on Romanticism, not only shows Merton's intellectual growth but provides a look at his expansive interests as well. Thomas Merton and the Inclusive Imagination will make a significant contribution to Merton studies.

One of America’s most influential social critics, Thorstein Veblen authored works deeply rooted in evolutionary biology and American philosophical naturalism—both of which help explain his institutional economics and radical sociology. Now, one of today’s preeminent Veblen scholars ranges widely over the man’s writings to show how evolutionary naturalism underlies his social theory and criticism, shapes his satire, and binds his work together.

            Rick Tilman’s study focuses on the intersections of social theory and social psychology, political economy and political theory, and modern philosophy and intellectual history in Veblen’s thinking. It links evolutionary naturalism for the first time to Veblen’s aesthetics, secular humanism, sociology of control, sociobiology, and sociology of knowledge, and it makes groundbreaking observations regarding the relationship of Veblen’s own life to his thinking; his place as a cultural lag theorist; and his analysis of sports, gambling, and religion.

            Drawing on textual exegesis of Veblen’s work, unpublished correspondence, and selected archives, Tilman argues that only evolutionary naturalism could provide the philosophical foundations of Veblen’s thought. He also emphasizes Veblen’s role in the enhancement and embellishment of the social sciences and cultural studies, as well as his insights into the processes of change in the sociopolitical order.

            Veblen’s evolutionary naturalism, with its unflattering evaluation of America’s self-selected special place in the international arena, casts doubt on today’s foreign interventions, and it also provides a much-needed antidote to the resurgence of creationist thought in American culture. Tilman shows that Veblen’s ideas are still valuable to contemporary social scientists—indeed, that his method of analysis and values are sorely needed to help us avoid wasteful consumption, predation, and the persistence of religious superstition. This work offers readers a new appreciation of Veblen and the many issues he addressed, and of Tilman’s own masterful facility in bringing them to light. 

How does a young German who has been a member of the Hitler Youth and has competed in Nazi-organized athletic competitions become, over the span of two years, an eighty-pound, tuberculosis-stricken concentration camp escapee?

In this larger-than-life memoir, Walter Meyer leads readers from one harrowing moment to the next as he recounts his experiences during and after Hitler's reign. As a teenager, Meyer refused to conform to institutional rules. While serving in the Hitler Youth, he rebelled by joining a subversive group that focused its efforts on pranks against the youth organization. During World War II, Meyer was arrested, interrogated, and beaten for stealing shoes, but he received a sentence of one to four years, as opposed to the standard penalty for looting—death.

The sixteen-year-old Meyer's refusal to conform to prison regulations and his foiled escape attempts resulted in solitary confinement on several occasions. His fiery spirit eventually landed him in a Nazi work camp. Unbeknownst to his family, Meyer became a concentration camp prisoner. Transported to Ravensbrueck, he was forced to work under grueling conditions in a quarry. He struggled to reach his daily work quota so he could dine on watery broth and bits of bread. In these subhuman conditions, Meyer developed tuberculosis. Knowing he would soon die in the camp, he again plotted his escape. This time he succeeded.

Upon returning home to Duesseldorf, Meyer despaired at the destruction of his hometown. He lamented the pallor that had spread throughout the town and the country itself. After recovering his health, he regained his youthful lust for adventure. His postwar travels began with his infiltration of the Russian-occupied zone of Germany to retrieve his family's possessions. Meyer then began a whirlwind odyssey, ducking into train cars and stowing away on ships, occasionally landing in jail for traveling without a passport—from France to Spain, Belgium to Holland, and finally to South America--in pursuit of something other than the aftermath of war.

Meyer's memoir gives insight into the climate in Germany during World War II and in the defeated nation after the war. His experience as a non-Jewish survivor of the Nazi concentration camps provides an enlightening and varied perspective to the Holocaust dialogue.

The Pendergast machine rose to power riding the industrial and business boom of the 1920s, strengthened its grip during the chaos of the depression years, and grew fat and arrogant during the spending spree that followed.  It fell apart in a fantastic series of crimes, including voting fraud and tax evasion, that shocked the nation and resulted in the incarceration of Tom Pendergast in a federal prison in 1939.  Now available in paperback with a foreword by Charles Glaab, William M. Reddig's political and social history of Kansas City from the mid-1800s to 1945, focusing on the lives of Alderman Jim Pendergast and especially his younger sibling, Big Tom Pendergast, chronicles both the influence of the brothers on the growing metropolitan area and the national phenomenon of bossism.

"The story of the Pendergasts has been told ... in many places and in many ways.  It has hardly been told anywhere, however, with more fascinating detail and healthy irony than in this volume of William M. Reddig." --New York Times

"Reddig has written his history of the Pendergast machine in a reportorial style which manages to combine plain city desk prose with a great deal of humor, irony, and insight.  He has dwelt with obvious delight on the local characters, the factions, and feuds, and has given several brilliant personality sketches." --Saturday Review of Literature

Published here for the first time are seven of Emerson's topical notebooks, which served as a source for his lectures, essays, and books of the 1850s, 1860s, and 1870s.  Concerned primarily with nature, art, philosophy, American culture, and his comtemporaries, the notebooks presented in this first of a three-volume editions afford fascinating insight into Emerson's creative practices.  They will offer new perspectives for future readings of his completed works.

The editors provide faithful transcriptions of the notebooks using the highest standards of textual practice.  Their detailed annotations describe and comment on erased or revised passages, translate Greek and Latin quotations, and identify books and articles referred to in the texts of the notebooks.  References to similar passages in Emerson's journals, lectures, and published works are also provided in the annotations.

Publication of these notebooks will inable scholars to trace ideas that have gone unnoticed previously.  The Topical Notebooks of Ralph Waldo Emerson, Volume 1, offers valuable insight into the art and philosophy of one of America's foremost thinkers.  These volumes will be an important addition to any personal or institutional library of nine-teenth-century American literature.

Ralph Waldo Emerson, the magus of of American Transcendentalism, was an inveterate keeper of journals and notebooks, which he used as source and proving ground for his poems, lectures, and essays.  This is the second in a three-volume edition that brings twelve of Emerson's topical notebooks and four other notebooks into print for the first time.  These notebooks were Emerson's repositories for anecdotes, quotations, reminiscences, drafts of his poems, outlines for lectures, and observations on everything from daily life to profound cultural and philosophical issues.

"Ralph Orth...has been indefatigable in giving us volumes of the highest accuracy and usefulness," said American Renaissance Literary Report. Volume 3 completes the series that brings twelve of Emerson's topical notebooks and four other notebooks into print for the first time. In this final volume, Glen Martin Johnson presents four of the topical notebooks dating from the mid 1840s through the early 1870s, the end of Emerson's productive life. The notebooks include diverse material from which Emerson wrote his lectures, essays, and books.

Each of the four notebooks illustrates some of the many uses Emerson made of these collections of quotations and ideas: OP Gulistan is a compendium of biographical information and anecdotes about dozens of Emerson's acquaintances; S Salvage takes stock of and preserves parts of his earlier writings; ZO was used in preparing the lectures that became "Poetry and Imagination"; and ML was employed for extensive notes on the moral law and religion, and as a resource in preparing lectures and readings during the late 1860s.

The publication of these notebooks renders an invaluable service to the scholarly community and to students of American literature. Collectively, they dipict in great detail the subtle changes that occurred in Emerson's thought from the beginning until the end of his career to give a complete picture of the man and the writer. The younger Emerson, whose writing abounds with enthusiasm, became someone whose darker wisdom about inevitable limitations was expressed in essays such as "Fate" and "Illusions." The notebooks in this volume will allow us to better understand the last three decades of Emerson's career, which have remained less than fully explored.

Our emerging world system is bringing the great traditions and cultures it has spawned into ever more intimate and dangerous contact. Langan argues that we must struggle toward a unity of discourse respectful of genuine experiences of varying civilizations if we are to live peacefully on one planet.

As a major hunting tool and weapon, the bow changed human history around the world, and its diverse forms reflect the cultures that adopted it. Those variations can be seen in the Charles E. Grayson Archery Collection housed at the University of Missouri–Columbia Museum of Anthropology, one of the largest and most comprehensive assemblages of archery-related materials in the world. This handsome book offers a unique look at archery as it has been practiced through the ages.

            Drawing on a collection of more than five thousand bows, arrows, and associated paraphernalia, Traditional Archery from Six Continents presents color photographs and descriptions of some three hundred items—including quivers, thumb rings, and more—that represent traditional archery practices and customs from around the world. From the Chinese “monkey bow” to the English longbow, the artifacts are organized by region, taking in equipment from Asia, the Middle East, Africa, the Americas, and Europe used over the past five hundred years.

The book’s introduction provides an overview of traditional archery and its nomenclature, and chapter essays situate the items in their historical, cultural, and technological contexts. Plate descriptions note materials, construction methods, dimensions, and temporal and cultural affiliations. The sharp, detailed photographs will enable users to identify the geographic or cultural origins of other pieces by visual comparison. Additional illustrations show how archery equipment has been used in various settings such as hunting, warfare, and sport.

            These superb representations from a masterful collection constitute a complete introduction to worldwide archery and mark the first wide-ranging survey of European and non-European archery equipment. Traditional Archery from Six Continents will be the standard reference work in the study of archery, indispensable for students of material culture or general readers interested in the history of this timeless art. 

As settlers moved beyond the eastern seaboard during the early nineteenth century, the government forced thousands of American Indians from their ancestral lands. The Cherokees, the largest and most important tribe in the Southeast, fought exile with a combination of passive resistance and national publicity for their plight. Because they had successfully resisted the government's efforts to move them from their homeland, their removal was particularly brutal when it finally came. The Trail of Tears across Missouri is a moving account of the 1837-1838 removal of the Cherokees from the southeastern United States to Indian Territory (now Oklahoma).

After providing an overview of the Cherokees' life in the Southeast and of the events leading up to their exile, Joan Gilbert traces the mass exodus state by state from Tennessee to Arkansas. Successive chapters highlight the experiences and the hardships endured by those forced to travel with inadequate supplies of food, clothing, and transportation. It is estimated that four thousand Cherokees, nearly a quarter of the tribe, died.

In bringing the grim realities of the forced march to life, Gilbert draws from such primary sources as letters, newspaper stories, and the writings of missionaries, guides, and doctors who accompanied them. She focuses on the Cherokees' experiences as they passed through Missouri, using the journals of Dr. W. I. I. Morrow and guide B. B. Cannon.

In addition to chronicling the removal of the Cherokees, Gilbert also brings the story up to date by describing how the nation lives today and how the Trail of Tears has been commemorated.

Transfiguring America is the product of more than ten years of research and numerous published articles on Margaret Fuller, arguably America's first feminist theorist and one of the most important woman writers in the nineteenth century. Focusing on Fuller's development of a powerful language that paired cultural critique with mythmaking, Steele shows why her writing had such a vital impact on the woman's rights movement and modern conceptions of gender.

This groundbreaking study pays special attention to the ways in which Fuller's feminist consciousness and social theory emerged out of her mourning for herself and others, her dialogue with Emersonian Transcendentalism, and her eclectic reading in occult and mythical sources. Transfiguring America is the first book to provide detailed analyses of all of Fuller's major texts, including her mystical Dial essays, correspondence with Emerson, Summer on the Lakes, 1844 poetry, Woman in the Nineteenth Century, and New York Tribune essays written both in New York and Europe.

Starting from her own profound sense of loss as a marginalized woman, Fuller eventually recognized the ways in which the foundational myths of American society, buttressed by conservative religious ideologies, replicated dysfunctional images of manhood and womanhood. With Woman in the Nineteenth Century, after exploring the roots of oppression in her essays and poetry, Fuller advanced the cause of woman's rights by conceptualizing a more fluid and equitable model of gender founded upon the mythical reconfiguration of human potential. But as her horizons expanded, Fuller demanded not only political equality for women, but also emotional, intellectual, and spiritual freedom for all victims of social oppression.

By the end of her career, Steele shows, Fuller had blended personal experience and cultural critique into the imaginative reconstruction of American society. Beginning with a fervent belief in personal reform, she ended her career with the apocalyptic conviction that the dominant myths both of selfhood and national identity must be transfigured. Out of the ashes of personal turmoil and political revolution, she looked for the phoenix of a revitalized society founded upon the ideal of political justice.

The "definitive one-volume study of Nuremberg," The Trial of the Germans is now available in paperback. An astute observer of the Nuremberg trial, Eugene Davidson has struggled with the issues it raised: Was it a necessary response to the heinous crimes of the Third Reich? How were Germany and the Germans capable of such extraordinary evil? Was the trial just, given the claims that the defendants were simply serving their country, doing as they had been told to do? And if not just, was it nonetheless necessary as a warning to prevent future crimes against humanity? Davidson's approach to these and other large questions of justice is made through examination of each of the defendants in the trial. His reluctant, but firm, conclusion is: "In a world of mixed human affairs where a rough justice is done that is better than lynching or being shot out of hand, Nuremberg may be defended as a political event if not as a court." Some sentences may have seemed too severe, but none was harsher than the punishments meted out to innocent people by the regime these men served. "In a certain sense," says Davidson, "the trial succeeded in doing what judicial proceedings are supposed to do: it convinced even the guilty that the verdict against them was just."

Faulty as the trial was from the legal point of view, a catharsis of the pent-up emotions of millions of people had to be provided and a record of what had taken place duly preserved for whatever use later generations would make of it.

Detailing for the first time the story of America's homefront during the Korean War, Truman and Korea fills an important gap in the historical scholarship of the postwar era. Paul Pierpaoli analyzes the political, economic, social, and international ramifications of America's first war of Soviet containment, never losing sight of the larger context of the cold war. He focuses on how and why the Truman administration undertook a bloody, inconclusive war on the Korean peninsula while permanently placing the nation on a war footing.

Truman and Korea illuminates the importance of the Korean conflict as a critical turning point in the cold war by examining both the immediate and the long-term domestic and foreign policy effects of the conflict. Pierpaoli addresses such important topics as presidential war powers and debates concerning the Defense Production Act; the inner workings of the many war mobilization agencies; the operations and politics of nationwide price and wage controls; questions concerning cold war tax policies and fiscal and monetary policies; and the evolution of national security policy.

Pierpaoli shows that President Truman's decision to intervene in the Korean War quickly became subsumed by larger cold war concerns. By the autumn of 1950 the Korean mobilization program had become the nation's de facto cold war preparedness program, which would come to span nearly forty years and eight presidential administrations. After 1950 the cold war not only continued to significantly shape political and ideological discourse in the United States but also began to reshape aggregate economic policy. By doing so, it altered the nation's industrial and economic contours, giving birth to the concept of an institutionalized "national security state," which in turn spawned the cold war military-industrial-scientific complex.

Based upon extensive research in the papers and official presidential files of Harry S. Truman, as well as many manuscript collections and records of wartime and government agencies, Truman and Korea offers a new perspective on the Korean War era and its inextricable ties to broader cold war decision making.

No portion of the political career of Harry S. Truman was more fraught with drama than his relationship with Thomas J. Pendergast. In one of their earliest meetings, the two men were momentarily at odds after Truman, who was then presiding judge of Jackson County, gave a $400,000 road contract to a construction company in South Dakota, and Pendergast, the boss of Kansas City, wasn't very happy about it. He had someone else in mind for the contract. Their association thus had its disagreements, but their common interest in politics was enough to establish a long-lasting relationship.

In 1934, after considering fourteen other men, Pendergast sponsored Truman for the Senate. Although Truman had often cooperated with Pendergast on patronage issues, he had never involved himself in the illegalities that would eventually destroy the Pendergast machine. In fact, Truman had no idea how deeply the Boss had engaged in corruption in his personal affairs, as well as in managing the government of Kansas City. When the Boss was sent to Leavenworth for tax evasion in 1939, Truman was astonished.

Despite Truman's honesty, his relationship with Pendergast almost caused his defeat during the Missouri senatorial primary in August 1940. The main challenger for Truman's Senate seat was the ambitious governor of Missouri, Lloyd C. Stark, who after destroying Truman's sponsor, the Pendergast machine, denounced Truman as "the Pendergast senator." Behind the governor was President Franklin D. Roosevelt, whom Stark turned against Truman. Roosevelt wanted Missouri's electoral votes in his forthcoming bid for a third term, and he believed that Stark could give them to him.

Because of the stigma of Truman's Pendergast connection, the 1940 Democratic primary was the tightest election in his entire political career. He won by fewer than eight thousand votes. In Truman and Pendergast, Robert H. Ferrell masterfully presents Truman's struggle to keep his Senate seat without the aid of Pendergast and despite Stark's enlistment of Roosevelt against him. Ferrell shows that Truman won the election in his typical fashion—going directly to the people, speaking honestly and like one of them.

As assistant press secretary to President Harry S. Truman, Eben A. Ayers brought with him twenty-six years of experience as a newspaperman.  He knew when he had a good story and knew how to record it.  His private diary, which he kept unbeknownst to his associates, tells the inside story of the Truman White House clearly, colorfully, and with an acute sense of history.

The Truman Scandals and the Politics of Morality is a thoroughly researched effort offering an excellent historical narrative of the scandals and accusations of scandal that bedeviled Harry Truman throughout his political career. The book is particularly significant in light of the connections the author establishes between Truman's early political experiences and his subsequent difficulties as president.

The man called "Mr. Photojournalism" by the Washington Post here offers the most comprehensive book available on documentary photography, covering the history and ethics of the craft as well as practical issues for anyone with a serious interest in photography.

In the last chapter of Walden, Henry David Thoreau proclaims a simple yet profound conviction: "Any truth is better than make- believe." Edward Galligan shares this conviction. In The Truth of Uncertainty: Beyond Ideology in Science and Literature, he argues that contemporary American critics should embrace literary truths with all of their ardent uncertainties rather than cling to the make-believe certainties of ideologies.

 Postmodern critics fail to ask the truth-seeker's essential question, What does the evidence prove? and instead trust the generalizations and slogans of ideologies to guide their interpretations. Attempting to be up-to-date and profound, these critics lose sight of the literature they are supposed to explore.

The Truth of Uncertainty celebrates values commonly associated with modern, not postmodern criticism, applying them to contemporary works in a series of fresh and unusual inquiries. Galligan finds important implications for criticism in work from the physical sciences that are rarely touched on by American intellectuals, such as Gerald M. Edelman's Bright Air, Brilliant Fire: On the Matter of the Mind and Roger Penrose's The Emperor's New Mind: Concerning Computers, Minds, and the Laws of Physics. Likewise, he finds illumination in the works of novelists that American critics have largely ignored—Josef Skvorecky, George V. Higgins, Mary Lee Settle, Robertson Davies.

As a consequence of dealing with these "unusual" texts, Galligan presents a refreshing interpretation of a number of important concepts: language is grounded in talk; all literary criticism is subjective and tentative because reading is a highly subjective enterprise; and, most important, the world is real and any truth is indeed better than make-believe. He moves from a rejection of criticism in the service of ideology to an affirmation of criticism in the service of truthfulness.

The ideas celebrated in The Truth of Uncertainty are timeless and valuable. Galligan returns to the text and provides a penetrating critique of the state of contemporary criticism, which has abandoned truth for ideology. The result is an eloquent salute to literature itself.