In recent years, popular media has inundated audiences with sensationalized headlines recounting data breaches, new forms of surveillance and other dangers of our digital age. Despite their regularity, such accounts treat each case as unprecedented and unique. This book proposes a radical rethinking of the history, present and future of our relations with the digital, spatial technologies that increasingly mediate our everyday lives.

From smartphones to surveillance cameras, to navigational satellites, these new technologies offer visions of integrated, smooth and efficient societies, even as they directly conflict with the ways users experience them. Recognizing the potential for both control and liberation, the authors argue against both acquiescence to and rejection of these technologies.

Through intentional use of the very systems that monitor them, activists from Charlottesville to Hong Kong are subverting, resisting and repurposing geographic technologies. Using examples as varied as writings on the first telephones to the experiences of a feminist collective for migrant women in Spain, the authors present a revolution of everyday technologies. In the face of the seemingly inevitable circumstances, these technologies allow us to create new spaces of affinity, and a new politics of change.

Decades of neoliberal authoritarianism have propelled Turkey into crisis. Regime change, economic disaster and Erdogan’s ambition to impose ‘one-man rule’ have shaken the foundations of Turkish political life, but what does this mean for workers?

Moving beyond the headlines and personalities, this book uncovers the real condition of the working class in modern Turkey. Combining field research and in-depth interviews, it offers cutting-edge analyses of workplace struggles, trade unionism, the AKP’s relationship with neoliberalism, migration, gender, agrarian change and precarity, as well as the Covid-19 pandemic and its impact on workers.

Bringing together Turkish activists and scholars, this book is an inside look at the dynamics and contradictions of working-class resistance against Turkey’s neoliberal authoritarian regime; from worker self-management to organized labor and rural struggles.

Do you trust the liberal media? While the tabloid and right-wing press - the Sun, The Times, the Mail and the Express - are constantly criticised for dangerous bias, outlets like the BBC and the Guardian are trusted by their readers to report in the interests of the public. However, the reality is that all corporate media is systematically filtered by the powerful interests that own, manage and fund it.

Propaganda Blitz shows that the corporate media does not just 'spin' the news - it fundamentally distorts everything it touches, hiding the real issues from public view, and often completely reversing the truth. This book uncovers a storm of top-down campaigns behind war reporting from Iraq, Syria and Palestine, as well as the destruction of the credibility of figures on the left, including Jeremy Corbyn and Hugo Chavez.

Exposing propagandists at the top levels of the BBC, as well as their reporting on the Scottish independence referendum, the dismantling of the NHS and looming climate chaos, Propaganda Blitz explains the real meaning of 'objective' journalism, exposes the fake news about 'fake news' and outlines a model for anti-business media activism.

"Guardians of Power ought to be required reading in every media college. It is the most important book about journalism I can remember."
- John Pilger

"Regular critical analysis of the media, filling crucial gaps and correcting the distortions of ideological prisms, has never been more important. Media Lens has performed a major public service by carrying out this task with energy, insight, and care."
- Noam Chomsky

"Media Lens is doing an outstanding job of pressing the mainstream media to at least follow their own stated principles and meet their public service obligations. [This is] fun as well as enlightening."
- Edward S. Herman


Can a corporate media system be expected to tell the truth about a world dominated by corporations?

Can newspapers, including the 'liberal' Guardian and the Independent, tell the truth about catastrophic climate change -- about its roots in mass consumerism and corporate obstructionism -- when they are themselves profit-oriented businesses dependent on advertisers for 75% of their revenues?

Can the BBC tell the truth about UK government crimes in Iraq when its senior managers are appointed by the government? Has anything fundamentally changed since BBC founder Lord Reith wrote of the establishment: "They know they can trust us not to be really impartial"?

Why did the British and American mass media fail to challenge even the most obvious government lies on Iraqi weapons of mass destruction before the invasion in March 2003? Why did the media ignore the claims of UN weapons inspectors that Iraq had been 90-95% "fundamentally disarmed" as early as 1998?

This book answers these questions, and more.

Since July 2001, Media Lens has encouraged thousands of readers to email senior editors and journalists, challenging them to account for their distorted reporting on Iraq, Afghanistan, Kosovo, Haiti, East Timor, climate change, Western crimes in Central America, and much more. The responses -- often surprising, sometimes outrageous -- reveal the arrogance, unaccountability and servility to power of even our most respected media.

This book brings together activists, artists, and scholars of color to show how Black feminism and Afrofeminism are being practiced in Europe today, exploring their differing social positions in various countries, and exploring the ways in which they organize and mobilize to imagine a Black feminist Europe.
                                              Deeply aware that they are constructed as “others” living in a racialized and hierarchical continent, the contributors explore gender, class, sexuality, and legal status to show that they are both invisible—presumed to be absent from and irrelevant to European societies—and hyper-visible, assumed to be passive and sexualized, angry and irrational.
                                              In imagining a future outside the neocolonial frames and practices of contemporary Europe, this book explores a variety of critical spaces including motherhood and the home, friendships and intimate relationships, activism and community, and literature, dance, and film.
 

More than thirty years after the collapse of the USSR, the critique of state socialism is still used to deny alternatives to capitalism, irrespective of global capitalist ecological and social devastation. There is seemingly nothing worthwhile salvaging from decades of state socialist experiences.

As the climate crisis deepens, Engel-Di Mauro argues that we need to re-evaluate the environmental practices and policies of state socialism, especially as they had more environmentally beneficial than destructive effects. Rather than dismissing state socialism’s heritage out of hand, we should reclaim it for contemporary eco-socialist ends.

By means of a comparative and multiple-scaled approach, Engel-Di Mauro points to highly diverse and environmentally constructive state socialist experiences. Taking the reader from the USSR to China and Cuba, this is a fiery and contentious look at what worked, what didn’t, and how we can move towards an eco-socialist future.

Sai Englert offers readers an accessible and global account of settler colonialism, taking in its history, some of its main characteristics, and its continued relevance today. 

From the Palestinian struggle against Israel occupation to the First Nations' mass opposition to pipeline construction in North America, indigenous peoples are at the forefront of some of the most important struggles of our age. Rich with their own unique histories, characteristics, and social relations, these different struggles are connected by the enemy they face: settler colonialism.

While settler-colonial regimes differ, Englert explains how they are all defined by a fundamental conflict between themselves and the indigenous people they aim to dispossess, exploit and/or eliminate. 

To understand settler colonialism as a distinct, structural, and contemporary process, is also to start engaging with a number of international social movements, political struggles, and solidarity campaigns differently. It is to start asking how decolonization – as a material struggle for freedom – might be possible.

This concise introduction to social and cultural anthropology has become a modern classic, introducing countless students to the field and the tools it offers for exploring some of the most complicated questions of human life and interaction. This fourth edition is fully updated, incorporating recent debates and controversies in the field, ranging from globalization and migration research to problems of cultural translation and the challenges of interdisciplinarity. Effortlessly bridging the gap between classic and contemporary anthropology, Small Places, Large Issues remains an essential text for undergraduates embarking on the study of this field.

Sitting next to the Great Barrier Reef, steeped in coal and gas, the industrial boomtown of Gladstone, Australia embodies many of the contradictions of the “overheated” world: prosperous yet polluted, growing and developing, yet always on the precipice of crisis.
            Capturing Gladstone at the peak of its accelerated growth in 2013–14, Thomas Hylland Eriksen dissects here the boomtown phenomenon in all its profound ambivalence. Based on ethnographic fieldwork, the book examines local identity, family life, infrastructure, and local services and explores the tensions and resentments surrounding migrant workers.
            Writ large in Boomtown are the clashes of scale at the heart of the town’s contradictions, where the logic of big industry and the state compete with those of the individual and the local community and ecology, crystallizing the current crisis of political legitimacy that is unfurling all over the world.
 

Fredrik Barth, editor of the influential Ethnic Groups and Boundaries, is one of the towering figures of twentieth-century anthropology. In this accessible but penetrating intellectual biography, Thomas Hylland Eriksen explores Barth’s six-decade career, following Barth from his early ecological studies in Pakistan to political studies in Iran, to groundbreaking fieldwork in Norway, New Guinea, Bali, and Bhutan. Along the way, Eriksen raises many of the questions that emerge from Barth’s own work: questions of unity and diversity, of culture and relativism, and of art and science. This will surely be the definitive biography of Barth for many years to come.

We live in a time of global crisis—or, more appropriately, crises: overlapping, interlocking global problems that are inextricably tied to modernity. Overheating offers a groundbreaking new way of looking at the problems of the Anthropocene, exploring crises of the environment, economy, and identity through an anthropological lens. Thomas Hylland Eriksen argues that while each of these crises is global in scope, they are nonetheless perceived and responded to locally—and that once we realize that, we begin to see the contradictions that abound between the standardizing forces of global capitalism and the socially embedded nature of people and local practices. Only by acknowledging the primacy of the local, Eriksen shows, can we begin to even properly understand, let alone address, these problems on a global scale.
 

When it was first published, What Is Anthropology? immediately ignited the discipline, proving how anthropology can be a revolutionary way of thinking about the modern human world. In this fully updated second edition, Thomas Hylland Eriksen brings together examples from current events as well as within anthropological research in order to explain how to see the world from below and from within—emphasizing the importance of adopting an insider's perspective.
 
The first section of the book presents the history of anthropology, and the second discusses core issues in greater detail, covering economics, morals, human nature, ecology, cultural relativism, and much more. Throughout, he reveals how seemingly enormous cultural differences actually conceal the deep unity of humanity. Perfect not only for students, but also for those who have never encountered anthropology before, What is Anthropology? presents the discipline in an exciting and innovative way.

We live in a fast-changing world, where the extraction of natural resources is both the key to development and at the same times is a source of environmental and social disasters. Understanding how landscapes, people, and politics are shaped by the mining industries in today’s world is crucial.
            Mining Encounters paints a broad picture, looking at resource extraction in numerous locations at different stages of development—covering coal, natural gas, gold, and cement mining in North, West, and South Africa, as well as in India, Kazakhstan, and Australia. The chapters answer key questions: How does mining transform the physical landscape? What are the value systems underlying the world’s mining industries? And how does the process of extracting resources determine which stakeholders become dominant and which marginalized?
            Uncovering the tensions, negotiations, and disparities among different actors in the extractive industries, Mining Encounters will make a vital contribution to policy debates moving forward.
 

As major oil companies face continual public backlash, many have found it helpful to engage in “art washing”—donating large sums to cultural institutions to shore up their good name. But what effect does this influx of oil money have on these institutions? Artwash explores the relationship between funding and the production of the arts, with particular focus on the role of big oil companies such as Chevron, ExxonMobil, BP, and Shell.
            Reflecting on the role and function of art galleries, Artwash considers how the association with oil money might impede these institutions in their cultural endeavors. Outside the gallery space, Mel Evans examines how corporate sponsorship of the arts can obscure the strategies of corporate executives to maintain brand identity and promote their public image through cultural philanthropy. Ultimately, Evans sounds a note of hope, presenting ways artists themselves have challenged the ethics of contemporary art galleries and examining how cultural institutions might change.